Lila, Līlā, Līla: 28 definitions
Lila means something in Buddhism, Pali, Hinduism, Sanskrit, Marathi, Jainism, Prakrit, Hindi, biology. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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Vaishnavism (Vaishava dharma)Source: ISKCON Press: Glossary
Līlā (लीला).—A transcendental “pastime” or activity performed by God or His devotee; The endlessly expanding spiritual activities and pastimes of Kṛṣṇa.Source: Pure Bhakti: Bhagavad-gita (4th edition)
Līlā (लीला) refers to “divine sportive pastimes of the Supreme Lord or His eternal associates”. (cf. Glossary page from Śrīmad-Bhagavad-Gītā).Source: Pure Bhakti: Bhajana-rahasya - 2nd Edition
Līlā (लीला) refers to:—The divine and astonishing pastimes of Śrī Bhagavān and His eternal associates. (cf. Glossary page from Bhajana-Rahasya).Source: Pure Bhakti: Brhad Bhagavatamrtam
Līlā (लीला) refers to:—The Lord’s activities, or pastimes, of both cosmic creation and transcendental exchanges of love with His devotees. (cf. Glossary page from Śrī Bṛhad-bhāgavatāmṛta).
Vaishnava (वैष्णव, vaiṣṇava) or vaishnavism (vaiṣṇavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (‘ten avatars of Vishnu’).
Purana and Itihasa (epic history)Source: archive.org: Shiva Purana - English Translation
1) Līlā (लीला) refers to “divine sports”, according to the Śivapurāṇa 2.1.20.—“[...] thus lord Śiva who had assumed the form of Rudra performed divine sports (līlā) on the mount Kailāsa though he was foremost among Yogins. Thus lord Śiva spent some time without his divine consort. After some time He married Satī, the daughter of Dakṣa Prajāpati. Lord Śiva sported with her. Following the conventions of the world, O celestial sage, he became happy”.
2) Līlā (लीला) refers to “graceful charms”, according to the Śivapurāṇa 2.3.12.—Accordingly, after Himācala (i.e., Himālaya) brought his daughter (Pārvatī) before Śiva: “Then Śiva looked at her in the first flush of her youth. Her complexion resembled the full blown blue lotus petals. Her face appeared as the full moon. Her auspicious dress and features were the repositories of all graceful charms [i.e., samasta-līlā]. Her neck had the shape of the conch-shell. Her eyes were wide and her ears shone exquisitely. On either side, her long-rounded arms resembling a lotus-stalk shone beautifully. [...]”.Source: Cologne Digital Sanskrit Dictionaries: The Purana Index
Līlā (लीला).—A Svara śakti.*
- * Brahmāṇḍa-purāṇa IV. 44. 57.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Natyashastra (theatrics and dramaturgy)Source: Wisdom Library: Nāṭya-śāstra
Līlā (लीला, “sportive mimicry”) refers to one of the ten “natural graces” of women (svābhāvikā), according to the Nāṭyaśāstra chapter 24. These natural graces, also known as svabhāvaja or sahaja, represent one of the three aspects of graces (alaṃkāra) which forms which forms the support of sentiments (rasa) in drama. The natural graces (such as līlā) are defined according to the science of sāmānyābhinaya, or “harmonious representation”.
According to the Nāṭyaśāstra, “imitating the behaviour of a lover by means of relevant words, gestures and make-up (alaṃkāra, lit. ornament) which are delightful and inspired by affection, is called ‘sportive mimicry’ (līlā)”.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Kavya (poetry)Source: Wisdom Library: Kathāsaritsāgara
Līlā (लीला) or Līlāparvata is the name of a mountain whose lord is named Vikrośana: a Vidyādhara king who fought on Śrutaśarman’s side but was slain by Prabhāsa, who participated in the war against Sūryaprabha, according to the Kathāsaritsāgara, chapter 48. Accordingly: “... when they heard that [speech of Śrutaśarman], eight warriors in anger surrounded Prabhāsa.... And the third was the hero Indramālin, a prince of the Vidyādharas, lord of a host of distinguished warriors, and his home was the mountain Līlā”.
The Kathāsaritsāgara (‘ocean of streams of story’), mentioning Līlā, is a famous Sanskrit epic story revolving around prince Naravāhanadatta and his quest to become the emperor of the vidyādharas (celestial beings). The work is said to have been an adaptation of Guṇāḍhya’s Bṛhatkathā consisting of 100,000 verses, which in turn is part of a larger work containing 700,000 verses.
