Anjali, Amjali, Anja-ali, Añjali, Añjalī, Āñjali: 37 definitions
Introduction:
Anjali means something in Buddhism, Pali, Hinduism, Sanskrit, Marathi, Hindi, biology. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Ayurveda (science of life)
Añjali (अञ्जलि) is the Sanskrit word representing a measure of corn (sufficient to fill both hands when placed side by side). This measurement equals a single Kuḍava unit, which is a weight unit used throughout Ayurvedic literature.
1) Añjali (अञ्जलि):—Indicating measure Synonym of one kudava = 192 g of metric units
2) A measure sufficient to fill both hands when placed side by side
Āyurveda (आयुर्वेद, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of Āyurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.
Purana and Itihasa (epic history)
Āñjali (आञ्जलि).—A sage who was a classmate of Śaunaka. (Skandha 12, Bhāgavata).
Añjali (अञ्जलि) refers to “(having the) palms joined in reverence”, according to the Śivapurāṇa 2.3.15 (“The penance and reign of Tārakāsura”).—Accordingly, as Brahmā narrated: “Thus with ardour, the king of the demons [i.e., Tāraka] performed the severe penance duly unbearable even to those who heard about it. [...] Then all those gods and sages consulted one another and in their great fright they came to my world and approached me in a piteous plight. Bowing to and eulogising me with palms joined in reverence [i.e., añjali], all of them explained everything to me distressed in mind that they were. [...]”.
Añjali (अञ्जलि).—A mode of worship with both hands. He who worships a god by raising only one hand is liable to have that hand cut off.*
- * Bhāgavata-purāṇa X. 22. 19[1-3].
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Natyashastra (theatrics and dramaturgy)
Añjali (अञ्जलि) refers to a gesture (āṅgika) made with ‘combined hands’ (saṃyuta), according to the Nāṭyaśāstra chapter 8. The hands (hasta) form a part of the human body which represents one of the six major limbs (aṅga) used in dramatic performance. With these limbs are made the various gestures (āṅgika), which form a part of the histrionic representation (abhinaya).
Añjali (अञ्जलि).—A type of gesture (āṅgika) made with combined hands (saṃyuta-hasta);—(Instructions): Putting together of the two Patāka hands is called Añjali.
(Uses): It is used to greet gods, venerable persons (guru) and friend. In greeting gods it is to be held on the head, in case of venerable persons like father, teacher etc. it is to be held near one’s face, and for greeting the friends it is to be placed on the chest and in case of the remaining persons there is no fixed rule.
Añjalī (अञ्जली) refers to one of the thirteen Saṃyuktahastas or “combined hand gestures” (in Indian Dramas), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—The hasta-mudrās (lit. “hand-gestures”) are very essential to denote some particular action or state in dancing and these mudrās are formed with the help of hands and fingers.—The word añjali denotes a cavity made by folding and joining the open hands together or the hollow of the hands. According to the Viṣṇudharmottarapurāṇa, añjalī-hasta is a combination of patāka-hasta which is used in the salutation of gods, teachers and ancestors. The Abhinayadarpaṇa also gives its view point in the same way
Añjali (अञ्जलि) is considered [to be formed] from joining the two hands [which are held in] the Patāka [gesture. It is used] in the respectful salutation of Gods, Gurus and friends. It has three positions: the chest, the mouth and head. For Gods, it is situated on the head, for Gurus, [near] the mouth and for friends, [in front of] the chest. For women, it's [position] should be unrestricted
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Pancaratra (worship of Nārāyaṇa)
Añjali (अञ्जलि) refers to a measurement to fill up the palms when folded to form a hollow.
