Gandharva, Gāndharva: 29 definitions
Gandharva means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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Purana and Itihasa (epic history)Source: Wisdom Library: Varāha-purāṇa
Gandharva (गन्धर्व).—One of the nine divisions of Bhārata, a region south of mount Meru, according to the Varāhapurāṇa chapter 74. Gandharva is surrounded by an ocean (sāgara) and is one thousand yojanas in extent. Meru is one of the seven mountains located in Jambūdvīpa, which is ruled over by Āgnīdhra, a grandson of Svāyambhuva Manu, who was created by Brahmā, who was in turn created by Nārāyaṇa, the unknowable all-pervasive primordial being, who was created by Brahmā, who was in turn created by Nārāyaṇa, the unknowable all-pervasive primordial being.Source: Google Books: Cultural History from the Vāyu Purāna
The Gandharvas of the Vāyu-purāṇa are connected with the ritual especially in connection with the chanting of the Sāmaveda. In the Vedas they are no doubt associated with the ritual and especially with Soma and not with the Sāmaveda.Source: archive.org: Puranic Encyclopedia
1) Gandharva (गन्धर्व).—Gandharvas are sons born to the famous Kaśyapaprajāpati of his wife, Ariṣṭhā (Agni Puraṇa, Chapter 19). Both belonged to the race of the Devas.
2) Gandharva (गन्धर्व).—A King born in the dynasty of Janamejaya. (Bhāgavata, Navama Skandha).
3) Gāndharva (गान्धर्व).—A marriage settled by the boy and the girl of their own accord. A love marriage. There are six different kinds of marriage: Gāndharva, Ārṣa, Prājāpatya, Rākṣasa, Āsura and Paiśāca. (See under Vivāha).Source: Cologne Digital Sanskrit Dictionaries: The Purana Index
- 1) Brahmāṇḍa-purāṇa III. 7. 36: Vāyu-purāṇa 61. 79: 62. 100: 69. 73: 100. 159: 101. 3 and 28: 106. 59.
- 2) Brahmāṇḍa-purāṇa I. 7. 84: 8. 40.
- 1) Brahmāṇḍa-purāṇa IV. 16. 17: Matsya-purāṇa 114. 8: 121. 48.
- 2) Vāyu-purāṇa 45. 79: Viṣṇu-purāṇa II. 3. 7.
1c) A god to be worshipped in housebuilding.*
- * Matsya-purāṇa 253. 25.
1d) The fourteenth kalpa; here Gāndhārasvara and Nāda came into being.*
- * Vāyu-purāṇa 21. 32.
1e) Born of Ariṣṭā and Kaśyapa;1 worshipped for personal beauty;2 sent by Indra to disturb Mārkaṇḍeya's tapaṣ;3 killed in crores by Bharata;4 other references to.5 A gaṇa moving with the sun by turns praising him;6 sang Sāma in Vāruṇī yajña.7 Three steps inferior to gods; semidivine like Yakṣas, Rākṣasas and Piśācas; frequent Kailāsa; vanquished by Rāvaṇa; Citraratha was their overlord.8 milked the earth and preserved its essence Gandha (s.v.); worship Barhiṣad manes; attended with Apsaras at the yajña of Arjuna Kārtavīrya;9 world of;10 live in trees,11 ety. from singing;12
- 1) Matsya-purāṇa 5. 1: 6. 29 and 45: Viṣṇu-purāṇa I. 5. 46: 21. 25.
- 2) Bhāgavata-purāṇa II. 3. 6.
- 3) Ib. XII. 8. 16.
- 4) Ib. IX. 11. 13.
- 5) Ib. IV. 6. 9: V. 1. 8; VI. 7. 3; VII. 7. 50; 8. 38; X. 3. 6: 4. 11: 25. 31: 55. 23: 62. 19; 85. 41; XI. 6. 3: 12. 3: 14. 5: 16. 33: 31. 2: XII. 11. 47: Brahmāṇḍa-purāṇa IV. 1. 155: 2. 26: 4. 2: 9. 77: 15. 24: 20. 48 and 101: 33. 15: 39. 56.
- 6) Brahmāṇḍa-purāṇa II. 23. 27 and 50: 32. 1-2: 35. 191.
- 7) Brahmāṇḍa-purāṇa III. 1. 25.
