Significance of Royal palace
The term "Royal palace" across various contexts symbolizes a lavish residence associated with kings and royalty, serving as a central site for governance, significant events, and societal gatherings. It is depicted as a place of wealth and power, highlighted in Jainism, South Asian literature, Tibetan Buddhism, and numerous other traditions. Common elements include the use of royal palaces for decision-making, celebrations, and significant cultural activities, reflecting the grandeur and authority of the monarchy in respective cultures.
Synonyms: Royal residence, Fortress, Mansion, Residence
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Buddhist concept of 'Royal palace'
The "Royal palace" in Buddhism symbolizes opulence, power, and the worldly life that the Bodhisattva ultimately renounced. It serves as the backdrop for significant events, illustrating the conflict between material wealth and spiritual aspirations.
From: Maha Buddhavamsa—The Great Chronicle of Buddhas
(1) Residences established for the royal family, specifically linked with the kings of Kapilavatthu.[1] (2) The luxurious residence of Prince Siddhattha, symbolizing attachment to worldly life.[2] (3) The residence of King Suddhodana, highlighting the royal context in which the Buddha grew up before his renunciation.[3] (4) The location where King Suddhodana greeted Venerable Kaludayi and offered him food.[4] (5) The residence from where Maha Pajapati Gotami and the five hundred ladies traveled to seek ordination.[5]
From: Jataka tales [English], Volume 1-6
(1) The residence of King Sutasoma and his queens, which he left behind to pursue ascetic life.[6] (2) The venue for the public musical contest that involved Guttila and Musila, featuring spectators from across the city.[7] (3) The residence of the king, central to the interactions conducted with the ascetics and the unfolding events.[8] (4) The grand residence of the king, representing power and the splendor of the Bodhisatta’s reign.[9] (5) The official residence of King Goodness, serving as a symbol of sovereignty and a stage for the unfolding drama of power struggles.[10]
From: Vinaya (2): The Mahavagga
(1) The grand residence of king Brahmadatta, where he observes young Dighavu's actions.[11] (2) The place where the proclamation against the robber was issued.[12]
From: Vinaya Pitaka (3): Khandhaka
(1) The residence of a royal figure where the decree regarding the thief was written.[13]
From: The Catu-Bhanavara-Pali (critical study)
(1) The location near which the bhikkhus gathered to recite the Ratana sutta during the alms-giving ceremony initiated by the king.[14]
From: Mahavamsa
(1) The residence where Viharadevi would lavish gifts upon the monks.[15]
From: Mahavastu (great story)
(1) The luxurious residence of King Mahendraka, described as rich and filled with prizes but lacking light.[16] (2) The residence of the king in Kampilla where significant events involving Punyavanta occur.[17] (3) The residence of the king, where important gatherings and ceremonies take place.[18] (4) The place where King Brahmadatta resided and from where the food for the king was sourced.[19] (5) The residence of the king where significant events and decisions occur in the story.[20]
From: Maha Prajnaparamita Sastra
(1) The residence of a king where a significant reception was being held.[21] (2) The location where the Bodhisattva was born and the setting of the significant events surrounding his early life.[22]
From: Buddhacarita
(1) The setting that serves as a backdrop for the emotional turmoil and mourning experienced by the characters.[23]
From: Blue Annals (deb-ther sngon-po)
(1) The seat of power for the Tibetan king, which became the focal point for the introduction of new religious teachings and practices.[24]
Hindu concept of 'Royal palace'
The "Royal palace" in Hinduism symbolizes both literal residences of kings, like the Pandavas, and metaphorical spaces representing equality in accessing the Supreme Brahman, while also reflecting architectural grandeur and cultural significance in various narratives.
