Ghor: 3 definitions
Introduction:
Ghor means something in Hinduism, Sanskrit, Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Languages of India and abroad
Sanskrit dictionary
Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English DictionaryGhor (घोर्).—[ghora] r. 1st cl. (ghorati) To go as a horse.
Source: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English DictionaryGhor (घोर्):—ghorati 1. a. To go as a horse.
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionary
Source: DDSA: A practical Hindi-English dictionaryGhor in Hindi refers in English to:—(a) awful; formidable; terrible; dense, thick; deep; sharp..—ghor (घोर) is alternatively transliterated as Ghora.
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See also (Relevant definitions)
Starts with (+92): Ghor buch, Ghor chubba, Ghora, Ghora bhandi, Ghora ghas, Ghora ghass, Ghora jeera, Ghora keemesh, Ghora lat, Ghora lata, Ghora-bel, Ghora-chabuk, Ghora-dhob, Ghora-kshetra, Ghora-neem, Ghoraapatti, Ghorabach, Ghorabanda, Ghorabrahmacarya, Ghorabrahmacharya.
Full-text: Ghor buch, Ghor chubba, Ghora.
Relevant text
Search found 5 books and stories containing Ghor; (plurals include: Ghors). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Coming of the Mystics < [April 1937]
Folk Tradition of Bengal (and Rabindranath Tagore) (by Joydeep Mukherjee)
Chapter 2.11 - Baul Fakir Katha
Chapter 4 - Musical elements of Baul tradition
Chapter 5.7 - Comparative Study through ‘Influence’ and ‘Anxiety of Influence’
Puppetry in Assam (by Gitali Saikia)
Characteristics of Folk drama < [Chapter 1]
Folk Theatre (c): Khulia Bhaona < [Chapter 6]
Sripura (Archaeological Survey) (by Bikash Chandra Pradhan)
Copper Plate Inscriptions: Salient Features < [Chapter 4 - The Corpus of Inscriptions]
The Skanda Purana (by G. V. Tagare)
Chapter 39 - The Greatness of Barkareśvara < [Section 2 - Kaumārikā-khaṇḍa]