- 8) Brahmāṇḍa-purāṇa III. 7. 167-70, 255: 8. 10: 10. 37: 24. 59. IV. 36. 16: Matsya-purāṇa 8. 6.
- 9) Matsya-purāṇa 10. 24: 13. 17; 15. 3; 37. 2 and 4: 43. 22.
- 10) Matsya-purāṇa 78. 11: 246. 61: 247. 11.
- 11) Brahmāṇḍa-purāṇa II. 7. 84: Vāyu-purāṇa 9. 55: 21. 33: 30. 86: 33. 64: 34. 55.
- 12) Brahmāṇḍa-purāṇa II.
13) Vāyu-purāṇa 66. 73.
1f) (Mauneya) in number 60 crores, overcame the Nāgas of Rasātala and deprived them of their jewels, etc.; ultimately defeated by Purukutsa, son of Māndhāta.*
- * Viṣṇu-purāṇa IV. 3. 4-9.
2a) Gāndharva (गान्धर्व).—One of the nine divisions of Bhāratavarṣa.*
- * Brahmāṇḍa-purāṇa II. 16. 9. Matsya-purāṇa 48. 7.
2b) A form of marriage by which Kṛṣṇa married Rukmiṇī, and Duṣyanta married Śakuntalā. Princesses usually chose their husbands.*
- * Bhāgavata-purāṇa III. 3. 3; IX. 20. 15-16; Brahmāṇḍa-purāṇa IV. 15. 5; Viṣṇu-purāṇa III. 10. 24.
- 1) Vāyu-purāṇa 86. 26, 36-69. Viṣṇu-purāṇa III. 6. 28.
- 2) Bhāgavata-purāṇa IX. 3. 30; X. 21. 5; Brahmāṇḍa-purāṇa III. 61. 21, 26-8.
Gandharva (गन्धर्व) is a name mentioned in the Mahābhārata (cf. I.59.7, I.65, I.61.62) and represents one of the many proper names used for people and places. Note: The Mahābhārata (mentioning Gandharva) is a Sanskrit epic poem consisting of 100,000 ślokas (metrical verses) and is over 2000 years old.Source: Shodhganga: The saurapurana - a critical study
Gandharva (गन्धर्व) refers to the offspring of Ariṣṭā: one of thirteen of Dakṣa’s sixty daughters given to Kaśyapa in marriage, according to one account of Vaṃśa (‘genealogical description’) of the 10th century Saurapurāṇa: one of the various Upapurāṇas depicting Śaivism.—Accordingly, Dakṣa gets married to Asikni, the daughter of Prajāpati Viraṇa and begot sixty daughters [viz., Kaśyapa]. Kaśyapa’s thirteen wives are [viz., Ariṣṭā]. Gandharvas were born to Ariṣṭā.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Vaishnavism (Vaishava dharma)Source: ISKCON Press: Glossary
Gandharva (गन्धर्व).—The celestial demigod dancers, singers, and musicians of the heavenly planets.
Vaishnava (वैष्णव, vaiṣṇava) or vaishnavism (vaiṣṇavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (‘ten avatars of Vishnu’).
Natyashastra (theatrics and dramaturgy)Source: Wisdom Library: Nāṭya-śāstra
1a) Gandharva (गन्धर्व) refers to a group of deities to be worshipped during raṅgapūjā, according to the Nāṭyaśāstra 3.1-8. Accordingly, the master of the dramatic art who has been initiated for the purpose shall consecrate the playhouse after he has made obeisance (eg., to gandharvas).
1b) Gandharva (गन्धर्व) refers to a “musician” who can be assigned the role of an assesor (prāśnika) of dramatic plays (nāṭaka) according to the Nāṭyaśāstra chapter 24. These assessors (eg., the gandharvas) are to point out the faults of a dramatic performance (nāṭaka) as well as the merits of actors (nartaka) whenever a controversy (saṃgharṣa) arises among persons ignorant of the nāṭyaśāstra.
2) Gāndharva (गान्धर्व) refers to “musical performance” composed of notes, time-measure and verbal themes, according to the Nāṭyaśāstra chapter 28. It is a combination of vocal music and the music of instruments:—“that which is made by the stringed instruments (ātodya) and depends as well on various other instruments, and consists of savra (notes), tāla (time-measure) and pada (verbal theme) should be known as the gāndharva. As it is very much desired by gods and as it gives much pleasure to Gandharvas, it is called the gāndharva (i.e. a thing belonging to Gandharvas.)”
