Haas: 1 definition
Introduction:
Haas means something in Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Ambiguity: Although Haas has separate glossary definitions below, it also represents an alternative spelling of the word Hasa.
Images (photo gallery)
(+418 more images available)
Languages of India and abroad
Hindi dictionary
Source: DDSA: A practical Hindi-English dictionaryHaas in Hindi refers in English to:—(nm) laughter/laughing, derisive laughter, fun, joke; the abiding emotion of [hasya rasa; ~kara] inspiring laughter; -[parihasa] fun and humour..—haas (हास) is alternatively transliterated as Hāsa.
...
See also (Relevant definitions)
Starts with: Haasgras, Haasige-mara, Hacalkalam, Hasam, Hasyam.
Ends with: Butte-ghaas, Chacalhaas, Cukatas, Dhurlu-ghaas, Itihas, Jibre-ghaas, Kanike-ghaas, Kukur-ghaas, Methee-ghaas, Mithighaas, Pachas, Raapre-ghaas, Raapte-ghaas, Raato-baakhre-ghaas, Udhas, Umvanghaas, Uphaas.
Full-text (+27162): Atthiya, Hasa, Gunja, Desia, Samia, Pattia, Cakkiya, Joa, Ishaddhasa, Parihasa, Jitendriya, Vea, Visha, Dhejja, Prasutika, Avalea, Maluya, Buddha, Abharana, Siddha.
Relevant text
Search found 564 books and stories containing Haas, Has; (plurals include: Haases, Hases). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Natyashastra (English) (by Bharata-muni)
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Description of Nāṭaka < [Chapter 2 - Nature and Classification of Sanskrit Drama]
Artha-Prakṛtis (five elements of plot) < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Sandhi (the combination of different phases) < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Abhinaya-darpana (English) (by Ananda Coomaraswamy)
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Summary Of The Daśarūpaka < [Introduction]
Summary of the Daśarūpaka < [Introduction]
Part 15 - Conclusion < [Chapter 6 - Samavakāra (critical study)]
Theories of the Drama: Aristotle vs. the Indian Theorists < [July-August 1931]
Arthur Miller-A Realist < [January – March, 1984]
Potentialities of < [April – June, 2002]
A Manual of Khshnoom (by Phiroz Nasarvanji Tavaria)
Related products
(+271 more products available)