1) Añjali (अञ्जलि) is the name of a Mudrā (“ritual hand-gestures”), discussed in the twenty-fourth chapter of the Īśvarasaṃhitā (printed edition), a Pāñcarātra work in 8200 verses and 24 chapters dealing with topics such as routines of temple worship, major and minor festivals, temple-building and initiation.—Description of the chapter [mudrā-lakṣaṇa-bhagavaddhyāna-ādi-prakāra]: Nārada tells how one prepares himself for the practice of mudrā-gestures—washing the hands with sandal-paste, doing certain exercises with the fingers, ritually touching the chest with the thumbs and forefingers of both hands, executing certain motions with the palms joined, etc. (3-11). Different mudrā-gestures are named and described (12-72): [e.g., añjali (41b)] [...]
2) Añjali (अञ्जलि) or Añjalimudrā refers to one of the fifty-three Mudrās (ritual hand gestures) described in chapter 22 (Caryāpāda) of the Padmasaṃhitā: the most widely followed of Saṃhitā covering the entire range of concerns of Pāñcarātra doctrine and practice (i.e., the four-fold formulation of subject matter—jñāna, yoga, kriyā and caryā) consisting of roughly 9000 verses.—Description of the chapter [mudrālakṣaṇa-vidhi]: Brahmā asks the meaning, uses and varieties of mudrā-gestures. Bhagavān says these finger movements are ways to fend off evil and to prevent those taking pleasure in harming others. Furthermore, they please the Lord-so long as they are demonstrated in private (1-5a). He then names and describes 53 mudrā-gestures: [e.g., añjali (56a)] [...]
3) Añjali (अञ्जलि) or Añjalimudrā is the name of a Mudrā mentioned in chapter 4 of the Viṣṇutilakasaṃhitā: a Pāñcarātra text comprising 3500 Sanskrit verses covering the typically “agamic” subjects which are being narrated by Brahmā to a number of sages.—Description of the chapter [yoga-adhyāya]: [...] The namatraya-mantra (Acyuta, Ananta and Govinda) is then mentioned, as is the agniprākāra-mantra. This is followed by brief descriptions of mudrās [e.g., añjali-mudrā]—which “please” Him (649-680).
4) Añjali (अञ्जलि) or Añjalimudrā refers to one of the 37 Mudrās (hand-gestures) described in chapter 7 of the Viṣṇusaṃhitā: a Sanskrit text written in 2600 verses which covers typical Pāñcarātra topics through a narrative dialogue between Aupagāyana and Siddha Sumati.—[Cf. the chapter mudrā-lakṣaṇa].
Pancaratra (पाञ्चरात्र, pāñcarātra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.
Shilpashastra (iconography)
Añjali (अञ्जलि) or Añjalihasta refers to “devotion” and represents one of the four gestures with both hands, as defined according to texts dealing with śilpa (arts and crafs), known as śilpaśāstras.—Accordingly, pratimā-lakṣaṇa (body postures of the icons) is comprised of hand gestures (hasta, mudrā or kai-amaiti), stances/poses (āsanas) and inflexions of the body (bhaṅgas). There are thirty-two types of hands [viz., añjali-hasta] classified into two major groups known as tolirkai (functional and expressive gestures) and elirkai (graceful posture of the hand).
Añjali (अञ्जलि) or Añjalimudrā refers to one of the various hand-poses (hastas or mudrās) defined in treatises such as the Pāñcarātra, Pādmasaṃhitā and Vaikhānasa-āgamas, extensively dealing with the technical features of temple art, iconography and architecture in Vaishnavism.—Añjali-mudrā signifies salutation and adoration. In this saṃyuta hand-pose the open hands are placed side-by-side and slightly hollowed with the hands are clasped together with the palms touching together. Añjali-mudrā held close to the chest is called hṛdaya-añjali.
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
In Buddhism
Theravada (major branch of Buddhism)
One of the nuns who accompanied Sanghamitta to Ceylon. Dip.xviii.24.
Theravāda is a major branch of Buddhism having the the Pali canon (tipitaka) as their canonical literature, which includes the vinaya-pitaka (monastic rules), the sutta-pitaka (Buddhist sermons) and the abhidhamma-pitaka (philosophy and psychology).