Gāndharva (musical performance) is of three kinds:
- that of the notes (svara),
- that of the time-measure (tāla),
- that of the verbal theme (pada).
Gāndharva (गान्धर्व, “music”).—In ancient times music is indicated by the word gāndharva. By later authors, however, it is called gīta or saṃgīta. In Vedic texts the term gāndharva does not occur. We find the following musical terms: vādita for instrumental music, gīta for vocal music and gātha to indicate originally religious, later on also secular musical recitations (“sprechgesang”) or songs in a simple recitative style in contradistinction to the more complicated sāman-melodies.
According to Dattilam, “in the very beginning music (gāndharva) was given by the Self-existing One (Svayambhū) to Nārada and the other gandharvas. Then, it was duly taken down to the earth by Nārada. A collection of notes (svara), which is based on words (pada), which is well-measured by time-measurement (tāla) and which is executed with attentiveness, is called music (gāndharva).”
According to Nāṭyaśāstra 28.9: “as it is very much desired by gods and as it gives much pleasure to Gandharvas, it is called the gāndharva (i.e. a thing belonging to Gandharvas)”.
According to the Saṃgītaratnākara 4.2: “that, which from eternity exists as a traditional and which is always performed by celestial musicians as something which brings happiness, is what the experts call gāndharva”.Source: Google Books: Saṅgītaśiromaṇi: A Medieval Handbook of Indian Music
Gāndharva (गान्धर्व, “classical music”).—That which master musicians (gandharva) have been performing in an unbroken tradition down to thhis day—prakaraṇa songs and other compositions vased on fundamental melodic forms (grāmarāga), modes (jāti), etc.—is classical music (gāndharva). (cf. Saṅgītaśiromaṇi 13.1)Source: archive.org: Natya Shastra
Gandharva (गन्धर्व).—Description of a women of gandharva type;—A woman who enjoys roaming in many gardens, is adorned with good nails and teeth, speaks with a smile, is slim-bodied, has a slow gait, loves sexual pleasure, is always pleased to hear music (gīta and vādya) and to witness dance, is careful about cleanliness of the body and has soft skin, glossy hairs and charming eyes, is known to possess the nature of a gandharva.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Dhanurveda (science of warfare)Source: Wisdom Library: Dhanurveda
Gāndharva (गान्धर्व) refers to a weapon (Arjuna received this weapon from tribe Tumbari (Gandharvas)). It is a Sanskrit word defined in the Dhanurveda-saṃhitā, which contains a list of no less than 117 weapons. The Dhanurveda-saṃhitā is said to have been composed by the sage Vasiṣṭha, who in turn transmitted it trough a tradition of sages, which can eventually be traced to Śiva and Brahmā.
Dhanurveda (धनुर्वेद) refers to the “knowledge of warfare” and, as an upaveda, is associated with the Ṛgveda. It contains instructions on warfare, archery and ancient Indian martial arts, dating back to the 2nd-3rd millennium BCE.
Shaktism (Shakta philosophy)Source: Wisdom Library: Śāktism
Gandharva (गन्धर्व) refers to one of the 53 gods to be worshipped in the southern quarter and given pāyasa (rice boiled in milk) according to the Vāstuyāga rite in Śaktism (cf. Śāradātilaka-tantra III-V). The worship of these 53 gods happens after assigning them to one of the 64 compartment while constructing a Balimaṇḍapa. Vāstu is the name of a prodigious demon, who was killed by 53 gods (eg., Gandharva).
Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Kavya (poetry)Source: Shodhganga: The Kavyamimamsa of Rajasekhara
Gandharva (गन्धर्व) is the name a locality mentioned in Rājaśekhara’s 10th-century Kāvyamīmāṃsā.—One of the nine parts of the Bhāratavarṣa, in the Kāvyamīmāṃsā. some of the Purāṇas mentioned it as Gāndharva. In the Uttarkanda (ch - cxiii, 10-11 and cxiv-11) in Rāmāyaṇa described this region is the valley of the Kābul, with a small tract of the land to the east of the Indus.
Kavya (काव्य, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetry’ and natya, or ‘dramatic poetry’.
General definition (in Hinduism)Source: WikiPedia: Hinduism
Gandharva (गंधर्व): A class of celestial beings regarded as specialists in music.
