Attahasa, aka: Aṭṭahāsa, Atta-hasa; 11 Definition(s)
Attahasa means something in Buddhism, Pali, Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Shaivism (Shaiva philosophy)
1) Aṭṭahāsa (अट्टहास):—The name for a ‘sacred site’ associated with the group of eight deities (mātṛ) born from Calanī, according to the Kubjikāmata-tantra. Calanī is the fifth of the Eight Mahāmātṛs, residing within the Mātṛcakra (third of the five cakras) and represents wind.
2) Aṭṭahāsa (अट्टहास):—Sanskrit name for one of the twenty-four sacred sites of the Sūryamaṇḍala, the first maṇḍala of the Khecarīcakra, according to the kubjikāmata-tantra. The Khecarīcakra is the fifth and final cakra located just above the head. Each one of these holy sites (pītha) is presided over by a particular Khecarī (‘sky-goddess’). This Aṭṭahāsa-pītha is connected with the goddess Saumyā (also called Saumyāsyā).Source: Wisdom Library: Kubjikāmata-tantra
1) Aṭṭahāsa (अट्टहास) is a Sanskrit word referring to one of the sixty-eight places hosting a svāyambhuvaliṅga, one of the most sacred of liṅgas according to the Śaivāgamas. The presiding deity residing over the liṅga in this place (Aṭṭahāsa) is named Mahānāda. The list of sixty-eight svāyambhuvaliṅgas is found in the commentary of the Jirṇoddhāra-daśaka by Nigamajñānadeva. The word liṅga refers to a symbol used in the worship of Śiva and is used thoughout Śaiva literature, such as the sacred Āgamas.
2) Aṭṭahāsa (अट्टहास) is the name of a sacred site (pīṭha) to be assigned to the tuft of hair (śikhā) during the pīṭhavidhi (‘ritual of sacred sites’) according to the Tantrāloka chapter 29. This chapter of the Tantrāloka by Abhinavagupta expounds details regarding the Kula initiation ritual. Kula or Kaula is a specific tradition within Śaivism, closely related to Siddhānta and Śaktism.
3) Aṭṭahāsa (अट्टहास) is the sacred region (pīṭha) associated with Citranātha, who was one of the twelve princes born to Kuṃkumā, consort to Mīnanātha, who is the incarnation of Siddhanātha in the fourth yuga, belonging to the Pūrvāmnāya (‘eastern doctrine’) tradition of Kula Śaivism, according to the Ciñcinīmatasārasamuccaya. Siddhanātha incarnates as a Kaula master in each of the four yugas. Citranātha was one of the six princes having the authority to teach.Source: Wisdom Library: Śaivism
Aṭṭahāsa (अट्टहास) or Aṭṭahāsāgama refers to one of upāgamas (supplementary scriptures) of the Vimalāgama which is one of the twenty-eight Siddhāntāgama: a classification of the Śaiva division of Śaivāgamas. The Śaivāgamas represent the wisdom that has come down from lord Śiva, received by Pārvatī and accepted by Viṣṇu. The purpose of revealing upāgamas (eg., Aṭṭahāsa Āgama) is to explain more elaborately than that of mūlāgamas (eg., Vimala-āgama) and to include any new idea if not dealt in mūlāgamas.Source: Shodhganga: Iconographical representations of Śiva
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Purana and Itihasa (epic history)
1a) Aṭṭahāsa (अट्टहास).—The avatār of the Lord in the 20th dvāpara when people are fond of aṭṭhāsa in the Aṭṭahāsa hill of the Himālayas attended by Siddhas and Cāraṇas and yogins.*
- * Vāyu-purāṇa 23. 190-1.
1b) A mountain in the Himalayas where was the avatār of Aṭṭahāsa.*
- * Vāyu-purāṇa 23. 191.
