Significance of Sahityadarpana
Sahityadarpana, a classical text on Sanskrit poetics authored by Vishvanatha Kaviraja, outlines the various forms and elements of kavya and drama. It explores literary theory, including the classification of sentiments (rasa) and discusses conventions of dramaturgy. This foundational work also examines literary devices, aesthetic principles, and the relationship between poetry and performance arts. The text significantly impacts the understanding of Indian literature and aesthetics, providing guidelines for composition and interpretation across multiple genres of Sanskrit literature.
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Hindu concept of 'Sahityadarpana'
Sahityadarpana, authored by Vishvanatha Kaviraja, is a foundational literary work in Hinduism, exploring poetic conventions, dramaturgy, and the principles of Sanskrit literature while emphasizing the concept of 'rasa' and detailing various literary forms and devices.
From: Sahitya-kaumudi by Baladeva Vidyabhushana
(1) The source text referenced for the ornaments of meaning and poetic theory discussed in the commentary.[1] (2) A key text that elaborates on the principles of literature, including definitions and grammatical observations.[2] (3) A work by Vishvanatha Kaviraja that contribute ornaments explored in the eleventh chapter of Sahitya-kaumudi.[3] (4) A foundational text that influenced the theory of attributes in comparisons within similes.[4] (5) A reference text dealing with literary principles and dramaturgy.[5]
From: Kavyamimamsa of Rajasekhara (Study)
(1) A literary work by Vishvanatha, which also examines poetic conventions similar to those discussed by Rajashekhara.[6] (2) A text by Acarya Vishvanatha that also discusses definitions and classifications similar to those presented by Rajashekhara.[7] (3) A literary work by Vishvanatha that provides insights into the principles of Sanskrit drama, including the definition and characteristics of Natika.[8] (4) A critical text by Vishvanatha that also supports the idea that poetry is fundamentally tied to the concept of 'rasa'.[9] (5) Vishvanatha's major work that provides a comprehensive treatment of the science of Poetics, encompassing various forms and techniques.[10]
From: Mudrarakshasa (literary study)
(1) A work of literature attributed to Vishvanatha that provides guidance on attributes in the context of Tulyayogita.[11] (2) A significant text authored by Vishvanatha Kaviraja that elaborates on various literary concepts, including the definition of Visheshokti.[12] (3) Sahityadarpana is a critical text by Vishvanatha Kaviraja that provides a systematic study of poetic aesthetics and literary techniques.[13] (4) A major text in Indian aesthetics where Vishvanatha elaborates on various literary concepts including Alamkara.[14] (5) A literary work by Vishvanatha Kaviraja that discusses various figures of speech, including the definition of Kavyalinga.[15]
From: Hanuman Nataka (critical study)
(1) A treatise by Vishvanatha Kaviraja that discusses the rules of dramaturgy including language use among characters.[16] (2) A treatise that outlines the rules and definitions related to various forms of poetry, including the Nataka.[17] (3) Sahityadarpana is a source that identifies and categorizes the ten varieties of rupakas.[18] (4) A literary work that contains references to verses attributed to Shri Damodara Mishra and includes citations from the Hanumannataka.[19]
From: Natyashastra (English)
(1) A broad literary work by Vishvanatha Kaviraja that encompasses multiple branches of Sanskrit literature, including a chapter on drama.[20]
From: Abhinaya-darpana (English)
(1) A literary work by Vishvanatha Kaviraja, edited with translation and published by Bibliotheca India in Calcutta in 1875, which provides insights into Indian literature.[21]
From: Vishnudharmottara Purana (Art and Architecture)
(1) A literary work that accepts four types of hero, contrasting with the five types found in Vishnudharmottarapurana.[22] (2) A literary source that also provides guidelines and principles regarding the structure of Sanskrit drama.[23] (3) A classical text on Sanskrit poetics, which outlines various forms and types of kavya.[24] (4) A text that agrees with the classifications of dramatic styles found in the Vishnudharmottarapurana.[25] (5) Another text that aligns with the Natyashastra regarding the types of rupaka and includes its interpretations.[26]
From: Annadatri-carita (study)
(1) Another significant work related to the rules of dramaturgy, where the concept of Vishkambha is further explored.[27] (2) A reference text that discusses and defines the application of Praveshaka in drama.[28] (3) A literary text that describes the structural aspects of Nandi, further elaborating on its importance in drama.[29] (4) A specific work referenced in the context of defining the essential characteristics of drama.[30]
From: Srila Gurudeva (The Supreme Treasure)
(1) A mundane literary work referenced by Mahaprabhu during an emotional moment, revealing hidden depths in devotion.[31]
From: Bhajana-Rahasya
(1) A literary work quoted by Shriman Mahaprabhu, which contains verses describing the emotions and sentiments connected to love and devotion.[32]
From: Bhakti-rasamrta-sindhu
(1) A book of mundane poetry from which Lord Caitanya recited a verse while dancing at the Ratha-yatra festival.[33]
From: Shishupala-vadha (Study)
(1) Sahityadarpana is a treatise by Vishvanatha Kaviraja, attempting to classify and analyze the elements and characteristics of Mahakavya based on previous definitions.[34] (2) A seminal work that outlines literary theory and its relation to the performance arts, including the concept of purvaranga.[35]
From: Kamashastra Discourse (Life in Ancient India)
(1) A work by Vishvanatha that incorporates a verse from Ratirahasya, indicating its influence by the 10th century CE.[36]
From: Bhagavatpadabhyudaya by Lakshmana Suri (study)
(1) Sahityadarpana is a work that describes the characteristics of a Mahakavya, detailing its structure and thematic elements.[37]
The concept of Sahityadarpana in local and regional sources
Sahityadarpana is a significant Sanskrit text on poetics from around 1383 A.D. It classifies Rasa in Mahakavya and critiques poetry and drama, with substantial references to the Dasarupa, emphasizing various sentiments in literary works.
From: Triveni Journal
(1) A work on Sanskrit poetics that classifies Rasa in Mahakavya and suggests that various sentiments can be the main focus.[38] (2) A poetic criticism book dated around 1383 A.D., which discusses elements of poetry and drama, heavily referencing the Dasarupa.[39]