From: Skanda Purana
(1) The grand residence where the sons of Vishnu were found playing, indicative of their status and surroundings.[25] (2) The elevated status and residence of the king Vimardana, symbolizing the rewards of his devotion to Shiva despite past transgressions.[26] (3) The residence of the king where Padmalaya is brought after she swoons.[27] (4) Grand residences befitting royalty, characterized by gardens, ponds, and luxurious amenities created in the new city.[28] (5) The establishment of King Anarta where the Brahmanas and Paravasu gather to discuss the incidents and seek a resolution.[29]
From: Yoga Vasistha [English], Volume 1-4
(1) The residence of royalty, serving as the backdrop for the events involving the Sage and the assembly.[30] (2) The place where Chudala, in her original form, manages state affairs before returning to her husband in the forest.[31] (3) The grand setting where Lila encounters many rulers and sages.[32] (4) An imagined residence created by Indra, representing his hopes and desires for grandeur amidst spiritual decay.[33] (5) A significant place in the prince's mind where he dwelled in fantasies with his consort, Arundhati.[34]
From: Ramayana of Valmiki
(1) The residence where King Dasaratha was welcomed back by his kindred and where the brides were received and conducted during auspicious rites.[35] (2) The grand residence of the king, which is now shrouded in mourning as a result of the impending losses.[36] (3) The residence of Shri Rama where he took the two princes after their performance.[37] (4) The residence of King Dasaratha where messengers arrive to convey King Janaka's message.[38] (5) The place where the royal family resides, specifically where happiness and well-being are sought.[39]
From: Padma Purana
(1) The grand residence of a king or queen, often a focal point for divine blessings and rituals.[40] (2) The residence of Rama where significant events, including the arrival of Durvasas, took place.[41] (3) The residence of a king, typically a grand structure that reflects power and authority.[42]
From: Mahabharata (English)
(1) The location where the birth of Damayanti was witnessed and also indicates her noble upbringing.[43]
From: Bhagavata Purana
(1) The location at which a grieving Brahmana places the body of his deceased child, highlighting the intersection of divine happenings and human plight.[44]
From: Shiva Purana
(1) A grand structure that the temple of Shiva should resemble, incorporating elements of architectural beauty.[45]
From: Devi Bhagavata Purana
(1) The residence of the king, often opulent and lavishly decorated, serving as the center of royal activities.[46]
From: Lalitopakhyana (Lalita Mahatmya)
(1) The centrally located and divine building in the city, noted for its beauty and grand chambers.[47]
From: Matsya Purana (critical study)
(1) The official residence of a king, which was a significant element within the fort's architectural plan.[48]
From: Harshacharita (socio-cultural Study)
(1) The residence of the king where various musical instruments were used as alarms and for other ceremonies.[49] (2) The residences of royalty that featured decorative items and significant architectural elements.[50] (3) The residence of the king, where various objects made from natural materials were used, including sticks made from cane.[51] (4) The royal palace is one of the settings described in the Harshacarita, showcasing the opulence and authority of the Gupta era.[52] (5) The residence of the ruling authority, where special employees known as tambulakarangavahini were hired to distribute betel-nut.[53]
From: Kathasaritsagara (the Ocean of Story)
(1) The destination to which Candasimha brings Queen Candravati and Lavanyavati, marking a shift from wilderness to shelter.[54] (2) The residence of Naravahanadatta, where he is joined by his affectionate ministers and loving queens.[55] (3) The residence where the King of Vatsa and Vasavadatta entered after their marriage.[56] (4) The setting for many climactic moments in the tale, including the reunion of Nala and Damayanti.[57]
From: Jarasandhavadha Mahakavyam
(1) The residence of King Jarasandha, described as being grand and richly adorned, representing power and authority.[58] (2) The residence of Jarasandha, which represents his authority and status as king of Magadha.[59] (3) The residence of King Brihadratha where significant events of the story unfold.[60] (4) The magnificent residence belonging to Yudhishthira, known for its extraordinary beauty and grandeur.[61]
From: Bhishma Charitra
(1) The domain in which queen Satyavati gave birth to her sons, symbolizing the power and lineage of the Kuru race.[62] (2) The place where the atmosphere became pleasant because of the prince's joyful activities.[63]
From: Naishadha-charita of Shriharsha
(1) The grand residence of the king where significant actions and encounters take place.[64]
From: Brihad Bhagavatamrita (commentary)
(1) Represents the grand living quarters associated with royalty, symbolizing material wealth and pleasures that the speaker chooses to avoid.[65] (2) The residence of Lord Krishna, where He brought Shri Narada to honor him.[66] (3) The residence of the Pandavas, which is an important place of gathering and service.[67] (4) The residence of Bhagavan, which Shri Narada entered using his prior knowledge of the area.[68] (5) The residence of the Pandavas, which is mentioned as a place of great benefit in the commentary.[69]
From: Garga Samhita (English)
(1) Another term referencing the king's extravagant residence.[70] (2) the residence of royals, referred to in the context of Kamsa[71] (3) The destination that signifies the stature and importance of Krishna's home, hinting at his noble background.[72]
From: Prem Sagar (English translation)
(1) The residence where Krishna and his family dwelt happily, indicative of their high status.[73] (2) The grand residence to which Krishna is brought after his marriages.[74] (3) The residence of the king where significant events occur, including the return of the wives of Kamsa.[75]
