Auddhatya: 9 definitions
Auddhatya means something in Buddhism, Pali, Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Mahayana (major branch of Buddhism)Source: Wisdom Library: Maha Prajnaparamita Sastra
1) Auddhatya (औद्धत्य, “agitation”) refers to one of ten types of manifestly active defilements (paryavasthāna) according to Mahāprajñāpāramitāśāstra chapter 13.—The Bodhisattvas (accompanying the Buddha at Rājagṛha on the Gṛdhrakūṭaparvata) excelled in destroying various these ten manifestly active defilements (eg., Auddhatya).
2) Auddhatya (औद्धत्य, “excitement”) according to the 2nd century Mahāprajñāpāramitāśāstra (chapter XXVIII). Accordingly, “the obstacle of excitement (auddhatya) and regret (kaukṛtya).—Excitement is a dharma that harms the mind of the monastic (pravrajyā-citta): if a person with concentrated mind (saṃgṛhita-citta) cannot remain faithful, then what can be said of a person with a scattered mind (vikṣipta-citta)? The excited person is as uncontrollable as a mad elephant (gandhagaja) without a hook or a camel (uṣṭra) with pierced nose”.
Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sūtras of which some of the earliest are the various Prajñāpāramitā sūtras.
General definition (in Buddhism)Source: Wisdom Library: Dharma-samgraha
Auddhatya (औद्धत्य, “agitation”) refers to one of the fourty “conditions” (saṃskāra) that are “associated with mind” (citta-samprayukta) as defined in the Dharma-saṃgraha (section 30). The Dharma-samgraha (Dharmasangraha) is an extensive glossary of Buddhist technical terms in Sanskrit (eg., auddhatya). The work is attributed to Nagarjuna who lived around the 2nd century A.D.
Auddhatya also refers to the one of the “six obstacles to concentration” (samādhi-āvaraṇa) as defined in the Dharma-saṃgraha (section 118).
Languages of India and abroad
Marathi-English dictionarySource: DDSA: The Molesworth Marathi and English Dictionary
auddhatya (औद्धत्य).—n S Rudeness, impudence, overbearing demeanour.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
auddhatya (औद्धत्य).—n Rudeness, impudence, over bearing demeanour.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit-English dictionarySource: DDSA: The practical Sanskrit-English dictionary
1) Arrogance, insolence.
2) Boldness, bold or adventurous deeds; औद्धत्यमायोजित- कामसूत्रम् (auddhatyamāyojita- kāmasūtram) Māl.1.4.
Derivable forms: auddhatyam (औद्धत्यम्).Source: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionary
Auddhatya (औद्धत्य).—nt, (in Sanskrit only haughtiness: = Pali uddhacca), frivolity, in the double sense of amusement, [Page162-a+ 71] idle sport, and mental indolence, lack of seriousness of mind (‘the property antithetical to attention’, Aung and Rhys Davids, Compendium of Philos. 18; frivolité. Abhidharmakośa LaV-P. vii.20): Mahāvyutpatti 1979 = Tibetan rgod pa, laughter (according to Jäschke (Tibetan-English Dictionary) and [Tibetan-English Dictionary] also languor, indolence, which the Dict. of the Fr. Cath. Miss. questions); here it stands between asaṃ- prajanyam aud kaukṛtyam, styānam; Bodhisattvabhūmi 169.5 (see s.v. drava; here seems clearly related to amusement); see drava also for Mūla-Sarvāstivāda-Vinaya iii.16.2 where read auddhatyaṃ for audatyaṃ (Tibetan mig zur gyis lta bar byed, making glances with the corners of the eyes); Jātakamālā 184.6 (said of women) tyakta-vibhrama-vilāsauddhatyā(ḥ); as one of the 6 āvaraṇa (q.v.) to samādhi, Dharmasaṃgraha 118; usually associated with such qualities as styāna, middha, and especially kaukṛtya, qq.v., in formulaic lists which hardly give much help, Bodhisattvabhūmi 173.1; 223.13; 243.21; Sādhanamālā 365.12; Dharmasaṃgraha 30; auddhatya-kaukṛtya, together, constitute one of the 5 nīvaraṇa, q.v.Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
(-tyaṃ) Arrogance, disdain. E. uddhata haughty, and ṣyañ aff.Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary
Auddhatya (औद्धत्य).—[neuter] haughtiness, arrogance.Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary
1) Auddhatya (औद्धत्य):—n. ([from] ud-dhata), arrogance, insolence, overbearing manner, disdain, [Kathāsaritsāgara; Sāhitya-darpaṇa]
2) (with Buddhists) self-exaltation (one of the 10 fetters which bind a man to existence), [Monier-Williams’ Buddhism 127]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Starts with: Auddhatyakaukritya.
Ends with: Anauddhatya.
Search found 4 books and stories containing Auddhatya; (plurals include: Auddhatyas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Maha Prajnaparamita Sastra (by Gelongma Karma Migme Chödrön)
Section B.4 - Removing excitement (restlessness) and regret < [Part 2 - Means of acquiring meditation]
Part 3 - Pure generosity and Impure generosity < [Chapter XIX - The Characteristics of Generosity]
Bodhisattva quality 28: excelled in destroying various wrong views < [Chapter XIII - The Buddha-fields]
The Mahavastu (great story) (by J. J. Jones)