Mahayana (major branch of Buddhism)Source: Wisdom Library: Maha Prajnaparamita Sastra
Gandharva (गन्धर्व) refers to “divine artists” accompanying the gods according to the 2nd century Mahāprajñāpāramitāśāstra (chapter XV). Accordingly, “The Gandharvas are divine artists who accompany the gods; their predispositions are gentle (mañju) but their merits, their qualities and their power are minimal; they are lower than the Devas and the Asuras. They are classed in the Asura destiny (asuragati), wheras the Nāgarājas, ‘dragon-kings’, are classed in the animal destiny (tiryaggati)”.
Also, “The king of the Gandharvas is called T’ong long mo (Druma) (in the Ts’in language, ‘tree’). Gandharvas and Kiṃnaras habitually reside in two places: their usual residence is on the Ten-Jewel Mountain (daśaratnagiri); but sometimes in the heavens, they play music for the gods. These two types of beings are not subject to the alternations of high and low ”.
Notes: The Gandharvas include in their ranks the heavenly musicians, Pañcasikha and Sūriyavaccasā, the daughter of Timbarū. In order to be reborn among the Gandharvas, it is enough to have practiced a lower form of śīla (Dīgha II). The Gandharvas form the lower group of gods (Dīgha II); they are the subjects of Dhṛtrarāṣtra, one of the four Cāturmahārājikadevas.
Gandharvas, together with other deities constitute the Asuras, according to chapter XLVI.—Accordingly, “great gods such as the Asuras, Kiṃnaras, Gandharvas, Kumbhāndas, Yakṣas, Rakṣasas, Bhūtas, etc., are Asuras, and when their troops increase, those of the Devas decrease. Their power (anubhāva) and their transformations (nirmāṇa) were exercised at will. The Asura destiny is called thus because the Asuras appear at the head of a list; the others, namely, the Kiṃnaras, Gandharvas, Kuṃbhāṇḍas, Yakṣas, Bhūtas, etc. constitute one and the same destiny with them”.
Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sūtras of which some of the earliest are the various Prajñāpāramitā sūtras.
General definition (in Buddhism)Source: WikiPedia: Buddhism
A Gandharva (Sanskrit) or Gandhabba (Pali) is one of the lowest ranking devas in Buddhist theology. They are classed among the Caturmaharajikakayika devas, and are subject to the Great King Dhrtarastra, Guardian of the East. Beings are reborn among the Gandharvas as a consequence of having practiced the most basic form of ethics (Janavasabha sutta, DN.18). It was considered embarrassing for a monk to be born in no better birth than that of a gandharva.
Gandharvas can fly through the air, and are known for their skill as musicians. They are connected with trees and flowers, and are described as dwelling in the scents of bark, sap, and blossom. They are among the beings of the wilderness that might disturb a monk meditating alone.
The terms gandharva and yaksa are sometimes used for the same person; yaksa in these cases is the more general term, including a variety of lower deities.Among the notable gandharvas are mentioned (in DN.20 and DN.32) Panada, Opamanna, Nala, Cittasena, Raja. Janesabha is probably the same as Janavasabha, a rebirth of King Bimbisara of Magadha. Matali the Gandharva is the charioteer for Sakra.
General definition (in Jainism)Source: Wisdom Library: Jainism
Gandharva (गन्धर्व).—The gandharvas are a group of deities categorised as belonging to the vyantara class of Gods (devas). The vyantaras represent a class of Gods (devas) comprising eight groups of deities that wander about the three worlds (adhaloka, madhyaloka and ūrdhvaloka).Source: Google Books: Jaina Iconography
Gandharva (गन्धर्व).—A class of vyantara gods;—According to Tiloyapaṇṇatti, the ten Gandharvas are:
Golden in appearance, they have the Tumbaru tree as their Caitya-tree
Accordign to Śvetāmbara Saṃgrahaṇī-sūtra, they are:
The Gandharvas are blackish and beautiful in appearance, have excellent physiognomy, sweet voices and adorned with crowns and neckalces. The Tumbaru tree is their herald mark.Source: archive.org: The Jaina Iconography
Gandharva (गन्धर्व) is the name of the Yakṣa accompanying Kunthanātha: the seventeenth of twenty-four Tīrthaṃkaras or Jinas, commonly depicted in Jaina iconography.—Jaina tradition as preserved in their literature, has always connected the symbol of a goat with this Tīrthaṃkara. He has as his Yakṣa Gandharva and Yakṣiṇī Balā (Digambara: Vijayā). The contemporary King, who carries his Chowrie-bearer is called Kuṇāla. The tree selected by him to sit under for attaining the Kevala knowledge is Tilaka-taru.