From: Srila Gurudeva (The Supreme Treasure)
(1) The residence of the King of Vishnupura where Shrinivasa Acarya was invited.[76] (2) The residence of King rama, where the boys sang Ramayana and captivated the listeners.[77]
From: Vastu-shastra (Introduction to Indian architecture)
(1) Grand residences serving as the home for kings and nobility, typically enhanced by structures like Sabhas as integral components for courtly activities.[78] (2) The residences of kings, which are complex structures requiring careful planning and various architectural considerations.[79] (3) Large and impressive residences for royalty, systematically presented in the Arthashastra as part of architectural knowledge.[80] (4) The grand residence of a king, including all associated structures and amenities.[81] (5) The central structure of the city of Angkor Thom, which served as the residence of the Khmer king.[82]
From: Samarangana-sutradhara (Summary)
(1) The grand architectural structures designed for kings and nobles, distinguished from common residential architecture.[83] (2) The royal palace is the residence of the king and serves as a significant landmark in the royal compound.[84]
From: Manasara (English translation)
(1) The central residence of a king, which plays a crucial role in the identity and layout of a city.[85] (2) A category of architectural structures designed with specific measurements to ensure prosperity and success.[86] (3) Lavishly designed and constructed residences for royalty, showcasing architectural grandeur and sophistication.[87] (4) Elite residences that are associated with higher status and indicate the cultural importance of a specific location.[88]
From: Kashyapa Shilpa-shastra (study)
(1) Lavish structures built to serve as residences for royalty, detailed in Kautilya's Arthashastra.[89]
From: Vishnudharmottara Purana (Art and Architecture)
(1) The settings in the Mahabharata where women expressed their desire to learn music.[90]
From: Natyashastra (English)
(1) The royal palace refers to the governing center associated with kings, where dignitaries like Dauvarika held significant roles.[91] (2) The residence and administrative center for a ruler, as described in regard to its functionality and various official roles in the Natyashastra.[92]
From: Hanuman Nataka (critical study)
(1) The residence of a monarch, where specific dialects of Prakrita are utilized by those who serve within.[93]
From: Amarakoshodghatana of Kshirasvamin (study)
(1) The specific type of royal residences denoted by the first five synonyms listed in Amarakosha.[94] (2) Denoted by the term prasada, it is a grand residence for royalty within a city.[95]
From: History of Indian Medicine (and Ayurveda)
(1) The residence of the king, where the royal physician must be vigilant regarding the king's health and well-being.[96]
From: Chandogya Upanishad (Shankara Bhashya)
(1) A metaphorical space, implying that all individuals gaining entry into the Supreme Brahman are equal, unlike the distinctions found in worldly contexts.[97]
From: Hitopadesha (English translation)
(1) Refers to the place where the King and his council convene for decision-making.[98]
Jain concept of 'Royal palace'
In Jainism, the "Royal palace" symbolizes wealth and power, representing significant events and duties of kings, luxuriously built residences, and a source of material offerings, reflecting the grandeur and luxury associated with monarchy.
From: Trishashti Shalaka Purusha Caritra
(1) A place of wealth and power, highlighted as a source of offerings, indicative of worldly possessions.[99] (2) The luxurious residence where Pradyumna, Vaidarbhi, and Shamba were found by Rukmin.[100] (3) Residences of kings where significant events and duties were observed.[101] (4) Lavishly built residences for the monarchy, where grandeur and luxury are expected, and symbols of power are displayed.[102]
The concept of Royal palace in local and regional sources
The Royal Palace symbolizes authority, power, and grandeur, serving as the backdrop for various significant events, decisions, and cultural rituals during the reigns of kings, notably highlighting interactions among royalty and citizens.
From: Village Folk-tales of Ceylon (Sri Lanka), vol. 1-3
(1) A setting where the parrot, transformed from the younger child, attempts to interact with the Princess.[103] (2) The place where the King summoned Madampe-rala after hearing about his activities in the rice field.[104] (3) The residence of the King which the Treasurer intends to enter to assert his new authority.[105] (4) The lavish residence of the King where the theft takes place.[106] (5) The residence of the King where the beggar is supposed to go and claim credit for curing the tusk elephant.[107]
From: Buddhist records of the Western world (Xuanzang)
(1) The residence of the monarch, indicating importance and authority in the region.[108]
From: The travels of Fa-Hian (400 A.D.)
(1) The residence commissioned by King Asoka, constructed with the help of genii.[109]
From: Bhaktavijaya: Stories of Indian Saints
(1) The places where the white thin shawls distributed by Krishna are typically worn.[110] (2) A grand residence or establishment associated with royalty, symbolizing wealth and societal status.[111]
From: Triveni Journal
(1) The residence of royalty where specific art collections and Chitrasalas were maintained, reflecting the grandeur of the ruling class.[112] (2) The setting where significant actions of the play unfold, emphasizing the king's detachment from his people.[113]
From: Folk Tales of Gujarat (and Jhaverchand Meghani)
(1) The place where the king took the thief after revealing his identity and later rewarded him for his moral principles.[114]
From: Impact of Vedic Culture on Society
(1) The residence of the kings where religious festivals and rituals for multiple faiths such as Shaivism and Buddhism were performed during Harsha’s reign.[115]