Significance of Natyashastra
In Dutch: Natyashastra; In Finnish: Natyashastra
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Hindu concept of 'Natyashastra'
The Natyashastra, attributed to Bharatamuni, is a foundational treatise on Indian performing arts encompassing drama, dance, and music. It outlines rules, guidelines, and principles for theatrical composition, character roles, and emotional expression in performances.
From: Dasarupaka (critical study)
(1) An ancient Indian treatise on performing arts, particularly drama, outlining rules and guidelines for compositions, character roles, and thematic elements in theatrical productions.[1] (2) An ancient Indian treatise on performing arts, attributed to Bharata, that outlines the principles of drama, including the representation of emotions.[2] (3) An ancient Indian treatise on performing arts, including drama, dance, and music, authored by Bharata and serving as a foundational text for understanding dramaturgy.[3] (4) An ancient Indian treatise on performing arts that outlines various aspects of drama, including sentiments.[4] (5) Natyashastra is an ancient treatise on dramatic arts that outlines the rules and principles governing performances.[5]
From: Natyashastra (English)
(1) An ancient Indian treatise on performance arts, particularly dealing with drama, music, and dance, which is the subject of the translation effort.[6] (2) The treatise on the art of drama that provides detailed guidance on performance, theory, and the religious significance of theatrical practices.[7] (3) The treatise by Bharata that provides rules and characteristics of dance and drama, particularly focusing on types of dance known as Tandava.[8] (4) A foundational text on music and performing arts, believed to have origins around the 2nd century A.C., with discussions extending into various aspects of music theory and practice.[9] (5) An ancient Indian text providing comprehensive treatment on drama and music, yet remains inaccessible to the average interested person.[10]
From: Mudrarakshasa (literary study)
(1) An ancient text that references aesthetics related to rasa, showing that the tradition predates Bharata.[11] (2) An ancient text that outlines the principles and purposes of drama, emphasizing its role in reflecting human actions and emotions.[12] (3) An ancient Indian treatise on performing arts, particularly drama, written by Bharatamuni, which discusses concepts such as pravritti and the appropriate use of language according to the status and character of performers.[13] (4) The classical Indian treatise on drama and performing arts that Rakshasa is educated in, enhancing his character's depth.[14] (5) An ancient text on dramaturgy that gives guidelines for theater, including the significance of the moon in nandi verses.[15]
From: Hanuman Nataka (critical study)
(1) An ancient Indian treatise on the performing arts which states that Rasa is essential in drama.[16] (2) Natyashastra is a Sanskrit text that discusses the arts of theater, including the use of Alamkaras in dramatic performance.[17] (3) Natyashastra is another authoritative text that holds the same opinion regarding the classification of rupakas.[18]
From: Abhinaya-darpana (English)
(1) An ancient Indian text on the performing arts, regarded as the fifth Veda, encompassing the science of drama and performance.[19]
From: Kavyamimamsa of Rajasekhara (Study)
(1) An ancient Indian treatise on performing arts that includes discussions about myths and their significance.[20] (2) A text attributed to Bharata outlining the principles of drama and aesthetics.[21] (3) A work by Bharatamuni that consists of twenty-seven chapters focusing on the success of dramatic performance, including instructions for poets and playwrights.[22] (4) An ancient Indian treatise on performing arts, which discusses Rasa and its significance in dramatic compositions.[23] (5) A foundational text by Acarya Bharatamuni in which various Alamkaras like Upama, Rupaka, Dipaka, and Yamaka are defined.[24]
From: Sahitya-kaumudi by Baladeva Vidyabhushana
(1) a foundational text in the field of Indian dramaturgy authored by Bharata Muni.[25] (2) Natya-shastra is a foundational text of Indian performing arts that provides descriptions and insights into various emotional states and aesthetics.[26] (3) Natya-shastra is a foundational text of Indian performing arts, discussing various aspects of drama, dance, and expression.[27] (4) An ancient text on the performing arts, noted in the text that the discussed verse is not contained within this scripture.[28] (5) An ancient Indian treatise on performing arts, often cited as a source that discusses the elements of drama and emotions.[29]
