Horripilation: 3 definitions

Introduction:

Horripilation means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.

In Hinduism

Natyashastra (theatrics and dramaturgy)

[«previous next»] — Horripilation in Natyashastra glossary
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)

1) Horripilation (as a quality) in Indian dramas, is denoted by the Sanskrit term Romāñca and is classified as one of the various “transitory feelings of mind” (sañcāribhāva) in Indian Dramas, according to the Sāhityadarpaṇa.—The state of utsāha is the sthāyībhāva of vīrarasa. It increases energy and excitement to mind and projects the heroic sentiment through the sañcāribhāvas i.e., transitory feelings of mind like, e.g., romāñca (horripilation).

2) Horripilation refers to one of the various expressions (or emotions, feelings, etc.) in Sanskrit drama that are conveyed through Sātvikābhinaya, which represents one of the four divisions of Abhinaya or “ways to convey or represent one’s emotion to others” (in Sanskrit Drama), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—Sātvikābhinaya that deals with the feelings, emotions and expressions, conveyed by the actors. Flow of tears, horripilation, sweating, throbbing of heart and faultering speech come under the sātvikābhinaya. It is important to note here that in the Nāṭyaśāstra the word bhāvabyañjaka is used for the sātvikābhinaya. When the inner ideas of a dramatist are expressed by means of words, gestures, facial expressions and the representation of sattva, those are called bhāvas. [...]

Natyashastra book cover
context information

Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).

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Shilpashastra (iconography)

[«previous next»] — Horripilation in Shilpashastra glossary
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (shilpa)

Horripilation is associated withe the Sentiment of Wonder (adbhuta), which refers to one of the Nine Sentiments (citrarasa) in ancient Indian Painting (citra), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—In the Viṣṇudharmottarapurāṇa it is said that the adbhutarasa is manifested through the picture of submissive face of Tārkṣya which is an epithet of Garuḍa and it generates horripilation. [...] Thus, painting is a medium of showing the inner feelings and emotions of a painter which can strikes the inherent sentiments of connoisseur’s mind, for example: horripilation in the sentiment of wonder.

Shilpashastra book cover
context information

Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.

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Ayurveda (science of life)

[«previous next»] — Horripilation in Ayurveda glossary

Toxicology (Study and Treatment of poison)

Source: Shodhganga: Kasyapa Samhita—Text on Visha Chikitsa

Horripilation (in Sanskrit: Romaharṣa) refers to one of the ten symptoms of a snake-bite (daṃśaceṣṭa) that could be potentially fatal, as taught in the Ceṣṭita (“symptoms of snake-bites”) section of the Kāśyapa Saṃhitā: an ancient Sanskrit text from the Pāñcarātra tradition dealing with both Tantra and Viṣacikitsā—an important topic from Āyurveda which deals with the study of Toxicology (Agadatantra or Sarpavidyā).

Ayurveda book cover
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Āyurveda (आयुर्वेद, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of Āyurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.

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