Kavya (काव्य, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetry’ and natya, or ‘dramatic poetry’.
Shaktism (Shakta philosophy)Source: Google Books: Manthanabhairavatantram
Līla (लील) refers to one of the eight Guardians (kṣetrapāla-aṣṭaka) associated with Nādapīṭha (identified with Kulūta), according to the Manthānabhairavatantra, a vast sprawling work that belongs to a corpus of Tantric texts concerned with the worship of the goddess Kubjikā.—[...] The eight Guardians (kṣetrapālāṣṭaka): Ekapāda, Budbuda, Ghaṇṭāvādanaka, Ghora, Gharghara, Valkala, Līla, Laṅkeśvara.
Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Yoga (school of philosophy)Source: Brill: Śaivism and the Tantric Traditions (yoga)
Līlā (लीला) is a commentary on the Kāvyaprakāśa, authored by Bhavadeva-miśra, who also wrote the Yuktabhavadeva (a 17th-century text dealing with Yoga).—The NCC (vol. 4, 98) reports that it is by Bhavadeva, son of Kṛṣṇadeva of Mithila and pupil of Bhavadeva Ṭhakkura.
Yoga is originally considered a branch of Hindu philosophy (astika), but both ancient and modern Yoga combine the physical, mental and spiritual. Yoga teaches various physical techniques also known as āsanas (postures), used for various purposes (eg., meditation, contemplation, relaxation).
General definition (in Hinduism)Source: WikiPedia: Hinduism
Lila (Sanskrit: लीला, līlā) is a concept within Hinduism literally meaning "pastime", "sport" or "play". It is common to both non-dualistic and dualistic philosophical schools, but has a markedly different significance in each. Within non-dualism, Lila is a way of describing all reality, including the cosmos, as the outcome of creative play by the divine absolute (Brahman). In the dualistic schools of Vaishnavism, Lila more simply refers to the activities of God and his devotees, as distinct from the common activities of karma.
Mahayana (major branch of Buddhism)Source: Wisdom Library: Maha Prajnaparamita Sastra
Līlā (लीला) refers to “play”, representing one of the various actions of Māra, according to Mahāprajñāpāramitāśāstra (chapter 10).—Accordingly, “[Question: What are the works of Māra?]—[Answer].—[...] Māra has three types of actions: (a) play (līlā), laughter, idle chatter, singing, dancing, and everything that provokes desire; (b) iron fetters, beating, whipping, wounds, spikes, knives, slashing and everything that is caused by hatred; (c) [demented mortifications] such as being burned, being frozen, tearing out one’s hair, starving, jumping into the fire, throwing oneself into the water, falling onto spears and everything that results from stupidity”.
Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sūtras of which some of the earliest are the various Prajñāpāramitā sūtras.
Biology (plants and animals)Source: Google Books: CRC World Dictionary (Regional names)
1) Lila in Mexico is the name of a plant defined with Clidemia hirta in various botanical sources. This page contains potential references in Ayurveda, modern medicine, and other folk traditions or local practices It has the synonym Staphidium elegans (Aubl.) Naudin (among others).
2) Lila is also identified with Melia azedarach It has the synonym Azedaraca amena Raf. (etc.).
Example references for further research on medicinal uses or toxicity (see latin names for full list):
· A General History of the Dichlamydeous Plants (1831)
· Biodiversidad del estado de Tabasco (2005)
· Revisio Generum Plantarum (1891)
· Flora de Filipinas (1837)
· FBI (1875)
· Phytotherapy Research (2003)
If you are looking for specific details regarding Lila, for example side effects, extract dosage, chemical composition, pregnancy safety, diet and recipes, health benefits, have a look at these references.
This sections includes definitions from the five kingdoms of living things: Animals, Plants, Fungi, Protists and Monera. It will include both the official binomial nomenclature (scientific names usually in Latin) as well as regional spellings and variants.
Languages of India and abroad
Pali-English dictionarySource: BuddhaSasana: Concise Pali-English Dictionary
līlā : (f.) grace; charm.Source: Sutta: The Pali Text Society's Pali-English Dictionary
Līlā, (līḷā) (f.) (cp. Epic Sk. līlā or *līḍā) play, sport, dalliance; probably for līḷhā at J. V, 5 & 157, both times combined with vilāsa.
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
Marathi-English dictionarySource: DDSA: The Molesworth Marathi and English Dictionary
liḷā (लिळा).—f (līlā S) Sport, diversion, pastime,play. liḷā phiraṇēṃ -badalaṇēṃ -pālaṭaṇēṃ g. of s. To change one's course from good to bad or vice versâ.