The Digambara account makes this [Gandharva] Yakṣa to ride a bird and bear four hands. The symbols held in them are a snake, noose, bow etc. The Śvetāmbara representation shows a swan as his vehicle and his four hands holding a Varada, noose, citrus and goad.Source: Encyclopedia of Jainism: Tattvartha Sutra 4: The celestial beings (deva)
Gandharva (गन्धर्व) refers to the “musician” class of “peripatetic celestial beings” (vyantara), itself a category of devas (celestial beings), according to the 2nd-century Tattvārthasūtra 4.10. Who are the lords amongst the musician (gandharva) class of peripatetic (forest) celestial beings? Gītarati and Gītayaśa are the two lords in the musician class of peripatetic celestial beings.
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
India history and geogprahySource: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical Glossary
Gāndharva.—(EI 28), dance and music. Note: gāndharva is defined in the “Indian epigraphical glossary” as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.
The history of India traces the identification of countries, villages, towns and other regions of India, as well as royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Marathi-English dictionarySource: DDSA: The Molesworth Marathi and English Dictionary
gandharva (गंधर्व).—m (S) A celestial chorister. These are a class of demigods. They inhabit Swarga and form the orchestra of the principal deities. 2 fig. An extraordinary vocalist or musician.
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gāndharva (गांधर्व).—n S Song, singing, vocal music.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
gandharva (गंधर्व).—m A celestial chorister. Fig. An extraordinary vocalist or musician.
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gāndharva (गांधर्व).—n Song, singing, vocal music.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit-English dictionarySource: DDSA: The practical Sanskrit-English dictionary
1) A celestial musician, a class of demi-gods regarded as the singers or musicians of gods, and said to give good and agreeable voice to girls; पतङ्गो वाचं मनसा बिभर्ति तां गन्धर्वोऽवदद्गर्भे अन्तः (pataṅgo vācaṃ manasā bibharti tāṃ gandharvo'vadadgarbhe antaḥ) Rv.1.177.2; Av.11.5.2; सोमं शौचं ददावासां गन्धर्वश्च शुभां गिरम् (somaṃ śaucaṃ dadāvāsāṃ gandharvaśca śubhāṃ giram) Y.1.71.
2) A singer in general; Mb.7.57.4.
3) A horse; Mb.3.
4) The musk-deer.
5) The soul after death and previous to its being born again; तस्यासीद्दुहिता गन्धर्वगृहीता (tasyāsīdduhitā gandharvagṛhītā) Bṛ. Up.3.3.1.
6) The black cuckoo.
7) The sun.
8) A sage, pious man; Vāj.32.7.
Derivable forms: gandharvaḥ (गन्धर्वः).
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Gāndharva (गान्धर्व).—a. (-rvī f.) [गन्धर्वस्येदम्-अण् (gandharvasyedam-aṇ)] Relating to the Gandharvas.
-rvaḥ 1 A singer, celestial chorister; Rām.7.94.6.
2) One of the eight forms of marriage; गान्धर्वः समयान्मिथः (gāndharvaḥ samayānmithaḥ) Y.1.61; (for explanation, see gandharva- vivāha); cf. अग्निर्गान्धर्वी पथ्यामृतस्या (agnirgāndharvī pathyāmṛtasyā) Rv.1.8.6.
3) A subordinate Veda treating of music attached to the Sāmaveda; see उपवेद (upaveda).
4) A horse.
-rvam The art of the Gandharvas; i. e. music, singing; कापि वेला चारुदत्तस्य गान्धर्व श्रोतुं गतस्य (kāpi velā cārudattasya gāndharva śrotuṃ gatasya) Mk.3; अये गान्धर्वध्वनिरिव श्रूयते (aye gāndharvadhvaniriva śrūyate) Avimārakam 3; Ks.12.28.
-rvī 1 Speech.
2) An epithet of Durgā.Source: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionary
Gandharva (गन्धर्व).—m. (compare Pali gandhabbā, f., and Sanskrit gāndharva, nt., id.), music: Mahāvyutpatti 4954 (so also Mironov; short a may be MIndic, but note gender!) = Tibetan rol mo.