Mahayana (major branch of Buddhism)
Añjali (अञ्जलि) refers to “joining the palms of one’s hands”, according to the Gaganagañjaparipṛcchā: the eighth chapter of the Mahāsaṃnipāta (a collection of Mahāyāna Buddhist Sūtras).—Accordingly: “[...] Then the robbers released the five hundred men to be killed because of vices caused by their greed, and killed the magically conjured-up men. Then they, freed from the robbers, found their relief from the fear and terror of being killed, went to the place where the Bodhisattva Gaganagañja stayed, bowed down at the feet of the Buddha, joined the palms of their hands (añjali), bowed to the Bodhisattva Gaganagañja, and said: ‘We survived and found relief because of you, O Good man, please teach us the dharma which is the entrance into development for myself and others, because one can make progress in the dharma’. [...]
Añjali (अञ्जलि) refers to “(bowing with one’s) hands put together”, according to the Vajratuṇḍasamayakalparāja, an ancient Buddhist ritual manual on agriculture from the 5th-century (or earlier), containing various instructions for the Sangha to provide agriculture-related services to laypeople including rain-making, weather control and crop protection.—Accordingly, [after the Bhagavān entered the assembly of Nāgas], “Then the Four Great Kings bowed to the Bhagavān with their hands put together (añjali) and addressed him, “O Bhagavān, extremely frightening great dangers have arisen in the world. Namely, drought, famine, calamities. O Bhagavān, all beings have become defenceless and refugeless because of this misfortune. [...]’”.
Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sūtras of which some of the earliest are the various Prajñāpāramitā sūtras.
Biology (plants and animals)
Anjali [அந்ஜலீ] in the Tamil language is the name of a plant identified with Volkameria inermis L. from the Verbenaceae (Verbena) family having the following synonyms: Clerodendrum inerme, Clerodendrum ovalifolium. For the possible medicinal usage of anjali, you can check this page for potential sources and references, although be aware that any some or none of the side-effects may not be mentioned here, wether they be harmful or beneficial to health.
1) Anjali in India is the name of a plant defined with Artocarpus hirsutus in various botanical sources. This page contains potential references in Ayurveda, modern medicine, and other folk traditions or local practices It has the synonym Artocarpus hirsuta Lam..
2) Anjali is also identified with Clerodendrum inerme It has the synonym Volkameria commersonii Poir. (etc.).
3) Anjali is also identified with Crateva nurvala It has the synonym Crateva lophosperma Kurz (etc.).
4) Anjali is also identified with Senna alata It has the synonym Cassia bracteata L.f. (etc.).
Example references for further research on medicinal uses or toxicity (see latin names for full list):
· Phytologia (1978)
· Transactions of the Linnean Society of London (1827)
· Prodromus Florae Novae Hollandiae (1810)
· Journal of Ethnopharmacology (2005)
· Blumea (2006)
· Forest Flora of British Burma (1877)
If you are looking for specific details regarding Anjali, for example pregnancy safety, diet and recipes, side effects, health benefits, extract dosage, chemical composition, have a look at these references.
This sections includes definitions from the five kingdoms of living things: Animals, Plants, Fungi, Protists and Monera. It will include both the official binomial nomenclature (scientific names usually in Latin) as well as regional spellings and variants.
Languages of India and abroad
Pali-English dictionary
añjali : (f.) lifting of the folded hands as a token of reverence.
