Love: 8 definitions
Introduction:
Love means something in Buddhism, Pali, Hinduism, Sanskrit, Christianity, Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)1) Love is denoted by the Sanskrit word Śṛṅgāra while the Love Gait is denoted by Śṛṅgāriṇī, which represents one of the various Gatis (“way of walking”) (in Indian Dramas), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—A person in elegant and stylish dress up walks in rhythmic footsteps with particular movements of arms along with the legs. One looks very graceful in it and it is generally adopted at the time of meeting with the beloved. That is why this type of gait is related to śṛṅgāra i.e., love. Moreover, this type of gait is seen in the walking of Dūtī i.e., female messenger.
2) Walking in Love is also associated with Sthira-gati: another one of the various Gatis (“way of walking”).—Sthira-gati denotes the steady movements. To show walking in fever, hunger, disease, tiredness due to penance, dissimulation, excitement, love and sorrow or ease, slow gait should be adopted by the artist. The lover who goes to meet his or her secret lover adopts the sthiragati. In darkness or if a deformed creature is visible or if a person walks a long way, the gait of a person becomes automatically slow down.

Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Jyotisha (astronomy and astrology)
Source: Journal of South Asian Intellectual History: Samarasiṃha and the Early Transmission of Tājika AstrologyLove refers to one the “thirty-two astrological lots” (sahamas), as discussed in the fourth chapter of the Karmaprakāśa—one of the earliest preserved Sanskrit works on Perso-Arabic (Tājika) astrology authored by Samarasiṃha in the 13th century.—The so-called lots (Sanskrit: sahamas; Arabic: sahm, translating κλῆρος) are derived by measuring the longitudinal distance between two predefined points in a horoscope (typically two planets) and projecting it from a third point (typically the ascendant degree). Of these 32 lots [e.g., Love], all but two are present in what has become the most widespread list of Tājika sahamas, compiled some three centuries later by Nīlakaṇṭha and comprising 50 items.

Jyotisha (ज्योतिष, jyotiṣa or jyotish) refers to ‘astronomy’ or “Vedic astrology” and represents the fifth of the six Vedangas (additional sciences to be studied along with the Vedas). Jyotisha concerns itself with the study and prediction of the movements of celestial bodies, in order to calculate the auspicious time for rituals and ceremonies.
In Buddhism
Tibetan Buddhism (Vajrayana or tantric Buddhism)
Source: 84000: Glossary of Terms(Meditations on) Love (in Sanskrit: Maitrī) refers to one of the “Four Immeasurables”.— In the Abhidharmakośa, Vasubandhu explains that the four immeasurables are called apramāṇa—meaning “infinite” or “limitless”—because they take limitless sentient beings as their object, and they generate limitless merit and results. Love (maitrī) is described as the wish that beings be happy, and it acts as an antidote to malice (vyāpāda).

Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
Languages of India and abroad
Hindi dictionary
Source: DDSA: A practical Hindi-English dictionaryLove in Hindi refers in English to:—(nm) a very small division of time; whit, particle; see [lau; ~lina] absorbed, engrossed (as in thought)..—love (लव) is alternatively transliterated as Lava.
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Kannada-English dictionary
Source: Alar: Kannada-English corpusLōve (ಲೋವೆ):—
1) [noun] that part of the slant-roof of a building, that is projected beyond the outer wall.
2) [noun] the frame-work of a sloping roof.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Partial matches: The, Love, Te.
Starts with: Love apple, Love pea, Love thorn, Love-in-a-puff.
Full-text (+4483): Rati, Shringara, Prema, Kama, Priti, Manmatha, Madana, Anuraga, Smara, Sambhoga, Manasija, Sneha, Pranaya, Bhavaja, Vatsalya, Ananga, Kamadeva, Pushpabana, Priyata, Madanatura.
Relevant text
Search found 574 books and stories containing Love, Lōve, The love; (plurals include: Loves, Lōves, The loves). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Vasudevahindi (cultural history) (by A. P. Jamkhedkar)
Appendix 1 - Description of Vidyadharas and magical lores
17. The concept of Knowledge in Jainism < [Chapter 5 - Religion and Philosophy]
6. Palace life < [Chapter 2 - Political conditions]
The Complete Works of Swami Vivekananda (by Srila Narayana Maharaja)
Divine Love < [Lectures and Discourses]
The God of Love is His Own Proof < [Para-Bhakti or Supreme Devotion]
The Preparatory Renunciation < [Para-Bhakti or Supreme Devotion]
Browning as a Poet of Love < [January-February 1933]
Moulana Rumi’s Religion of Love < [March 1946]
Books and Book-lovers < [June 1944]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 7 - Characters in the Līlāvatī-Vīthī < [Chapter 7 - Vīthī (critical study)]
Part 9 - Sentiments (rasa) used in a Samavakāra < [Chapter 6 - Samavakāra (critical study)]
Part 3-6 - Vīthī rules < [Chapter 7 - Vīthī (critical study)]
Complete works of Swami Abhedananda (by Swami Prajnanananda)
Chapter 1 - Human Affection and Divine Love < [Discourse 7 - Human Affection and Divine Love]
Chapter 3 - Manifestation of Divine Love < [Discourse 7 - Human Affection and Divine Love]
Chapter 6 - Immortality and the Self < [Discourse 2 - Self-Knowledge]
A Discourse on Paticcasamuppada (by Venerable Mahasi Sayadaw)
Chapter 20 - Attavadupadana < [Part 8]
Chapter 13 - Three Kinds Of Craving < [Part 6]
Chapter 4 - Six Kinds Of Tanha < [Part 6]
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