Significance of Rudrata
Rudrata, as described in Kavyashastra, is a multifaceted figure in the realm of poetry and criticism. He emphasizes that riti is crucial to the identity of Kavya, comparing it to the soul of poetry. Additionally, he serves as an author and commentator providing comparative analyses in his work. As a scholar following in the tradition of Bharatamuni, he acknowledges the significance of alamkaras in poetic creation and is celebrated for his contributions to Alamkarashastra, being cited by Rajashekhara.
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Hindu concept of 'Rudrata'
Rudrata in Hinduism is esteemed as a poet and critic crucial to Alamkarashastra, emphasizing the importance of riti in Kavya. He aligns with Bharatamuni's views, affirming alamkaras' significance in poetry's essence and craft.
From: Kavyamimamsa of Rajasekhara (Study)
(1) A scholar who described Vakrokti and differentiated it by types related to verbal figures in poetry.[1] (2) A poet who recognized Samasa as a major component of Riti, contributing to the understanding of poetic composition.[2] (3) A theorist in Sanskrit poetics whose ideas are referenced by Rajashekhara regarding poetic power.[3] (4) A notable critic associated with classical literature but silent on kavi-samayas.[4] (5) Another significant figure in the Alamkara School, recognized for including Alamkara among the figures of speech in his works.[5]
From: Sahitya-kaumudi by Baladeva Vidyabhushana
(1) A scholar who uses the term virodhabhasa (semblance of a contradiction) instead of virodha in his commentary.[6] (2) The scholar who categorized the original eight varieties of shlesha, which Mammata first adhered to.[7] (3) The author or commentator who presents the comparative analysis and arguments in the text.[8]
From: Mudrarakshasa (literary study)
(1) An ancient aesthetician who emphasized the importance of rasa as the indispensable object of kavya.[9]
From: Hanuman Nataka (critical study)
(1) An earlier critic who treated Rasa in his work Kavyalamkara, discussing its significance within poetry.[10]
From: Naishadha-charita of Shriharsha
(1) An Alamkara work cited by Candupandita for its literary analysis.[11]