Aralakhatakamukha, Arālakhaṭakāmukha, Arala-khataka-mukha: 4 definitions
Introduction:
Aralakhatakamukha means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nāṭya-śāstraArālakhaṭakāmukha (अरालखटकामुख) refers to a gesture (āṅgika) made with ‘dance hands’ (nṛttahasta), according to the Nāṭyaśāstra chapter 8. The hands (hasta) form a part of the human body which represents one of the six major limbs (aṅga) used in dramatic performance. With these limbs are made the various gestures (āṅgika), which form a part of the histrionic representation (abhinaya).
Source: archive.org: Natya ShastraArālakhaṭakāmukha (अरालखटकामुख).—A type of gesture (āṅgika) made with dance-hands (nṛttahasta);—(Instructions): The two Alapallava (Alapadmaka) hands with palms upwards changed into Padmakośa hands. Its another name is Arālakaṭaka. The Dance-hands are to be used in forming Karaṇas.
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)Arālakhaṭakāmukha (अरालखटकामुख) refers to one of the thirty Nṛttahastas or “dance hand gestures” (in Indian Dramas), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—The hasta-mudrās (lit. “hand-gestures”) are very essential to denote some particular action or state in dancing and these mudrās are formed with the help of hands and fingers. In the Viṣṇudharmottarapurāṇa, thirty kinds of nṛttahastas (“dance-hand gestures”) are mentioned. e.g., arālakhaṭakāmukha. The practice of these nṛttahastas is strictly prohibited in sickness of body, in old age, in fear, drunk and anxiety.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Sanskrit dictionary
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Khataka, Mukha, Arala.
Starts with: Aralakhatakamukhahasta.
Full-text: Nrittahasta, Aralakhatakamukhahasta.
Relevant text
Search found 2 books and stories containing Aralakhatakamukha, Arala-khataka-mukha, Arāla-khaṭakā-mukha, Arālakhaṭakāmukha; (plurals include: Aralakhatakamukhas, mukhas, Arālakhaṭakāmukhas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
2.2. Hand Postures (c): Nṛtta-hasta < [Chapter 3 - Drama and Dance]
Natyashastra (English) (by Bharata-muni)