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Gāndharva (गान्धर्व).—name of a cakravartin: Mahāvastu i.153.16.Source: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary
Gandharva (गन्धर्व).—and rba rba, I. m. A Gandharva: in epic poetry the Gandharvas are demigods inhabiting Indra's heaven, and serving as celestial musicians, Mahābhārata 1, 4806. Ii. f. vī. 1. A female Gandharva, [Bhāgavata-Purāṇa, (ed. Burnouf.)] 4, 29, 21. 2. A mythological person, [Rāmāyaṇa] 3, 20, 28; 29.
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Gāndharva (गान्धर्व).—i. e. gandharva + a, I. adj., f. vī. 1. Referable or belonging to the Gandharvas, Mahābhārata 7, 6348; [Rāmāyaṇa] 1, 29, 15. 2. m. viz. vivāha, A form of marriage, that which requires only mutual agreement, [Mānavadharmaśāstra] 3, 21. 3. Musical, Mahābhārata 3, 8421. 4. Possessed by the Gandharvas, [Suśruta] 1, 332, 21. Ii. n. Music and dance, Mahābhārata 13, 1427.Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary
1) Gandharva (गन्धर्व):—m. a Gandharva [though in later times the Gandharvas are regarded as a class, yet in [Ṛg-veda] rarely more than one is mentioned; he is designated as the heavenly Gandharva (divya g, [Ṛg-veda ix, 86, 36 and x, 139, 5]), and is also called Viśvā-vasu ([Ṛg-veda x, 85, 21 and 22; 139, 4 and 5]) and Vāyu-keśa (in [plural] [Ṛg-veda iii, 38, 6]); his habitation is the sky, or the region of the air and the heavenly waters ([Ṛg-veda i, 22, 14; viii, 77, 5; ix, 85, 12; 86, 36; x, 10, 4; Atharva-veda ii, 2, 3]); his especial duty is to guard the heavenly Soma ([Ṛg-veda ix, 83, 4 and 85, 12]), which the gods obtain through his intervention ([Ṛg-veda; Atharva-veda vii, 73, 3]; cf. [Ṛg-veda i, 22, 14]); it is obtained for the human race by Indra, who conquers the Gandharva and takes it by force ([Ṛg-veda viii, 1, 11 and 77, 5]); the heavenly Gandharva is supposed to be a good physician, because the Soma is considered as the best medicine; possibly, however, the word Soma originally denoted not the beverage so called, but the moon, and the heavenly Gandharva may have been the genius or tutelary deity of the moon; in one passage ([Ṛg-veda ix, 86, 36]) the heavenly Gandharva and the Soma are identified; he is also regarded as one of the genii who regulate the course of the Sun’s horses ([i, 163, 2; x, 177, 2]; cf. [135, 5]); he knows and makes known the secrets of heaven and divine truths generally ([x, 139, 5 and 6; Atharva-veda ii, 1, 2; xx, 128, 3; Vājasaneyi-saṃhitā xi, 1; xxxii, 9]); he is the parent of the first pair of human beings, Yama and Yamī ([Ṛg-veda x, 10, 4]), and has a peculiar mystical power over women and a right to possess them ([Ṛg-veda x, 85, 21 and 22; 40 and 41]); for this reason he is invoked in marriage ceremonies ([Atharva-veda xiv, 2, 35 and 36]); ecstatic states of mind and possession by evil spirits are supposed to be derived from the heavenly Gandharva (cf. -gṛhīta, -graha); the Gandharvas as a class have the same characteristic features as the one Gandharva; they live in the sky ([Ṛg-veda; Atharva-veda; Śatapatha-brāhmaṇa xiv]), guard the Soma ([Ṛg-veda ix, 113, 3; Śatapatha-brāhmaṇa iii; Aitareya-brāhmaṇa i, 27]), are governed by Varuṇa (just as the Apsarasas are governed by Soma), [Śatapatha-brāhmaṇa xiii; Āśvalāyana-śrauta-sūtra x, 7, 3], know the best medicines ([Atharva-veda viii, 7, 23; Vājasaneyi-saṃhitā xii, 98]), regulate the course of the asterisms ([Atharva-veda xiii, 1, 23; Bhāgavata-purāṇa iv, 29, 21]; hence twenty-seven are mentioned, [Vājasaneyi-saṃhitā ix, 7]), follow after women and