Significance of Rajashekhara
Rajashekhara is a multifaceted figure in Sanskrit literature, regarded as a notable poet, scholar, and dramatist. He is credited with significant works such as Kavyamimamsa, where he categorizes poets, discusses poetic conventions, and introduces concepts like kavi-samaya. His influence stretches across various aspects of Indian culture, from drama to poetics, exemplifying the richness of Sanskrit literature. Additionally, he is recognized for engaging with earlier literary figures like Anandavardhana and Bhavabhuti, showcasing the interconnected nature of these cultural traditions.
In Finnish: Rajashekhara; In Spanish: Rajashekhara; In Dutch: Rajaskhera
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Hindu concept of 'Rajashekhara'
Rajashekhara, a multifaceted figure in Hinduism, is acclaimed as an influential poet, scholar, and king who significantly advanced Sanskrit literature, particularly through his work Kavyamimamsa, exploring poetic conventions and the theory of poetry.
From: Kavyamimamsa of Rajasekhara (Study)
(1) Another significant theorist who explored concepts related to Vakrokti, emphasizing its relevance beyond traditional poetic expression.[1] (2) A prominent author and poet known for his contributions to the field of Kavya, specifically the Kavyamimamsa.[2] (3) A scholar who provided further insights on Vakrokti and raised questions against previous interpretations.[3] (4) An author known for his contributions to Sanskrit literature, specifically recognized for the work 'Kavyamimamsa.'[4] (5) The author who recounts a legendary account of the kavya-purusha and emphasizes the significance of expression in poetry.[5]
From: Sahitya-kaumudi by Baladeva Vidyabhushana
(1) A scholar who asserts that the knowledge of poetics forms a seventh Vedanga, indicating its importance within Vedic tradition.[6]
From: Malatimadhava (study)
(1) A later poet who referenced Bhavabhuti in his work, illustrating the latter's lasting influence on Sanskrit literature.[7] (2) Rajashekhara supports Vamana's viewpoint on riti, opting for an earlier theory concerning the arrangement of words.[8]
From: Naishadha-charita of Shriharsha
(1) A referenced figure in the commentary under section 7.25.[9]
From: Hanuman Nataka (critical study)
(1) A celebrated personality in Sanskrit literature known as a dramatist and poetician who was influenced by Shri Damodara Mishra.[10] (2) A scholar credited with paying proper attention to the Kavisamaya and its applications in poetry.[11]
From: Dasarupaka (critical study)
(1) A poet noted for referencing Bhasa, indicating continued admiration and recognition of Bhasa's work in later periods.[12]
From: Amarakoshodghatana of Kshirasvamin (study)
(1) A Maharashtra poet quoted by Kshirasvamin, suggesting influences from south Indian linguistic practices.[13]
From: Vasudevavijaya of Vasudeva (Study)
(1) The author of Kavyamimamsa who categorizes poets into three kinds and elaborates on the distinctions of shastrakavi.[14]
From: Bhagavatpadabhyudaya by Lakshmana Suri (study)
(1) The king of Kerala who recognized the divinity of the Shivalingam in a dream and arranged for its worship.[15] (2) A king who built a temple to house the Shivalingam on the banks of the Purna river after having a revelation through a dream.[16]
The concept of Rajashekhara in local and regional sources
Rajashekhara was a significant 9th-century Sanskrit poet and playwright, recognized for his contributions as a court poet and for shaping the cultural landscape of Maharashtra, thus highlighting his influence in regional literature.
From: Impact of Vedic Culture on Society
(1) A 9th-century Sanskrit poet and playwright who served as a court poet and was influential in the cultural landscape of Maharashtra.[17]