Añjali, (cp. Sk. añjali, fr. añjati1) extending, stretching forth, gesture of lifting up the hands as a token of reverence (cp. E. to “tender” one’s respect), putting the ten fingers together and raising them to the head (VvA.7: dasanakha-samodhāna-samujjalaṃ añjaliṃ paggayha). Only in stock phrases (a.) añjaliṃ paṇāmeti to bend forth the outstretched hands Vin.II, 188; D.I, 118; Sn.352; Sn.p. 79. (b.) °ṃ paggaṇhāti to perform the a. salutation J.I, 54; DhA.IV, 212; VvA.7, 312 (sirasmiṃ on one’s head); PvA.93. (c.) °ṃ karoti id. PvA.178; cp. katañjali (adj.) with raised hands Sn.1023; J.I, 17; PvA.50, and añjalikata id. Pv.II, 1220. Cp. pañjali
añjali (အဉ္ဇလိ) [(pu) (ပု)]—
[añja+ali,ṇvādi.196-.ā+jala+i. kaṅkhāyojanā mahāṭīkā katañjalīa 21-22-.]
[အဉ္ဇ+အလိ၊ ဏွာဒိ။၁၉၆-ကြည့်။အာ+ဇလ+ဣ။ ကင်္ခါယောဇနာ မဟာဋီကာ ကတဉ္ဇလီအဖွင့် ၂၁-၂၂-ကြည့်။]
[Pali to Burmese]
añjali—
(Burmese text): (၁) လက်အုပ်။ (၂) လက်ခုပ်။ (၃) လက်ဝါး၊ လက်ဝါးပြင်။
(Auto-Translation): (1) Duet. (2) Grasp. (3) Palm, palm pad.
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
Marathi-English dictionary
añjali (अंजलि).—m f (S) añjalipuṭa m n (S) pop. añjaḷī f The cavity formed by putting the hands side by side, hollowing the palms; Scottice, gowpen. a0 jōḍaṇēṃ To apply the palms together rather hollowed or curved;--as in humble or respectful address.
añjali (अंजलि).—m f -ḷī f añjalipuṭa m n The hollow formed by joining the two hands together.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
Añjali (अञ्जलि).—m. [añj-ali Uṇādi-sūtra 4.2.]
1) A cavity formed by folding and joining the open hands together, the hollow of the hands; hence, a cavity. full of anything (changed to añjala or °li after dvi and tri in dvigu comp., P.V.4.12); न वार्यञ्जलिना पिवेत् (na vāryañjalinā pivet) Manusmṛti 4.63; सुपूरो मूषि- काञ्जलिः (supūro mūṣi- kāñjaliḥ) Pañcatantra (Bombay) 1.25; अरण्यबीजाञ्जलिदानलालिताः (araṇyabījāñjalidānalālitāḥ) Kumārasambhava 5.15; प्रकीर्णः पुष्पाणां हरिचरणयोरञ्जलिरयम् (prakīrṇaḥ puṣpāṇāṃ haricaraṇayorañjalirayam) Ve.1.1. a cavityful of flowers; so जलस्याञ्जलयो दश (jalasyāñjalayo daśa) Y.3.15.1 cavityfuls or libations of water; श्रवणाञ्जलिपुटपेयम् (śravaṇāñjalipuṭapeyam) Ve.1.4. to be drunk by the cavity of the ear; अञ्जलिं रच्, बन्ध्, कृ (añjaliṃ rac, bandh, kṛ) or आधा (ādhā) fold the hands together and raise them to the head in supplication or salutation; बद्धः, कातर्यादरविन्द- कुङ्मलनिभो मुग्धः प्रणामाञ्जलिः (baddhaḥ, kātaryādaravinda- kuṅmalanibho mugdhaḥ praṇāmāñjaliḥ) Uttararāmacarita 3.37.
2) Hence a mark of respect or salutation; कः शक्रेण कृतं नेच्छेदधिमूर्धानमञ्जलिम् (kaḥ śakreṇa kṛtaṃ necchedadhimūrdhānamañjalim) Bhaṭṭikāvya 8.84; बध्यतामभययाचनाञ्जलिः (badhyatāmabhayayācanāñjaliḥ) R.11.78.
3) A measure of corn = कुडव (kuḍava); another measure = प्रसृत (prasṛta), or one-half of a मानिका (mānikā).
Derivable forms: añjaliḥ (अञ्जलिः).
Añjali (अञ्जलि).—m.
