Significance of Young women
The keyphrase "Young women" encompasses various interpretations across different cultural and religious contexts. In Jainism, it includes characters like Dhanya and attendants of Sulakshana, reflecting social standing and beauty. South Asian narratives depict young women as significant players in key interactions and transformations. Vaishnavism celebrates them as symbols of beauty and romantic devotion to Lord Krishna. Similarly, Purana frames young women as embodiments of temptation or beauty, while Dharmashastra highlights their youthful attributes and potential distractions. Overall, "Young women" signifies a rich tapestry of roles and representations in literature and spirituality.
Synonyms: Young ladies, Girls, Females, Ladies
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Buddhist concept of 'Young women'
The keyphrase "Young women in Buddhism" symbolizes figures of merit and transformation, illustrating the futility of irrelevant characteristics while emphasizing their potential in spiritual progress and societal roles within Buddhist narratives.
From: Maha Buddhavamsa—The Great Chronicle of Buddhas
(1) Five hundred women from Pancasala village who had past meritorious deeds that aided their spiritual progress.[1] (2) A reference to a person with great past merit who brought transformation to the rich man's circumstances.[2] (3) A significant character in the story, whose past merits revealed precious gold and silver hidden in the rich man's charcoal.[3]
From: Tattvasangraha [with commentary]
(1) A reference used in a metaphorical example to argue the futility of discussing attributes that lack relevance to a person's capability or purpose.[4] (2) A female figure mentioned as a metaphor to illustrate the irrelevance of considering characteristics of an 'impotent man' when seeking effective action.[5]
From: Mahavastu (great story)
(1) The group called to the royal park to receive jewels from the young Siddhartha, representing societal norms for women.[6]
From: Karandavyuha Sutra
(1) The Rakshasis who desired the great Brahmin and sought his companionship.[7]
Hindu concept of 'Young women'
The interpretation of "Young women in Hinduism" encompasses various dimensions, portraying them as symbols of beauty, desire, innocence, and potential distraction while highlighting their roles in emotional narratives and devotion, particularly in relation to figures like Lord Krishna.
From: Skanda Purana
(1) Refers to Vrinda, the central female character who faces distress throughout the narrative.[8] (2) The only entity capable of defeating the demon Mahisha as per Brihaspati’s prophecy.[9] (3) A group of females who became frightened at the sight of the sages.[10] (4) Women who should avoid staying in solitary places with males or engaging in conduct that could lead to lustful thoughts.[11] (5) The group of women who requested Vasishtha for mercy on their husband Durdama after he was cursed.[12]
From: Bhagavata Purana
(1) Symbolizes temptation and potential bondage for a mendicant, suggesting the dangers of engaging with sensuality.[13] (2) Individuals with whom a Brahmacarin should avoid interactions to maintain self-control and discipline as their senses are likely to be provoked.[14] (3) The unidentified lady who is thought to have taken Krishna away from the Gopis.[15] (4) Symbolizes Bhakti, who despite being the Mother of Spiritual Knowledge and Renunciation, suffers due to their decrepitude.[16]
From: Padma Purana
(1) A female character depicted as youthful and presumably unmarried in the narrative.[17] (2) A representation of attractiveness and vitality, embodying the beauty that captivates the king.[18]
From: Shiva Purana
(1) A description of Parvati highlighting her youth and physical delicacy.[19]
From: Mahabharata (English)
(1) Refers to Amva, who feels her situation is unique and tragic, as she expresses immense sorrow over her plight.[20]
From: Devi Bhagavata Purana
(1) The beautiful women present in the Varshas who surround the people, symbolizing attraction and societal interactions.[21]
From: Vishnu Purana (Taylor)
(1) A female character described as having a crooked spine and carrying a jar of massage oil, referred to affectionately by Krishna.[22]
From: Garuda Purana
(1) A reference to the potential distractions and temptations that can lead a king away from his duties.[23]
From: Gautami Mahatmya
(1) Refers to Mahi, the beautiful wife of the brahmin Dhritavrata, representative of beauty and tenderness.[24]
From: Brihaddharma Purana (abridged)
(1) The form assumed by the tiny creature after being awakened, following the gods' prophetic hymn.[25]
From: Sahitya-kaumudi by Baladeva Vidyabhushana
(1) The central figure described in the text, characterized by her adornments and beauty, representing allure and desire.[26] (2) One of the causes used to evoke rasa, often seen as a vishaya or focus of emotional engagement.[27] (3) A reference to a female individual who is still in her youth.[28] (4) A metaphor used in the text representing the essence of the lotus pond in a poetic comparison.[29] (5) Identifies the subject of the verse, depicting a beautiful young female figure.[30]
From: Bhakti-rasamrta-sindhu
(1) A characterization that denotes youthfulness and associated beauty, often used in narratives to evoke tenderness and attraction.[31] (2) Females who are in the stage of youth, conceptualized here as being attracted to a young man.[32] (3) Refers to females who are in the early stages of adulthood, specifically those addressed in the context of abandonment.[33] (4) Females in the city, likely in their youth, who express eagerness to see Lord Krishna.[34] (5) Refers to a female figure characterized by youth, representing purity and potential attraction.[35]