are desirous of intercourse with them ([Atharva-veda; Śatapatha-brāhmaṇa iii]); as soon as a girl becomes marriageable, she belongs to Soma, the Gandharvas, and Agni ([Gṛhyāsaṃgraha ii, 19 f.; Pañcatantra; Suśruta]); the wives of the Gandharvas are the Apsarasas (cf. gandharvāpsaras), and like them the Gandharvas are invoked in gambling with dice ([Atharva-veda vii, 109, 5]); they are also feared as evil beings together with the Rākṣasas, Kimīdins, Piśācas, etc., amulets being worn as a protection against them ([Atharva-veda; Suśruta]); they are said to have revealed the Vedas to Vāc ([Śatapatha-brāhmaṇa iii]; cf. [Pāraskara-gṛhya-sūtra ii, 12, 2]), and are called the preceptors of the Ṛṣis ([Śatapatha-brāhmaṇa xi]); Purūravas is called among them ([ib.]); in epic poetry the Gandharvas are the celestial musicians or heavenly singers (cf. [Ṛg-veda x, 177, 2]) who form the orchestra at the banquets of the gods, and they belong together with the Apsarasas to Indra’s heaven, sharing also in his battles ([Yājñavalkya i, 71; Mahābhārata; Harivaṃśa] etc.; cf. [Religious Thought and Life in India p.238]); in the more systematic mythology the Gandharvas constitute one of the classes into which the higher creation is divided (id est. gods, manes, Gandharvas, [Atharva-veda xi, 5, 2]; or gods, Asuras, Gandharvas, men, [Taittirīya-saṃhitā vii, 8, 25, 2]; cf. [Śatapatha-brāhmaṇa x]; or gods, men, Gandharvas, Apsarasas, Sarpas, and manes, [Aitareya-brāhmaṇa iii, 31, 5]; for other enumerations cf. [Nirukta, by Yāska iii, 8; Manu-smṛti i, 37] [Religious Thought and Life in India p.237] [&iii, 196; vii, 23; xii, 47; Nalopākhyāna] etc.); divine and human Gandharvas are distinguished ([Taittirīya-upaniṣad ii, 8]; the divine or Deva-Gandharvas are enumerated, [Mahābhārata i, 2550 ff. and 4810 ff.]); another passage names 11 classes of Gandharvas ([Taittirīya-āraṇyaka i, 9, 3]); the chief or leader of the Gandharvas is named Citra-ratha ([Bhagavad-gītā x, 26]); they are called the creatures of Prajāpati ([Manu-smṛti i, 37]) or of Brahmā ([Harivaṃśa 11793]) or of Kaśyapa () or of the Munis ([Mahābhārata i, 2550; Harivaṃśa 11553]) or of Prādhā ([Mahābhārata i, 2556]) or of Ariṣṭā ([Harivaṃśa 234; Viṣṇu-purāṇa i, 21]) or of Vāc ([Padma-purāṇa]); with Jainas the Gandharvas constitute one of the eight classes of the Vyantaras]
2) Name of the attendant of the 17th Arhat of the present Avasarpiṇī, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
3) a singer, [Varāha-mihira’s Bṛhat-saṃhitā lxxxvii, 33; Bhāgavata-purāṇa i, 11, 21]
4) the Koïl or black cuckoo, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
5) a sage, pious man, [Mahīdhara on Vājasaneyi-saṃhitā xxxii, 9]
6) a horse, [Mahābhārata iii, 11762]
7) cf. [ii, 1043]
8) the musk deer (derived [from] gandha), [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
9) the soul after death and previous to its being born again (corresponding in some respects to the western notion of a ghost), [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
10) Name of the 14th Kalpa or period of the world, [Vāyu-purāṇa i, 21, 30]
11) of the 21st Muhūrta, [Sūryaprajñapti]
12) of a Svara or tone (for gāndhāra?), [Harivaṃśa ii, 120, 4]
13) m. [plural] the Gandharvas (See above)
14) m. Name of a people (named together with the Gāndhāras), [Rāmāyaṇa vii, 100, 10 f. and 101, 2 ff. and 11; Varāha-mihira’s Bṛhat-saṃhitā xiv, 31]
15) Gandharvā (गन्धर्वा):—[from gandharva] f. Durgā, [Harivaṃśa ii, 120, 4] ([varia lectio] gāndharvī)
16) Gandharva (गन्धर्व):—(cf. [Greek] κένταυρος [from] κενθαρϝο-ς.)
