Significance of Kavyalankara
Synonyms: Literary ornament, Poetic device, Figure of speech
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Hindu concept of 'Kavyalankara'
Kavyalankara in Hinduism, primarily attributed to Bhamaha, emphasizes the importance of Pratibha in poetry, explores poetic figures, and categorizes aesthetic elements vital for literary composition, reflecting deep insights into Sanskrit literature.
From: Kavyamimamsa of Rajasekhara (Study)
(1) A significant text by Acarya Bhamaha that discusses poetic devices (alamkaras) as well as instructions for aspiring writers.[1] (2) Kavyalamkara is a literary text that discusses various aspects of poetic figures and shortcomings in poetic compositions as articulated by Bhamaha.[2] (3) A work by Rudrata that discusses various poetic devices and includes the discussion of Shlesha-Yamaka with its eight divisions.[3] (4) A significant work by Bhamaha discussing the theories of Alamkaras and their importance in enriching poetry.[4] (5) A poetical work attributed to Bhamaha that provides detailed treatment of the concept of Vakrokti.[5]
From: Sahitya-kaumudi by Baladeva Vidyabhushana
(1) A poetic work illustrating the beauty of metaphor and artistic expression.[6] (2) a text discussing poetic devices and figures of speech[7] (3) A collection of poetry that illustrates figures of speech.[8] (4) a text referenced illustrating the context of Rama enduring a predicament while adhering to Dasharatha's wishes.[9] (5) A notable work by Rudrata that includes verses mentioned by Mammata in relation to citra-kavya.[10]
From: Mudrarakshasa (literary study)
(1) These are literary ornaments compared to the beauty itself in the context of kavya, highlighting the importance of gunas.[11] (2) A work by Bhamaha that treats thirty-eight alamkaras, both pertaining to words and senses.[12] (3) A work by Vamana that asserts the necessity of alamkara in poetic creation, implying that a kavya is considered only if adorned with embellishments.[13]
From: Natyashastra (English)
(1) A Sanskrit literary text authored by Bhamaha that discusses poetic figures and aesthetics.[14]
From: Annadatri-carita (study)
(1) A work by Bhamaha that details his thoughts and categorizations on Alankaras in poetry.[15]
From: Kathasaritsagara (the Ocean of Story)
(1) The other queen of King Parityagasena who, feeling cheated by her rival, plots revenge against the sons born of her rival's jealousy.[16]
From: Malatimadhava (study)
(1) A work by Bhamaha that discusses aspects of poetry and includes the theme of rasa.[17]
From: Vakyapadiya (study of the concept of Sentence)
(1) A text by Bhamaha that asserts Pratibha is crucial for poetry composition.[18]
From: Amarakoshodghatana of Kshirasvamin (study)
(1) A literary source cited by Kshirasvamin that includes references to the usage of the terms halahala and halahala.[19]
From: Vasudevavijaya of Vasudeva (Study)
(1) A work by Bhamaha that discusses the use of poetry in conveying scientific texts.[20]
From: Bhajana-Rahasya
(1) Mundane knowledge presented in the form of poetry and literature, which is considered insignificant for a devotee.[21]