Abhinavabharati, Abhinavabhāratī: 1 definition
Introduction:
Abhinavabharati means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Academia.edu: Some Pearls from the Fourth Chapter of AbhinavabhāratīThe Abhinavabhāratī (अभिनवभारती), Maheśvara Abhinavaguptācārya’s commentary, is a beacon light for the ocean of the Nāṭya Śāstra. The importance of the work is not only because of the fact that it is the only complete commentary available as of date, but also because it has all the qualities of an ideal commentary
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
Full-text (+13): Abhinibbhida, Rasana, Dombalika, Khandadhara, Dombilika, Dombili, Jambhati, Utphullaka, Driptarasa, Nartanaka, Jambheti, Jambhetika, Chinnaka, Vyayoga, Praphullaka, Khandadharalaya, Dhara, Natyashastra, Eagerness, Dharalaya.
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Search found 29 books and stories containing Abhinavabharati, Abhinavabhāratī; (plurals include: Abhinavabharatis, Abhinavabhāratīs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Kohala and Nāṭya (5): Other varieties of plays: Saindhavaka < [Chapter 2 - Kohala as seen in citations]
Part 8 - Citations of Kohala in the Bhāvaprakāśana < [Chapter 3 - Kohala as seen in citations—an analysis]
Part 4 - Citations of Kohala in the Abhinavabhāratī < [Chapter 3 - Kohala as seen in citations—an analysis]
Studies in Indian Literary History (by P. K. Gode)
22. Jayadeva, a writer on Prosody referred to by Abhinavagupta < [Volume 1 (1945)]
39. Date of the Gunapataka < [Volume 1 (1945)]
Index (of first volume) < [Volume 1 (1945)]
Kavyamimamsa of Rajasekhara (Study) (by Debabrata Barai)
Part 9 - Abhinavabhāratī of Abhinavagupta < [Chapter 2 - A General Outlines of Sanskrit Poetics]
Alaṃkāra (1): Vakrokti < [Chapter 3 - Contribution of Rājaśekhara to Sanskrit Poetics]
Part 1 - Rasa theory and position of the Kāvyamīmāṃsā < [Chapter 4 - Position of the Kāvyamīmāṃsā in Sanskrit Poetics]
Annadatri-carita (study) (by Sarannya V.)
1. Dramatic aspects (c): Rasa (sentiment) < [Chapter 4 - Dramatic Appraisal of Annadatri-carita]
2. Nandi Shloka (auspicious verse) < [Chapter 4 - Dramatic Appraisal of Annadatri-carita]
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
2.2. Hand Postures (a): Asaṃyukta-hasta < [Chapter 3 - Drama and Dance]
1.4. Types of Drama < [Chapter 3 - Drama and Dance]
1.3. Elements of Drama (f): Dramatic Style < [Chapter 3 - Drama and Dance]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Introduction to the Ḍima type of Drama < [Chapter 4 - Ḍima (critical study)]
Introduction to the Utsṛṣṭikāṅka type of Drama < [Chapter 8 - Utsṛṣṭikāṅka (critical study)]
Introduction to the Īhāmṛga type of Drama < [Chapter 9 - Īhāmṛga (critical study)]