(-liḥ) 1. The cavity formed by putting the hands together, and hollowing the palms: being in this form carried to the forehead, it forms the appropriate salutation from inferiors of respectabiliy to their superiors. 2. A measure, a Kud'ava. See kuḍava. E. añja to go, and lic Unadi aff.
Añjali (अञ्जलि).—m. 1. The cavity formed by putting the hands together and hollowing the palms, [Mānavadharmaśāstra] 4, 63. 2. This cavity as measure: two handfuls. 3. Putting the hands together and raising them to the forehead, as humble salutation of inferiors to their superiors.
Añjali (अञ्जलि).—[masculine] the two hollowed hands put together (as a measure or a token of reverence). liṃ kṛ or bandh put the hands together and raise them to the forehead.
1) Añjali (अञ्जलि):—[from añj] a See sub voce below.
2) b m. (√añj), the open hands placed side by side and slightly hollowed (as if by a beggar to receive food; hence when raised to the forehead, a mark of supplication), reverence, salutation, benediction
3) a libation to the Manes (two hands full of water, udakāñjali), [Viṣṇu-purāṇa etc.]
4) a measure of corn, sufficient to fill both hands when placed side by side, equal to a kuḍava.
Añjali (अञ्जलि):—m.
(-liḥ) 1) The two hands put together, the palms being slightly hollowed and in near contact with each other, when the hands are raised to the forehead as a reverential act of salutation or adoration: when employed in making offerings, or giving a benediction, the hands are left open only touching by the sides of the little fingers.
2) A measure, a Kuḍava, as much grain as can be held by the two hands put together. E. añj, uṇ. aff. alic.
Añjali (अञ्जलि):—(liḥ) 2. m. Palm of the hand.
Añjali (अञ्जलि):—[Die Uṇādi-Affixe 4, 2.] m. [Trikāṇḍaśeṣa 3, 5, 3.] [Siddhāntakaumudī 250], a, [5.]
1) die beiden hohl an einander gelegten Hände [Amarakoṣa 2, 6, 2, 36.] [Hemacandra’s Abhidhānacintāmaṇi 598.] [Anekārthasaṃgraha 3, 624.] [Medinīkoṣa l. 60.] sarvābhiḥ (aṅgulībhiḥ) samasyāñjalinādhyāvapati [The Śatapathabrāhmaṇa 3, 3, 2, 13.] [Kātyāyana’s Śrautasūtrāṇi 7, 7, 18.] yadyanulabheranprasṛtamātraṃ vāñjalimātraṃ vā [The Śatapathabrāhmaṇa 4, 5, 10, 7.] caturṇāṃ pātrāṇāmañjaliprasṛtānāṃ ca [Kātyāyana’s Śrautasūtrāṇi 20, 1, 4.] añjalau manthamādhāya [Chāndogyopaniṣad 5, 2, 6.] vātahomāñjuhotyañjalināhṛtya [Kātyāyana 18, 6, 1.] bei [Mahīdhara] zu [Vājasaneyisaṃhitā 18, 45.] apo ñjalinādāya id. bei id. zu [20, 19.] añjalināpa upācati [The Śatapathabrāhmaṇa 13, 8, 4, 5.] avicchandatyañjalīn [ĀŚV. GṚHY. 1, 8.] na vāryañjalinā pibet [Manu’s Gesetzbuch 4, 63.] [Yājñavalkya’s Gesetzbuch 1, 138.] añjalipānānbrāhmaṇān [Rāmāyaṇa 2, 68, 