Ceshta, aka: Ceṣṭā, Ceṣṭa; 6 Definition(s)
Ceshta means something in Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit terms Ceṣṭā and Ceṣṭa can be transliterated into English as Cesta or Ceshta, using the IAST transliteration scheme (?).
Alternative spellings of this word include Cheshta.
Natyashastra (theatrics and dramaturgy)
Strictly speaking, bhāva is mood or feeling unexpressed, hāva is the emotion which finds expression, ceṣṭā the gesture that expresses it.Source: archive.org: The mirror of gesture (abhinaya-darpana)
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Purana and Itihasa (epic history)
Ceṣṭā (चेष्टा).—A Brahmarākṣasī.*
- * Brahmāṇḍa-purāṇa III. 7. 99.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Languages of India and abroad
cēṣṭā (चेष्टा).—f (S) Acting, moving, stirring, performing functions or actions: also the stirring and moving of a living creature. 2 Mischievous tricks; wild capers; irritating speech; worrying or teasing acts gen. 3 The stirring about of a demon (in the subject of possession).Source: DDSA: The Molesworth Marathi and English Dictionary
cēṣṭā (चेष्टा).—f Mischievous tricks. The stirring about of a demon. Moving.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
1) Moving the limbs, gesture;
Derivable forms: ceṣṭam (चेष्टम्).
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1) Motion, movement; संरुद्धचेष्टस्य (saṃruddhaceṣṭasya) R. 2.43; किमस्माकं स्वामिचेष्टानिरूपणेन (kimasmākaṃ svāmiceṣṭānirūpaṇena) H.3; Māl.5.7.
2) Gesture, action; चेष्टया भाषणेन च नेत्रवक्त्रविकारैश्च लक्ष्यतेऽ न्तर्गतं मनः (ceṣṭayā bhāṣaṇena ca netravaktravikāraiśca lakṣyate' ntargataṃ manaḥ) Ms.8.26.
3) Effort, exertion.
4) Behaviour Pt.1.15.
5) Action, deed, performing.
-nāśaḥ destruction of the world.
-nirūpaṇam observing a person's movements.Source: DDSA: The practical Sanskrit-English dictionary
(-ṣṭā) Effort, exertion, bodily effort. E. ceṣṭ to act, aṅ and ṭāp affs.Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Ends with (+9): Aceshta, Anurupaceshta, Bhagnaceshta, Bhikaraceshta, Bhutaceshta, Ishrvari-ceshta, Ishvariceshta, Kamaceshta, Karmaceshta, Karmmaceshta, Kuceshta, Makadaceshta, Markataceshta, Nashtaceshta, Niceshta, Nirviceshta, Nishceshta, Nishrceshta, Poraceshta, Prashantaceshta.
Full-text (+15): Prashantaceshta, Ishrvari-ceshta, Yuktaceshta, Karmmaceshta, Aceshta, Ceshtaka, Bhagnaceshta, Nishceshta, Poraceshta, Samruddhaceshta, Ceshtanirupana, Niceshta, Vrittaceshta, Vidushta, Ceshtanem, Anurupaceshta, Ceshtanasha, Karmaceshta, Ceshtana, Nashtaceshta.
Search found 14 books and stories containing Ceshta, Ceṣṭā, Cesta, Cēṣṭā, Ceṣṭa; (plurals include: Ceshtas, Ceṣṭās, Cestas, Cēṣṭās, Ceṣṭas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Maha Prajnaparamita Sastra (by Gelongma Karma Migme Chödrön)
Mahāyāna auxiliaries (G): The eight members of the path < [Part 3 - The auxiliaries according to the Mahāyāna]
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 2.1.343 < [Part 1 - Ecstatic Excitants (vibhāva)]
Verse 2.1.267 < [Part 1 - Ecstatic Excitants (vibhāva)]
Verse 4.2.3 < [Part 2 - Astonishment (adbhuta-rasa)]
Brihad Bhagavatamrita (by Śrīla Sanātana Gosvāmī)
Verse 2.4.269 < [Chapter 4 - Vaikuṇṭha: The Spiritual Kingdom]
Verse 2.4.177 < [Chapter 4 - Vaikuṇṭha: The Spiritual Kingdom]
Verse 1.7.15-16 < [Chapter 7 - Purna: The Complete Perfection]
The backdrop of the Srikanthacarita and the Mankhakosa (by Dhrubajit Sarma)
Part 2f - Rasa (6): Bhayānaka or the sentiment of terror < [Chapter III - Literary Assessment Of The Śrīkaṇṭhacarita]
Brihat Samhita (by N. Chidambaram Iyer)
Manusmriti with the Commentary of Medhatithi (by Ganganatha Jha)