17) Gāndharva (गान्धर्व):—mf(gāndharvī-)n. belonging or relating to the Gandharvas (especially vivāha, or vidhi, the form of marriage called after the Gandharvas which requires only mutual agreement, [Āśvalāyana-gṛhya-sūtra i, 6, 5; Manu-smṛti; Yājñavalkya; Mahābhārata i, etc.] ; cf. gandharva-vivāha), [Ṛg-veda x, 80, 6; Śatapatha-brāhmaṇa xiv etc.]
18) relating to the Gandharvas as heavenly choristers (cf. -kalā, -veda, etc.), [Mahābhārata; Harivaṃśa] etc.
19) m. (= gandh [gana] prajñādi, [Gaṇaratna-mahodadhi 175]) a singer, [Rāmāyaṇa vii, 94, 6; Varāha-mihira’s Bṛhat-saṃhitā xv, xxxii]
20) Name of a musical note, [Harivaṃśa 16291; Vāyu-purāṇa i, 21, 30]
21) of one of the 9 divisions of Bhārata-varṣa, [Viṣṇu-purāṇa ii, 3, 7]
22) n. the art of the Gandharvas, song, music, concert, [Mahābhārata; Harivaṃśa] etc.
23) Name of a Tantra
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Starts with (+24): Gandharvachitta, Gandharvacitta, Gandharvadatta, Gandharvagayana, Gandharvagita, Gandharvagraha, Gandharvagrihita, Gandharvahasta, Gandharvahastadi, Gandharvahastaka, Gandharvaka, Gandharvakala, Gandharvakanya, Gandharvakayika, Gandharvakayuprabharaja, Gandharvalagna, Gandharvalipi, Gandharvaloka, Gandharvamadana, Gandharvamalika.
Full-text (+682): Vishvavasu, Tumburu, Gandharvaraja, Yuddhagandharva, Huhu, Gandharvacitta, Gandharvavidya, Gandharvapura, Gandharvaloka, Gandharvaveda, Haha, Gandharvanagara, Gandharvakala, Gandharvashastra, Gandharvi, Phalamdada, Simhagamini, Sukukshi, Subahuyukta, Citrasena.
Search found 114 books and stories containing Gandharva, Gāndharva, Gandharvā; (plurals include: Gandharvas, Gāndharvas, Gandharvās). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Brihad Bhagavatamrita (by Śrīla Sanātana Gosvāmī)
Verse 1.2.4 < [Chapter 2 - Divya: In Heaven]
Verse 1.2.13 < [Chapter 2 - Divya: In Heaven]
Verse 1.4.56 < [Chapter 4 - Bhakta: The Devotee]
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 3.3.43 < [Part 3 - Fraternal Devotion (sakhya-rasa)]
Verse 2.1.95 < [Part 1 - Ecstatic Excitants (vibhāva)]
Verse 2.3.5 < [Part 3 - Involuntary Ecstatic Expressions (sattvika-bhāva)]
Kathasaritsagara (the Ocean of Story) (by Somadeva)
Note on the Gāndharva form of marriage < [Notes]
Appendix 1.1 - Mythical Beings < [Appendices]
Chapter CXVI < [Book XVII - Padmāvatī]
Manusmriti with the Commentary of Medhatithi (by Ganganatha Jha)
Verse 12.47 < [Section VIII - States of Existence due to the Three Qualities]
Verse 3.39 < [Section IV - The Eight Forms of Marriage]
Verse 3.32 < [Section IV - The Eight Forms of Marriage]
The Mahabharata (English) (by Kisari Mohan Ganguli)
Section CLXXII < [Caitraratha Parva]
Section CCXXXIX < [Ghosha-yatra Parva]
Section CLXXXV < [Caitraratha Parva]
The Shiva Purana (by J. L. Shastri)
Chapter 28 - The penance and marriage of Śaṅkhacūḍa < [Section 2.5 - Rudra-saṃhitā (5): Yuddha-khaṇḍa]
Chapter 18 - Seven continents (varṣa) < [Section 5 - Umā-Saṃhitā]
Chapter 5 - Binduga’s salvation < [Śivapurāṇa-māhātmya]