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līlā (लीला).—f (S) Sport, diversion, pastime or play in general. 2 (Abridged from līlāvatāra q.v. infra.) An incarnation of Vishn̤u. Hence līlā- dhāraṇa Assumption of an incarnation, and līlā- dhārī Assumer of &c.
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līlā (लीला) [or लीळा, līḷā].—ad (Poetry.) As it were in play; easily. See avalīḷā.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
līlā (लीला).—f Play or pastime, sport.
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liḷā (लिळा).—f Play or pastime, sport.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionarySource: DDSA: The practical Sanskrit-English dictionary
Līlā (लीला).—[lī-kvip liyaṃ lāti lā-ka vā Tv.]
1) Play, sport, pastime, diversion, pleasure, amusement; क्लमं ययौ कन्दुक- लीलयापि या (klamaṃ yayau kanduka- līlayāpi yā) Kumārasambhava 5.19; oft. used as the first member of comp.; लीलाकमलम्, लीलाशुकः (līlākamalam, līlāśukaḥ) &c.
2) Amorous pastime, wanton, amorous or playful sport; उत्सृष्टलीलागतिः (utsṛṣṭalīlāgatiḥ) R.7. 7;4.22;5.7; क्षुभ्यन्ति प्रसभमहो विनापि हेतोर्लीलाभिः किमु सति कारणे रमण्यः (kṣubhyanti prasabhamaho vināpi hetorlīlābhiḥ kimu sati kāraṇe ramaṇyaḥ) Śiśupālavadha 8.24; Meghadūta 37; (līlā in this sense is thus explained by ujjavalamaṇi:aprāptavallabhasamāgamanāyikāyāḥ sakhyāḥ puro'tra nijacittavinodabuddhyā | ālāpaveśagatihāsyavilokanādyaiḥ prāṇeśvarānukṛtimāphalayanti līlām ||).
3) Ease, facility, mere sport, child's play; लीलया जघान (līlayā jaghāna) 'killed with ease'.
4) Appearance, semblance, air, mien; यः संयति प्राप्तपिनाकि- लीलः (yaḥ saṃyati prāptapināki- līlaḥ) R.6.72 'appearing like Pinākin'.
5) Beauty, charm, grace; मुहुरवलोकितमण्डनलीला (muhuravalokitamaṇḍanalīlā) Gītagovinda 6; R.6.1;16 71.
6) Pretence, disguise, dissimulation, sham; as, लीलामनुष्यः, लीलानटः (līlāmanuṣyaḥ, līlānaṭaḥ) &c.
7) Frivolity, disrespect; दातव्य- मन्नं विधिवत् सत्कृत्य न तु लीलया (dātavya- mannaṃ vidhivat satkṛtya na tu līlayā) Rām.1.13.14.
8) Action.Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
(-lā) 1. A branch of feminine action, proceeding from love; or the imitation of a lover’s manner, speech, gait, &c. by his mistress, to pass the time in his absence. 2. Play, sport, pastime in general. 3. Amorous or wanton sport. 4. Fecility in doing anything. 5. Mien, manner. 6. Grace, charm. 7. Pretence, disguise, sham. 8. A species of the Dandaka metre. E. lī to embrace, kvip aff., and lā to get or give, affs. ka and ṭāp .Source: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary
Līlā (लीला).— (akin to las), f. 1. Play, sport, pastime, [Pañcatantra] 161, 15; līlayā (instr.), Sportively, [Pañcatantra] 229, 10; easily, without any effort, [Pañcatantra] 211, 12; [Hitopadeśa] 81, 18. 2. Amorous or wanton sport, [Pañcatantra] iii. [distich] 237.Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary
Līlā (लीला).—[feminine] play, sport, amusement, pastime; wantonness, grace, beauty, charm; mere play or sport, i.e. either ease or facility in doing anything; or appearance, semblance, pretence. °— & [instrumental] for sport, without effort; feignedly.Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary
1) Līlā (लीला):—f. (derivation doubtful) play, sport, diversion, amusement, pastime, [Mahābhārata; Kāvya literature] etc.
2) mere sport or play, child’s play, ease or facility in doing anything, [ib.]