18.] śiśnavṛṣaṇāvutkṛtyādhāya cāñjalau [Manu’s Gesetzbuch 11, 104.] dūrvāsarṣapapuṣpāṇāṃ dattvārghaṃ pūrṇamañjalim [Yājñavalkya’s Gesetzbuch 1, 289.] jalasyāñjalayo daśa [3, 105.] patrairañjalimāpūrya [Mitākṣarā 147, 7.] vījāñjaliḥ [Mṛcchakaṭikā 6, 20.] salilāñjali 2 Handvoll Wasser zu Ehren eines Verstorbenen (vgl. udakakriyā): pitaro pi na gṛhṇanti taddattaṃ salilāñjalim [Pañcatantra II, 111.] tīrtheṣu toyāñjaliḥ [Amaruśataka 25.] mānasyāpi jalāñjaliḥ lokena dattaḥ [97.] mūṣikāñjali die an einander gelegten Vorderpfotchen einer Maus: supūro mūṣikāñjaliḥ [Pañcatantra I, 31. II, 145]; vgl. añjalikā . Die Hände hohl an einander legen und dieselben zur Stirn führen ist ein Zeichen der Ehrerbietung und Unterwürfigkeit: añjaliṃ nidhā [The Śatapathabrāhmaṇa 1, 4, 5, 1.] añjaliṃ kar [Kātyāyana’s Śrautasūtrāṇi 3, 1, 15.] [Rāmāyaṇa 1, 33, 23. 2, 12, 33,] [Duaupadīpramātha 1, 10.] kṛtāñjali adj. [Manu’s Gesetzbuch 4, 154. 7, 91.] [Rāmāyaṇa 1, 3, 2.] rāghavāya — [4, 12, 1.] kṛtvā śirasi cāñjalim [5, 62, 11. 4, 11, 7.] mayāyaṃ racito ñjaliḥ [2, 13, 12.] eṣo ñjalirmayā baddhaḥ [4, 6, 12. 9, 6.] śirasyañjalimādhāya [5, 31, 1. 6, 112, 4.] udyatāñjali [2, 13, 14. 3, 44, 9.] niyatāñjali [3, 18, 15.] prayatāñjali [3, 68, 23.] saṃhatāñjali [5, 33, 16, 6, 111, 49.] pragṛhītāñjali [2, 14, 56.] gṛhyāñjalau [2, 3, 32.] añjaliṃ pratigrah Ehrenbezeugungen empfangen [2, 12, 45.] Häufig wird añjali mit puṭa Höhlung verbunden: kṛtāñjalipuṭa [Rāmāyaṇa 1, 9. 62. 39, 9] (f. puṭā). [43, 18. 2, 3, 32.] baddhāñjalipuṭa [1, 68, 3. 6, 37, 73.] f. puṭā [6, 101, 26.] śliṣṭāñjalipuṭā [3, 4, 1.] prahvāñjalipuṭa [2, 16, 25.] śravaṇāñjalipuṭapeya [Weber’s Verzeichniss No. 556.] mit karapuṭaḥ baddhvā karapuṭāñjalim [Rāmāyaṇa 5, 64, 5.] Vgl. prāñjali, brahmāñjali . —
2) Name eines Hohlmaasses (zwei Handvoll) = kuḍava [Hemacandra’s Anekārthasaṃgraha 3, 624.] [Medinīkoṣa l. 60.] [Vopadeva’s Grammatik 6, 57.] [Suśruta 1, 146, 18. 2, 165, 7.]
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Añjali (अञ्जलि):—
2) = 2 Prasṛta = (1/2) Mānikā [Oxforder Handschriften 307,b,8.] — Vgl. karṇāñjali .
Añjali (अञ्जलि):—m. die beiden hohl und offen an einander gelegten Hände , zwei Handvoll (auch als best. Hohlmaass) [37,9.] pāna Adj. aus den Händen trinkend , mūsikāñjali die an einander gelegten Vorderpfötchen einer Maus , kusumāñjali zwei H. Blumen [290,4.] udakāñjali [107,23.] añjalimātra n. [Śatapathabrāhmaṇa 4,5,10,7.] Die Hände hohl an einander legen und dieselben zur Stirn führen ist ein Zeichen der Ehrerbietung und Unterwürfigkeit. [96,12.] añjaliṃkar [Indische sprüche 7690] (Med.). [Böhtlingk’s Sanskrit-Chresthomathie 70,31.176,25.] bandh [314,13.]