From: Chaitanya Bhagavata
(1) The female companions present in the brilliant circle around Lord Balarama.[36] (2) The female character being evaluated by mother Shaci as a potential match for her son.[37]
From: Garga Samhita (English)
(1) The form that Lord Krishna takes on, which is a transformation for a specific purpose.[38]
From: Bhajana-Rahasya
(1) Refers to the gopis, emphasizing their youthful vigor and how it intensifies their romantic devotion and desire towards Krishna.[39]
From: Manusmriti with the Commentary of Medhatithi
(1) Women in the early stages of life, particularly those who may be seen as more susceptible to causing distraction or moral compromise.[40] (2) A female who is at a certain age where she embodies youthfulness and often elicits strong emotional reactions and desires in men.[41] (3) This refers to women who may often tear their nails while adorning them, indicating a cultural practice.[42] (4) Refers to a woman in the younger stage of her life, illustrating that she should also depend on others and not act independently.[43]
From: Asvalayana-grihya-sutra
(1) Participants in the ceremony who perform specific rituals, such as salving their eyes with fresh butter.[44]
From: Bharadvaja-srauta-sutra
(1) A figure referenced in rituals, described as beautiful with distinctive physical features, associated with the cleansing of the altar.[45]
From: Kathasaritsagara (the Ocean of Story)
(1) The recipient of the areca-nut in the courtship practice among the Minahassa, signifying potential acceptance or rejection.[46]
From: Naishadha-charita of Shriharsha
(1) A maid observed by Nala in the inner apartment, who draws his attention and surprise.[47]
From: Rasa Jala Nidhi, vol 4: Iatrochemistry
(1) A demographic group that may also suffer from negative reactions to medicine taken without food.[48]
Jain concept of 'Young women'
Young women in Jainism embody diverse narratives and roles, from the revered attendants of Sulakshana to characters like Dhanya and Sita, representing devotion, beauty, and high social standing within their cultural context and stories.
From: Trishashti Shalaka Purusha Caritra
(1) Refers to beautiful female individuals who were married by the Lord.[49] (2) A female character in the story named Dhanya, who comes to Shaligrama after her family has perished.[50] (3) Describes the admiration Megharatha and Dridharatha received as they grew up.[51] (4) A character in the palace who cries out to Aryaputra, leading to a pivotal moment in the narrative.[52] (5) A reference to Sita, praised for her devotion and commitment to her husband amidst hardship.[53]
The concept of Young women in local and regional sources
The keyphrase "Young women" encompasses various characters representing diverse roles in narratives, from emotional connections to societal struggles, illustrating their significance in tales of love, transformation, and modern identity across cultures and literary contexts.
From: Triveni Journal
(1) Refers to the female protagonist in 'Athadu–Aame,' representing modern, educated women in Indian society.[54] (2) The unidentified figure at the lake whom Sreenivasan first perceives as a ghost.[55] (3) A female who is in the early stage of adulthood, characterized by charm and beauty.[56] (4) Refers to Daisy, the character who becomes the object of Raman's affection and who embodies modern rationality.[57] (5) Characters that represent the struggles and romantic endeavors of women in Shakespeare's plays, often characterized by their vulnerability and lack of maternal support.[58]
From: Folklore of the Santal Parganas
(1) The character referring to the Prince’s wife who becomes embroiled in a difficult situation with the Gosain.[59] (2) The character who comes to draw water from the stream, becomes possessed, and interacts with the Bonga throughout the story.[60] (3) A character who is discovered at the peepul tree, initially thought to be just a woman but is actually a bonga.[61] (4) The daughter-in-law who attempts to clarify the misunderstanding about her father's intentions towards the visiting guests.[62]
From: Bhaktavijaya: Stories of Indian Saints
(1) Referring to those who carried the news of Sujan's death, highlighting their emotional reaction.[63]
From: Village Folk-tales of Ceylon (Sri Lanka), vol. 1-3
(1) Referring to the daughter born from the plant eaten by a woman, who resembled the deceased Kinnara woman.[64] (2) Refers to the younger sister who plays a significant role in the story through her interactions with the man.[65] (3) The form the female Frog takes after removing her frog jacket, indicating her transformation and the theme of appearances.[66] (4) The daughter of the other widow, who marries the young man.[67]
The concept of Young women in scientific sources
Young women, defined as those aged 40 and under, are important in breast cancer research, focusing on their specific phenotypes and prognostic outcomes, as indicated by regional studies highlighting their unique health considerations.
From: World Journal of Pharmaceutical Research
(1) A demographic group that is notably affected by polycystic ovarian syndrome (PCOS), particularly those seeking medical advice for infertility.[68] (2) Women aged 40 years and under, who are studied for breast cancer phenotype and prognosis.[69]