Significance of Storey
Synonyms: Floor, Level, Stage, Tier
In Portugese: Andar; In Spanish: Piso; In Italian: Piano; In Dutch: Verdieping; In Finnish: Kerroksinen; In German: Stockwerk; In Swedish: Våning; In Malay: Bertingkat; In French: Étage; In Polish: Piętro; In Portugese: Loja
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Buddhist concept of 'Storey'
In Buddhism, "Storey" signifies a narrative told by the Master to illustrate moral lessons. These stories, such as those involving monks, princes, or ordinary people, provide context to verses, highlight the consequences of actions, and guide individuals on their path to enlightenment, virtue, and understanding the Buddha's teachings.
From: Jataka tales [English], Volume 1-6
(1) It is a narrative that will be presented in its entirety within the Kunala Birth, offering a comprehensive account of an event.[1] (2) The story is the narrative told by the Master, describing the events involving the Bodhisatta, Sujata, the king of Benares, and Sakka, including the themes of virtue and righteousness.[2] (3) The Master told 'the story' while dwelling in Jetavana, concerning a backsliding Brother, to illustrate a lesson and guide the Brother on his path.[3] (4) The story was told by the Master while dwelling in the Gabled Chamber, and it involved a Licchavi prince and his wife, as the text presents.[4] (5) The story is the narrative being told, which includes the actions of the characters, their interactions, and the moral lessons conveyed, with the Master as the storyteller.[5]
From: Dhammapada (Illustrated)
(1) This refers to the narrative that the Buddha related to clarify the matter for the monks, about Young Archer the Wise and the woman.[6] (2) The story provides context to the verse, relating the experiences of a monk and his journey towards enlightenment, as detailed in the provided text.[7] (3) The story is about a woman of jealous disposition, and her actions and experiences are used to illustrate the teachings of the Buddha on the effects of actions.[8] (4) The Story of Thirty Monks provides the context for the verse, with a group of monks visiting the Buddha, and attaining arahatship after hearing the Dhamma.[9] (5) The provided text is a narrative that provides context to the Dhammapada verse, featuring Monk Mahakassapa and Sakka, the king of the gods.[10]
From: Maha Buddhavamsa—The Great Chronicle of Buddhas
(1) This refers to the narrative of the bhikkhu-elder Mahasiva, and it is about his journey to enlightenment and the help he receives.[11]
From: Maha Prajnaparamita Sastra
(1) The narrative that is told here, which also occurs with some divergences in detail in the Divyavadana, and which is about Gandaka.[12] (2) A summary of the events and moral lessons encapsulated in the narrative of Vishvantara, showcasing his dedication to generosity and selflessness.[13]
Hindu concept of 'Storey'
In Hinduism, "Storey" signifies a narrative or structural level. It encompasses various stories, from the tales of deities and figures like Rama and Krishna, to the levels within temple architecture, including gopuras and Nagara temples. These storeys represent different narratives and architectural elements.
From: Manasara (English translation)
(1) The text provides rules regarding the dimensions of storeys, which are levels in a building, within the science of architecture, offering guidance on their shapes and sizes.[14] (2) Storeys refer to the levels of a building, and the dimensions of the bases should be adjusted according to the number of storeys in the structure.[15] (3) The storeys indicate the vertical divisions of the structure, with varying numbers of storeys specified for different sections and types of mansions.[16] (4) Levels or floors of an edifice, with the text detailing types from one to twelve storeys.[17] (5) Refers to the levels within buildings, discussed in terms of their proportions and design suited for different ranks.[18]
From: Kathasaritsagara (the Ocean of Story)
(1) A narrative or tale is a central element, with examples including stories of precocious children, Enfant Terrible, and the Stolen Purse, found in various collections.[19] (2) The story shows what was probably the form of the story in the original Brihat-katha, and the form it had after it had found its way into other collections.[20] (3) The story is what the text describes, and it tells about the events, characters, and relationships.[21] (4) This narrative, contained in the Hindi version, forms No. 10, and No. 11 in the Tamil, and is about three sensitive wives.[22] (5) This refers to the narrative of the two-headed serpent, the story that demonstrates how quarreling can lead to ruin.[23]
From: Garga Samhita (English)
(1) The story brings the result of visiting a sacred place and increases one's love, as described by Shri Narada.[24] (2) The story is about the yajna-sitas that became gopis, it is considered sacred, auspicious, fulfilling desires and removing sins.[25] (3) The story refers to the narrations about Lord Krishna that are shared on ekadashi day, believed to have spiritual significance.[26] (4) A narrative or tale being described in the text, specifically an ancient one.[27] (5) Refers to the explanation or narrative that the couple wishes the brahmana to share regarding the significance of Radha.[28]
From: Brihad Bhagavatamrita (commentary)
(1) The story is a tale of the heart, listened to by Shri Narada, who then sighed a few times after hearing the narrative.[29]
From: Markandeya Purana
(1) This narrative is characterized by righteousness and bestows heaven and final emancipation. Hearing or reading it ensures earnest endeavor is achieved and frees one from sickness and sin.[30]
From: Ramayana of Valmiki (Griffith)
(1) The story is the tale of Rama, which Valmiki is instructed to write, including all of his deeds, secret life, and the events that befell Janak's child.[31]
From: Mahabharata (English)
(1) Refers to the tale told by Ruru's father about the events involving Astika and the serpents.[32]
From: Vastu-shastra (Introduction to Indian architecture)
(1) The storeys are the horizontal levels that make up the pyramidal superstructure of the temple, and the number of storeys is used to discuss the entire super-structure in South Indian temples.[33] (2) Levels within temple architecture that are significant in the classification and description of temple structures.[34]
From: Samarangana-sutradhara (Summary)
(1) The levels or tiers of a building; in the context of this text, it refers to the varying number of levels in the Nagara temples, with some like Prasadaraja Meru having up to sixteen.[35]
From: Brihadaranyaka Upanishad
(1) The story format is used to present a subject with a prima facie view and a conclusion, making it easier for the listener to understand the truth, which is highly abstruse, as presented in the text.[36]
From: Katha Upanishad with Shankara’s Commentary
(1) The narrative is found in the three vallis and has been told by Death, an important part of the text.[37]
From: Taittiriya Upanishad Bhashya Vartika
(1) The narrative involving Bhrigu and Varuna that was previously recounted.[38]
From: Natyashastra (English)
(1) This is what the toy cart is an indispensable role in.[39]
The concept of Storey in local and regional sources
"Storey" in the provided text signifies a narrative, encompassing various forms like tales of enlightenment, heroic accounts, personal life stories, and the Mahabharata. It can be real or imagined, serving to entertain, inform, or convey messages. The stories' endurance and diverse characters are also highlighted.