From: Vishnudharmottara Purana (Art and Architecture)
(1) An ancient Indian treatise on the performing arts, including dramatic theory and techniques.[30] (2) A foundational text that outlines the characteristics and roles in Sanskrit theater, noted for its discussion of the first drama and its characters.[31] (3) An authoritative text on the art of drama, often referenced in conjunction with Vishnudharmottarapurana.[32] (4) A classical text by Bharata that attributes the origin of songs to the Samaveda.[33] (5) The Natyashastra is an ancient text on the performing arts that serves as a key reference point for dramatic theory and practice, significantly influencing the Vishnudharmottarapurana.[34]
From: Annadatri-carita (study)
(1) A classical Indian treatise on performing arts, particularly theater, written by Bharata.[35] (2) An ancient Indian treatise on dramaturgy, providing guidelines and rules for composing and performing drama.[36] (3) An ancient Indian treatise on the performing arts, which 'Annadatri-carita' adheres to in its dramatic elements.[37] (4) An ancient Indian treatise on performing arts that Annadatricarita strictly follows in its dramatical aspects.[38]
From: Malatimadhava (study)
(1) An ancient Sanskrit text on performing arts authored by Bharatamuni.[39] (2) An ancient Indian treatise on performing arts, specifically relating to drama and dance.[40]
From: Amarakoshodghatana of Kshirasvamin (study)
(1) An ancient text by Bharata that discusses various aspects of performance arts, including poetics and drama.[41] (2) Natyashastra is an ancient Indian treatise on performing arts, which validates the attributes and performances of Lasya dance.[42] (3) An ancient Indian treatise on performing arts that includes discussions on various aspects of drama, including the importance of dhruva songs in enhancing theatrical performance.[43] (4) An ancient text that defines Laya as the tempo that conforms to the performance of song and instruments.[44] (5) A classical Indian treatise which mentions six postures in shooting an arrow and offers insights into the art of dance, music, and drama.[45]
From: Bhakti-rasamrta-sindhu
(1) An ancient Indian treatise on performing arts and theater, referring to the classifications of forms and qualities.[46] (2) An ancient Indian treatise on performing arts, particularly drama, dance, and music, attributed to Bharata Muni.[47] (3) An ancient Indian treatise on the performing arts, particularly drama, that provides insights into various aspects of performance and emotional expression.[48]
From: Shishupala-vadha (Study)
(1) The Natyashastra is a work on performing arts, showcasing Magha's engagement with various arts and disciplines.[49] (2) An ancient Indian treatise on performing arts, particularly focused on drama and its elements.[50]
From: Gitartha Samgraha (critical Study)
(1) An ancient Indian treatise on performing arts, which Abhinavagupta referenced in his own works.[51] (2) An ancient Indian treatise on the performing arts which Abhinavagupta analyzed and presented in his work 'Abhinavabharati.'[52]
From: Vastu-shastra (Introduction to Indian architecture)
(1) The Natya-shastra is an ancient Indian treatise on performing arts, which includes descriptions and guidelines for theatrical performances and their relationship with Mandapa structures.[53]
From: Devi Bhagavata Purana
(1) Refers to the artistic and cosmic principles governing the manifestation of the universe and life's events, though not directly mentioned, relates to the narrative style.[54]
The concept of Natyashastra in local and regional sources
Natyashastra, authored by Bharata, is an ancient Indian text and authoritative guide on performance arts, detailing rules, techniques, and principles of dance, drama, and music, significantly influencing Indian theatrical traditions and practices.
From: Triveni Journal
(1) An ancient Sanskrit text on theatrical arts, often considered the foundational guide for Indian classical dance and performance theory.[55] (2) An ancient Indian treatise on dramatic performance, exploring the principles of Rasa and its importance in theater.[56] (3) An ancient Indian treatise on the performing arts, which serves as a foundational text influencing Kathakali.[57] (4) A seminal work by Bharat Muni that defines drama as an art form representing various life situations.[58] (5) An ancient Indian text authored by Bharata, which serves as a foundational source documenting the study and practice of performing arts in India.[59]