1c) (Aṭṭahāsam)—a tīrtha sacred to Pitṛs.*
- * Matsya-purāṇa 22. 68; Vāyu-purāṇa 23. 191.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Pancaratra (worship of Nārāyaṇa)
Aṭṭahāsa (अट्टहास) refers to an aspect of nṛsiṃha (‘man-lion’), according to the Vihagendra-saṃhitā 4.17, which mentions seventy-four forms (inlcuding twenty forms of vyūha). He is also known as Aṭṭahāsanṛsiṃha or Aṭṭahāsanarasiṃha. Nṛsiṃha is a Tantric deity and refers to the furious (ugra) incarnation of Viṣṇu.
The 15th-century Vihagendra-saṃhīta is a canonical text of the Pāñcarātra corpus and, in twenty-four chapters, deals primarely with meditation on mantras and sacrificial oblations.Source: Wisdom Library: Pāñcarātra
Pancaratra (पाञ्चरात्र, pāñcarātra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.
Katha (narrative stories)
1) Aṭṭahāsa (अट्टहास) is the name of a Vidyādhara who fought on Śrutaśarman’s side but was slain by Harṣa, who participated in the war against Sūryaprabha, according to the Kathāsaritsāgara, chapter 47. Accordingly: “... when the host of Śrutaśarman saw that the dexterous Aṭṭahāsa had slain those four warriors [Subāhu, Muṣṭika, Pralamba and Mohana], expecting the victory, they shouted for joy. when Harṣa, the companion of Sūryaprabha, saw that, he was wroth, and with his followers attacked Aṭṭahāsa and his followers; and with shafts he repelled his shafts, and he slew his followers and killed his charioteer, and two or three times cut his bow and his banner, and at last he cleft asunder his head with his arrows, so that he fell from his chariot on the earth, pouring forth a stream of blood. When Aṭṭahāsa was slain there was such a panic in the battle that in a moment only half the two armies remained”.
The story of Aṭṭahāsa was narrated by the Vidyādhara king Vajraprabha to prince Naravāhanadatta in order to relate how “Sūryaprabha, being a man, obtain of old time the sovereignty over the Vidyādharas”.
2) Aṭṭahāsa (अट्टहास) is the name of a Yakṣa, according to the Kathāsaritsāgara, chapter 73. Accordingly, as Saudāminī said to Pavitradhara: “... and one day, as I was sporting on Mount Kailāsa with my friend Kapiśabhrū, I saw a young Yakṣa named Aṭṭahāsa. He too, as he stood among his companions, beheld me; and immediately our eyes were mutually attracted by one another’s beauty”.
The Kathāsaritsāgara (‘ocean of streams of story’), mentioning Aṭṭahāsa, is a famous Sanskrit epic story revolving around prince Naravāhanadatta and his quest to become the emperor of the vidyādharas (celestial beings). The work is said to have been an adaptation of Guṇāḍhya’s Bṛhatkathā consisting of 100,000 verses, which in turn is part of a larger work containing 700,000 verses.Source: Wisdom Library: Kathāsaritsāgara
Katha (कथा, kathā) refers to narrative Sanskrit literature often inspired from epic legendry (itihasa) and poetry (mahākāvya). Some Kathas reflect socio-political instructions for the King while others remind the reader of important historical event and exploits of the Gods, Heroes and Sages.
Tibetan Buddhism (Vajrayana or tantric Buddhism)
Aṭṭahāsa (अट्टहास) refers to one of the twenty-four sacred districts mentioned in the 9th century Vajraḍākatantra (chapter 18). These districts are not divided into subgroups, nor are explained their internal locations. They [viz., Aṭṭahāsa] are external holy places, where the Tantric meting is held with native women who are identified as a native goddess. A similar system appears in the tradition of Hindu Tantrims, i.e., in the Kubjikāmatatantra (chapter 22), which belongs to the Śākta sect or Śaivism.