From: Bhaktavijaya: Stories of Indian Saints
(1) A narrative that Kabir related to the saints after they asked about the identity of the thief.[40] (2) A narrative about events that occurred further on, suggesting a continuation of the account and an invitation to learn about subsequent developments.[41]
From: Triveni Journal
(1) The story of a book, like the character Long John Silver in 'Treasure Island', can be dominated by certain elements that might influence title choices.[42] (2) The story that Krishna Menon intends to write is his autobiography, a reflection on his life and experiences, which he hopes to complete in a serene environment.[43] (3) A story involves underlying conceptions of life, revealing the author's perspectives either intentionally or unintentionally through its execution and matter.[44] (4) Padma asked him to narrate 'the story' of their life, indicating the events and experiences they shared throughout their lives.[45] (5) This involves numerous characters of great variety, covering a wide range of social ground, political ideology and religious attitudes, according to the text's description.[46]
From: The Complete Works of Swami Vivekananda
(1) This story illustrates how we gain control of our mind by using the physical regulation of the breath as the silken thread, which will lead to freedom.[47] (2) This is the narrative of the Mahabharata, which focuses on the triumph of virtue and defeat of vice, highlighting the characters and their actions.[48] (3) This is given in the Mahabharata of the young saint who was made to seek enlightenment, first from a married woman and then from a butcher, is sufficient to show this.[49] (4) The story is a reference to the stories of Rajput heroes, which are endless.[50]
From: Village Folk-tales of Ceylon (Sri Lanka), vol. 1-3
(1) A tale is shared about four friends—a carpenter, goldsmith, areka-nut seller, and dried-fish seller—whose fates are intertwined after a shipwreck, illustrating their subsequent reincarnations.[51] (2) The narrative being presented, which has different parts found in various regions, and is compared to other similar tales.[52] (3) The narrative the sister-in-law shares with her son, recounting her experiences and adventures incurred throughout the events.[53]
The concept of Storey in scientific sources
Storey, as defined by regional sources, describes a private account of a patient's near-death experience. This "true detail" is shared among a select group, revealing intimate information about the patient's condition.
From: Sustainability Journal (MDPI)
(1) Story is one of the five constituent dimensions necessary for the design of serious games, and children's involvement heavily informed its genre, characters, and context.[54] (2) Levels that can be added to buildings with flat roofs, accommodating hotels, B&Bs, and restaurants to cater to the increasing number of tourists.[55] (3) is the data, conditions, and context; and question that the teacher is looking for the pupils to include in their problem statements.[56]
From: Religions Journal (MDPI)
(1) Story is a way to slow people down to listen to themselves through the ears of others, reflecting on the feelings, the actions, and the values evoked.[57] (2) Paul Ricœur considers life as a "Story" in search of a narrator, exploring the narrative construction of identity and experience.[58] (3) This is a place where a church group was interviewed.[59]
From: South African Family Practice
(1) The phrase describes the true details, of how close the patient had come to dying, shared by a small group.[60]
Classical concept of 'Storey'
From: The History of Herodotus
(1) The story told by the Ionians concerning Thetis and Peleus at Sepias influenced the Magians' decision to offer sacrifices to the sea deities.[61]
From: Aesop's Fables (English translation)
(1) A narrative about a royal family, dreams, and unforeseen events, teaching a lesson about courage and the acceptance of unavoidable hardships.[62] (2) The story is about a conflict between a wolf and a lion over a stolen lamb, highlighting themes of justice and ownership in the narrative.[63] (3) The story is a narrative about conflict, pride, and unexpected turns of events, with animals representing these concepts in a symbolic manner.[64] (4) This narrative involves a wolf observing shepherds eating and questioning their potential hypocrisy if he were to do the same.[65] (5) A story of the fox and the bramble presents a situation where the fox seeks assistance but ends up being harmed by the very thing he relied on for help.[66]
From: The Authoress of the Odyssey
(1) This is a narrative, whether true or false, used to convey information, persuade, or entertain, often met with skepticism due to past deceptions and unfulfilled hopes.[67]
From: The Odyssey of Homer (English translation)
(1) This was his story, but Ulysses went on eating and drinking ravenously without a word, showing his focus on immediate needs and planning his revenge.[68]
From: Legends Of The Gods
(1) It is described as nothing but an enigmatical description of the phenomena of Eclipses according to the philosophers, providing a symbolic interpretation.[69]