Kaishikivritti, Kaiśikīvṛtti, Kaishiki-vritti, Kaiśikī-vṛtti: 1 definition
Introduction:
Kaishikivritti means something in . If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Languages of India and abroad
Kannada-English dictionary
Source: Alar: Kannada-English corpusKaiśikīvṛtti (ಕೈಶಿಕೀವೃತ್ತಿ):—[noun] = ಕೈಶಿಕಿ - [kaishiki -] 1.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Partial matches: Kaishiki, Vritti.
Full-text: Dhirashanta, Dhiralalita, Nayaka.
Relevant text
Search found 9 books and stories containing Kaishikivritti, Kaiśikīvṛtti, Kaishiki-vritti, Kaiśikī-vṛtti, Kaisikivrtti, Kaisiki-vrtti; (plurals include: Kaishikivrittis, Kaiśikīvṛttis, vrittis, vṛttis, Kaisikivrttis, vrttis). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gati in Vṛttis and Pravṛttis < [Chapter 3 - Application of gati in Dṛśya-kāvyas]
Literary and dramatic elements in Nāṭyaśāstra < [Chapter 1 - Nāṭya]
Gati performed in Lāsyāṅgas < [Chapter 3 - Application of gati in Dṛśya-kāvyas]
Mudrarakshasa (literary study) (by Antara Chakravarty)
4.1. Kaiśikī-vṛtti < [Chapter 5 - Adoption of Style and Language in Mudrārākṣasa]
7. Conclusion < [Chapter 5 - Adoption of Style and Language in Mudrārākṣasa]
4.4. Bhāratī-vṛtti < [Chapter 5 - Adoption of Style and Language in Mudrārākṣasa]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 8 - Styles (vṛtti) of the Prakaraṇa < [Chapter 10 - Prakaraṇa (critical study)]
Part 14 - Conclusion < [Chapter 9 - Īhāmṛga (critical study)]
Part 3-6 - Bhāṇa rules < [Chapter 2 - Bhāṇa (critical study)]
Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 4.1.30 < [Part 1 - Laughing Ecstasy (hāsya-rasa)]
Amarakoshodghatana of Kshirasvamin (study) (by A. Yamuna Devi)
Three types of Dance < [Chapter 4 - Cultural Aspects]
Jivanandana of Anandaraya Makhin (Study) (by G. D. Jayalakshmi)
Analysis of Guṇas, Vṛttis and Rīti < [Chapter 6 - Dramatic aspects of the Jīvanandana Nāṭaka]