3) mere appearance, semblance, pretence, disguise, sham, [Kāvya literature; Kathāsaritsāgara; Purāṇa] ([in the beginning of a compound] sportively, easily, in sport, as a mere joke ; also = līlayā ind. for mere diversion, feignedly)
4) grace, charm, beauty, elegance, loveliness, [Kālidāsa; Kathāsaritsāgara; Rājataraṅgiṇī]
5) (in [rhetoric]) a maiden’s playful imitation of her lover, [Daśarūpa; Sāhitya-darpaṇa; Pratāparudrīya]
6) a kind of metre (4 times ¯ ˘ ˘ ¯ ˘ ˘ ¯ ˘ ˘ ¯ ˘ ˘ ¯ ˘ ˘ ¯), [Colebrooke]
7) Name of a Yoginī, [Hemacandra’s Pariśiṣṭaparvan]Source: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary
Līlā (लीला):—(lā) 1. f. A branch of feminine action proceeding from love; play, sport, dalliance.Source: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)
Līlā (लीला) in the Sanskrit language is related to the Prakrit word: Līlāya.
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionarySource: DDSA: A practical Hindi-English dictionary
Līlā (लीला) [Also spelled lala]:—(nf) sport, play; amorous sport; fun and frolic; stage representation [of the deeds of divine incarnations, e.g, [rāmalīlā, rāsa-līlā]; -kalaha] love strife; ~[priya] frolicsome; ~[puruṣa] an epithet of Lord Krishna who revelled in his divine sport; ~[maya] sportive; playful; ~[sthala] site of amorous sport/play.
Prakrit-English dictionarySource: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary
Līlā (लीला) in the Prakrit language is related to the Sanskrit word: Lolā.
Prakrit is an ancient language closely associated with both Pali and Sanskrit. Jain literature is often composed in this language or sub-dialects, such as the Agamas and their commentaries which are written in Ardhamagadhi and Maharashtri Prakrit. The earliest extant texts can be dated to as early as the 4th century BCE although core portions might be older.
See also (Relevant definitions)
Starts with (+86): Lilaaku, Lilabharana, Lilabhavi, Lilabja, Lilac, Lilac bauhinia, Lilac chaste tree, Lilac pink, Lilac tassel flower, Lilacala, Lilacandra, Lilacatura, Lilachatura, Liladagdha, Liladevi, Liladhara, Liladhara bhatta, Liladharabhatta, Liladhya, Liladri.
Ends with (+110): Adakedalila, Adaketalila, Adbhutalila, Adilila, Agadhasalila, Akashasalila, Alila, Amtassalila, Anamdalila, Anangalila, Antahsalila, Antalila, Antargatalila, Antsslila, Asalila, Ashlila, Ashtakaliyalila, Avalila, Avikritasalila, Bahusalila.
Full-text (+276): Avalila, Salila, Lilakhela, Balalila, Kandukalila, Lilodyana, Lilacatura, Sharabhalila, Salilam, Lilanritya, Ratilila, Lilapadma, Lilakamala, Lilabja, Salilaparihasa, Lilayita, Salilagajagamin, Vrindavana, Salilahamsagamana, Lilavativyakhya.
Search found 73 books and stories containing Lila, Līlā, Liḷā, Līla, Lilā; (plurals include: Lilas, Līlās, Liḷās, Līlas, Lilās). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Garga Samhita (English) (by Danavir Goswami)
Verse 2.2.38 < [Chapter 2 - Description of Girirāja Govardhana’s Birth]
Verse 3.7.31 < [Chapter 7 - The Holy Places of Śrī Girirāja]
Verse 4.13.8 < [Chapter 13 - The Story of the Demigoddesses]
Brihad Bhagavatamrita (commentary) (by Śrī Śrīmad Bhaktivedānta Nārāyana Gosvāmī Mahārāja)
Verse 1.4.98 < [Chapter 4 - Bhakta (the devotee)]
Verse 2.4.268 < [Chapter 4 - Vaikuṇṭha (the spiritual world)]
Verse 2.4.257 < [Chapter 4 - Vaikuṇṭha (the spiritual world)]
Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 2.1.343 < [Part 1 - Ecstatic Excitants (vibhāva)]
Verse 2.1.209 < [Part 1 - Ecstatic Excitants (vibhāva)]
Verse 2.1.130 < [Part 1 - Ecstatic Excitants (vibhāva)]
Chaitanya Bhagavata (by Bhumipati Dāsa)
Verse 2.10.283-284 < [Chapter 10 - Conclusion of the Lord’s Mahā-prakāśa Pastimes]
Verse 1.1.22 < [Chapter 1 - Summary of Lord Gaura’s Pastimes]
Verse 1.1.54 < [Chapter 1 - Summary of Lord Gaura’s Pastimes]
Bhajana-Rahasya (by Srila Bhaktivinoda Thakura Mahasaya)