Liṅgodbhavamūrti, aka: Lingodbhava-murti; 2 Definition(s)
Liṅgodbhavamūrti means something in Hinduism, Sanskrit. Check out some of the following descriptions and leave a comment if you want to add your own contribution to this article.
Liṅgodbhavamūrti (लिङ्गोद्भवमूर्ति).—This form represents Śiva inside an oval recess in the centre of the Liṅga. Always Brahmā and Viṣṇnu are represented in the form of Swan and Boar. All these sculptures are housed in the koṣṭa of the back wall of the sanctum of the shrines of Śiva and this is according to the Textual prescription. All of the Liṅgodbhavamūrti sculptures have uniform iconographic forms. The quality of carving is also uniform in them.Source: Shodhganga: Temples of Salem region Up to 1336 AD
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Vāstuśāstra (वास्तुशास्त्र, vastu-shastra) refers to the knowledge of architecture. It is a branch of ancient Indian science dealing with topics such architecture, construction, sculpture and their relation with the cosmic universe.
The liṅgodbhavamūrti (लिङ्गोद्भवमूर्ति) is one of the common icons in Southern India, which according to the Āgamas is required to be placed in the niche in the western wall of the garbhagṛha or the central shrine. In the Aṃśumadbhedāgama is found the following description of the liṅgodbhavamūrti: The figure of Śiva in the aspect of candraśekharamūrti should be carved on the front of a liṅga. It is stated in the Kāraṇāgama that one-fifth part of the liṅga should be left out on the top and at the bottom respectively without any sculpture. The legs below the knees of the figure of Candraśekhara carved on the liṅga should be invisible, that is, should be left unsculptured. On the right of the liṅga and near its top Brahmā should be represented in the shape of a swan (haṃsa) while Viṣṇu should be carved in the form of a boar on the left at the foot of the liṅga. The figures of Brahmā and Viṣṇu should be sculptured on the right and left respectibely of the liṅga and also facing it, with two hands held on the chest in the añjali pose. The colour of the figure of Śiva should be red, that of Viṣṇu black and that of Brahmā golden yellow.Source: Google Books: Elements of Hindu iconography
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Śilpaśāstra (शिल्पशास्त्र, shilpa-shastra) represents the ancient Indian science of creative arts such as sculpture, iconography and painting. Closely related to Vāstuśāstra (architecture), they often share the same literature.
Search found 65 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Dakṣiṇāmūrti (दक्षिणामूर्ति) is a form of Śiva, which is found invariability in almost all t...
Mūrti (मूर्ति).—anything which has definite shape and physical limits, an embodiment o...
Umāsahitamūrti (उमासहितमूर्ति) carved attached to the shaft of a bhadraka pillar, is a life siz...
Bhikṣāṭaṇamūrti (भिक्षाटणमूर्ति).—It is a sculpture of three feet height. It has got eight hand...
Kaṅkālamūrti (कङ्कालमूर्ति).—The Lord who bears the kaṅkāladaṇḍa is known as kaṅkālamū...
Sukhāsanamūrti (सुखासनमूर्ति).—(according to the Śilparatna), the image of Sukhāsanamū...
Mūrtyaṣṭaka (मूर्त्यष्टक):—The eight embodiments (mūrtyaṣṭaka or mūrtyaṣṭau) are ident...
Āliṅganamūrti (आलिङ्गनमूर्ति).—The third variety of Candraśekharamūrti;—In this ...
Umāmaheśvaramūrti (उमामहेश्वरमूर्ति).—The Viṣṇudharmottara and the Rūpamaṇḍana give th...
Kevalamūrti (केवलमूर्ति).—The first variety of Candraśekharamūrti;—The Aṃśumadbh...
Viṣṇumūrti (विष्णुमूर्ति) is a Sanskrit technical term referring to “images of Viṣṇu&r...
Śivamūrti (शिवमूर्ति).—The Suprabhedāgama adds further that all figures of Śiva should...
Kāmāntakamūrti (कामान्तकमूर्ति) is a Sanskrit technical term referring to an image (mūrti) o...
Caṇḍeśānugrahamūrti (चण्डेशानुग्रहमूर्ति) is a Sanskrit technical term referring to an image...
Viṣṇvanugrahamūrti (विष्ण्वनुग्रहमूर्ति) is a Sanskrit technical term referring to an image ...
Search found 58 books containing Liṅgodbhavamūrti or Lingodbhava-murti. You can also click to the full overview containing English textual excerpts. Below are direct links for the 20 most relevant articles:
- · Brihad Bhagavatamrita > ... > Verse 2.3.25
- · Brihad Bhagavatamrita > ... > Verse 2.3.70
- · Brihad Bhagavatamrita > ... > Verse 2.2.150-151
- · Brihad Bhagavatamrita > ... > Verse 1.4.50
- · Vedānta-sūtras Part I > ... > II, 2, 16
- · Brihad Bhagavatamrita > ... > Verse 1.2.48
- · Brihad Bhagavatamrita > ... > Verse 2.6.138
- · Brihad Bhagavatamrita > ... > Verse 2.4.181
- · Brihad Bhagavatamrita > ... > Verse 2.4.71
- · Brihad Bhagavatamrita > ... > Verse 1.3.78
- · Brihad Bhagavatamrita > ... > Verse 2.5.233
- · Manusmriti with the Commentary of Medhatithi > ... > Verse 2.82
- · Manusmriti with the Commentary of Medhatithi > ... > Verse 1.19
- · Nectar of Devotion > Five Potent Forms of Devotional Service
- · Brihad Bhagavatamrita > ... > Verse 2.2.49
- · Early Chola Temples > ... > Temples in Tirukkalavur (Tirukkarugavur)
- · Early Chola Temples > Preface
- · Devi Bhagavata Purana > ... > On the Devas going to Viṣṇu
- · Shakti and Shakta > ... > Śākta and Advaitavāda
- · Manusmriti with the Commentary of Medhatithi > ... > Verse 1.55
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