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Añjalī (अञ्जली):—Adv. mit kar die Hände hohl an einander legen.
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionary
Aṃjali (अंजलि) [Also spelled anjali]:—(nf) the cup-shaped hollow formed by the joining of the two palms together; ~[gata] within one’s grasp, acquired; —[puṭa] the cup of one’s palms; ~[baddha] with the palms joined together.
Anjali in Hindi refers in English to:—(nf) the cup-shaped hollow formed by the joining of the two palms together; ~[gata] within one’s grasp, acquired; —[puta] the cup of one’s palms; ~[baddha] with the palms joined together..—anjali (अंजलि) is alternatively transliterated as Aṃjali.
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Kannada-English dictionary
Aṃjali (ಅಂಜಲಿ):—
1) [noun] the cavity formed by open hands joined together and folded slightly; the hollow of the palms.
2) [noun] that much which can be held by palms joined and folded slightly.
3) [noun] a hand gesture, in dancing, joining both the palms and holding the tips of the fingers pointing upward.
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Aṃjaḷi (ಅಂಜಳಿ):—[noun] = ಅಂಜಲಿ [amjali].
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
Añjalī (अञ्जली):—n. → अँजुली [aṃjulī]
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Starts with (+13): Amjalibaddha, Amjalibamdha, Amjalikarana, Amjalikarike, Ancalikai, Ancalikal, Ancalikkai, Ancalipantanam, Ancalipattan, Ancaliyitaiyar, Anjalibandhana, Anjalihasta, Anjalika, Anjalikamma, Anjalikar, Anjalikaraniya, Anjalikari, Anjalikarika, Anjalikarman, Anjalikarmman.
Full-text (+236): Pushpanjali, Kritanjali, Pranjali, Jalanjali, Baddhanjali, Brahmanjali, Anjalika, Anjalikarika, Udakanjali, Kusumanjali, Anjalikarman, Anjaliputa, Udanjali, Karnanjali, Purnanjali, Anjalikamma, Anjalikaraniya, Toyanjali, Nivapanjali, Panjalika.
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Search found 121 books and stories containing Anjali, Amjali, Aṃjali, Aṃjaḷi, Anja-ali, Añja-ali, Añjali, Añjalī, Āñjali, Añjaḷi; (plurals include: Anjalis, Amjalis, Aṃjalis, Aṃjaḷis, alis, Añjalis, Añjalīs, Āñjalis, Añjaḷis). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Charaka Samhita (English translation) (by Shree Gulabkunverba Ayurvedic Society)
Chapter 7 - The Enumeration of the Parts of the Body (sharira-sankhya) < [Sharirasthana (Sharira Sthana) — Section on Human Embodiment]
Chapter 12c - Table of Measures (mana) < [Kalpasthana (Kalpa Sthana) — Section on Pharmaceutics]
Dictionaries of Indian languages (Kosha)
Page 31 < [Bengali-Hindi-English, Volume 1]
Page 15 < [Hindi-Gujarati-English Volume 1]
Page 298 < [Hindi-Assamese-English Volume 1]
Glimpses of History of Sanskrit Literature (by Satya Vrat Shastri)
Chapter 39 - Change in modern Sanskrit style < [Section 5 - Modern Sanskrit literature]
Chapter 33 - Introduction to modern Sanskrit Prose literature < [Section 5 - Modern Sanskrit literature]
Vedic influence on the Sun-worship in the Puranas (by Goswami Mitali)
Part 8 - Mode of Worship < [Chapter 4 - Vedic Influence on the Sun-Worship in the Purāṇas]
Yajnavalkya-smriti with Mitakshara and Viramitrodaya (by J. R. Gharpure)
Verse 1.22 < [Chapter 2 - The Celibacy]
108 Tirupathi Anthathi (English translation) (by Sri Varadachari Sadagopan)