Aṭṭahāsa is presided over by the Goddess (Devī) named Saumyamukhā accompanied by the Field-protector (Kṣetrapāla) named Mahāghaṇṭa. Their associated weapon is the Vajra and their abode (residence) is mentioned as being the “kadamba-tree”.Source: academia.edu: A Critical Study of the Vajraḍākamahātantrarāja (II)
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
Languages of India and abroad
aṭṭahāsa (अट्टहास).—m S Violent or phrenzied laughter.
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aṭṭāhāsa (अट्टाहास).—m & aṭṭāhāsya n (Corr. from aṭṭahāsa S) Vehement action; exceeding effort or exertion. 2 Toil, pains, ado, laborious efforts.Source: DDSA: The Molesworth Marathi and English Dictionary
aṭṭahāsa (अट्टहास).—m Violent or frenzied laughter.
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aṭṭahāsa (अट्टहास).—m aṭṭāhāsya n Vehement action, toil. Ado.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Aṭṭahāsa (अट्टहास).—[karma°] a loud or boisterous laughter, a horse-laugh, cachinnation, usually of Śiva; त्र्यम्बकस्य (tryambakasya) Me.58; गिरिश° (giriśa°) Dk.1.
Derivable forms: aṭṭahāsaḥ (अट्टहासः).
Aṭṭahāsa is a Sanskrit compound consisting of the terms aṭṭa and hāsa (हास). See also (synonyms): aṭṭahasita, aṭṭahāsya.Source: DDSA: The practical Sanskrit-English dictionary
(-saḥ) Violent laughter, a horse-laugh. E. aṭṭa excessive, and hāsa a laugh.Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Search found 263 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Hasa (हस).—m. (-saḥ) 1. Laughter, laughing, laugh. 2. Mirth, merriment, joy. 3. Derision. E. ha...
Aṭṭa (अट्ट) refers to the “top floor of an edifice”, and is mentioned in the Naiṣadha-carita 2....
Candrahāsa (चन्द्रहास).—m. (-saḥ) 1. A scimitar. 2. the sword of Ravana. f. (-sā) Moon plant, (...
Aṭṭāṭṭahāsa (अट्टाट्टहास).—very loud laughter. Derivable forms: aṭṭāṭṭahāsaḥ (अट्टाट्टहासः).Aṭṭ...
Purāṭṭa (पुराट्ट).—n. (-ṭṭaṃ) A turret on a city wall.
Puṣpahāsā (पुष्पहासा).—f. (-sā) A woman during menstruation. E. puṣpa, and hāsa who smiles.
Māṃsahāsā (मांसहासा).—f. (-sā) Skin. E. māṃsa flesh, hāsa a smile.
Āttagandha (आत्तगन्ध).—mfn. (-ndhaḥ-ndhā-ndhaṃ) 1. Humbled, degraded. 2. Perfumed. E. ātta take...
Vanahāsa (वनहास).—m. (-saḥ) A sort of tall grass, (Saccharum spontaneum.) E. vana wood, and hās...
Mahāhāsa (महाहास).—m. (-saḥ) A hoarse laugh. E. mahā great, and hāsa laughter.
Niśāhasa (निशाहस).—m. (-saḥ) The white water lily. E. niśā, and hasa what smiles; opening its p...
Antarhāsa (अन्तर्हास).—mfn. (-saḥ-sā-saṃ) Laughing inwardly. m. (-saḥ) Self-satisfaction, conce...
Aṭṭahāsin (अट्टहासिन्).—mfn. (-sī-sinī-si) Laughing, loudly and violently. m. (-sī) A name of S...
Jalahāsa (जलहास).—m. (-saḥ) Cuttle fish bone, considered as the indurated foam of the sea; also...
Aṭṭahāsaka (अट्टहासक).—m. (-kaḥ) A plant, (Jasminum multiflorum.) E. aṭṭahāsa, and kan; resembl...
Search found 8 books and stories containing Attahasa, Aṭṭahāsa, Aṭṭāhāsa, Atta-hasa, Aṭṭa-hāsa; (plurals include: Attahasas, Aṭṭahāsas, Aṭṭāhāsas, hasas, hāsas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
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