Significance of Exquisite beauty
Exquisite beauty encompasses diverse interpretations across various traditions. In Shilpashastra, it highlights the craftsmanship of Tamilnadu temple pillars, while in Vaishnavism, it refers to the Lord's unparalleled charm and captivating form that evokes deep devotion and longing. Purana describes exquisite beauty in both divine and mortal contexts, focusing on the allure of figures like Parvati and Mohini. In Vedanta, it refers to the attractiveness of royalty. Overall, exquisite beauty signifies an extraordinary, captivating allure that transcends ordinary experiences.
Synonyms: Stunning beauty, Remarkable beauty, Exquisite charm, Extraordinary beauty, Breathtaking beauty
In Dutch: Prachtige schoonheid; In Finnish: Upea kauneus; In Spanish: Belleza exquisita
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Buddhist concept of 'Exquisite beauty'
In Buddhism, Exquisite beauty signifies the transient beauty that humbled Queen Khema, emphasizing impermanence, and the unparalleled profundity of the original Pali Suttas, which embodies a unique aesthetic experience beyond translation.
From: Dhammapada (Illustrated)
(1) The striking beauty of the young lady that led Queen Khema to confront her pride and the fleeting nature of physical appearance.[1]
From: Visuddhimagga (the pah of purification)
(1) The unmatched and profound aesthetic quality found in the original Pali Suttas, which cannot be fully replicated in translation.[2]
Hindu concept of 'Exquisite beauty'
In Hinduism, "Exquisite beauty" embodies the remarkable and captivating appearances of deities like Mohini, Lord Krishna, and Parvati, evoking deep emotional connections and admiration, while also highlighting the transient allure of aesthetics and divine charm across various contexts.
From: Skanda Purana
(1) A description of Madanamanjari's physical attractiveness, highlighting her charming features that captivated the king.[3] (2) A term used to describe the girl that King Parikshit encounters, emphasizing her attractiveness.[4] (3) An exceptional and delicate attractiveness, notably referring to the woman mentioned.[5] (4) A term used to describe the divine woman created by Narayana, surpassing all others in allure.[6] (5) The desired transformation that Karnotpala aimed to achieve through her penance and meditation.[7]
From: Shiva Purana
(1) Mena’s admiration for her daughter’s physical appearance, which she insists should not be wasted on Shiva.[8] (2) A phrase used to describe the remarkable and refined physical features of Shiva.[9] (3) Describes Parvati’s appearance as surpassingly lovely, captivating everyone, including powerful beings.[10] (4) An attribute of physical attractiveness described in the context of women.[11] (5) Describes the remarkable beauty of Parvati that caused Jalandhara to become infatuated.[12]
From: Mahabharata (English)
(1) Refers to the person's strikingly attractive appearance.[13]
From: Ramayana of Valmiki
(1) Refers to the unparalleled charm and appearance of the fawn as observed by Sita.[14]
From: Bhagavata Purana
(1) Descriptive of the damsel's captivating appearance, intended to embody allure and charm, captivating the attention of God Shiva.[15]
From: Brahma Purana
(1) Describes the aesthetic appeal of Avanti's landscape and architecture.[16]
From: Laghu-yoga-vasistha
(1) A description used to address Rama, emphasizing one’s attractive and admirable qualities.[17]
From: Gautami Mahatmya
(1) A remarkable and appealing appearance, which is also attained by merely listening to the name of Karttikeya.[18]
From: Yoga Vasistha [English], Volume 1-4
(1) A reference to the transient allure of aesthetics that can lead to distraction and disillusionment.[19]
From: Lalitopakhyana (Lalita Mahatmya)
(1) Describes the remarkable and stunning appearance of Mohini.[20]
From: Devi Bhagavata Purana
(1) Describes the captivating appearance of Vaikuntha and the divine beings within it.[21]
From: Tiruvaymoli (Thiruvaimozhi): English translation
(1) The captivating appearance of the Lord that enthralls the Nayaki, emphasizing her deep emotional attachment.[22] (2) A description of the Lord's appearance that the speaker finds irresistible and yearns to experience.[23] (3) The profound and captivating attractiveness of the Lord that the Alvar is able to appreciate fully after his fears are eradicated.[24] (4) Refers to the captivating and attractive appearance of the Lord that draws devotion.[25] (5) The remarkable and delicate beauty of the Lord that causes deep emotional distress for the Nayaki in His absence.[26]
From: Brihad Bhagavatamrita (commentary)
(1) Describing the beauty of the Supreme Lord's form as being exceptionally fine and remarkable, something beyond ordinary experience.[27] (2) The remarkable and alluring physical charm of Shri Krishna that astonishes and captivates.[28] (3) the supreme level of beauty which is hard to describe in words[29]
From: Chaitanya Bhagavata
(1) Exceptional and delicate attractiveness or charm, particularly in reference to the Lord's form.[30]
From: Manusmriti with the Commentary of Medhatithi
(1) A valuable attribute obtained by the giver of silver.[31]
From: Kashyapa Shilpa-shastra (study)
(1) A term used to describe the high aesthetic value and craftsmanship of the pillars in Tamilnadu temples.[32]
From: Bhagavatpadabhyudaya by Lakshmana Suri (study)
(1) The remarkable attractiveness of the king's many wives.[33]
The concept of Exquisite beauty in local and regional sources
Exquisite beauty describes both King Shrenika's remarkable appearance, as noted by regional sources, and the captivating charm of the beloved Yakshi, reflecting the deep admiration conveyed through the Yaksha's expressions.
From: Triveni Journal
(1) A term used to describe the captivating and enchanting physical appearance of Radha as depicted by Vidyapati.[34] (2) A description used to characterize the life-stories of religious leaders presented in the book Living Biographies of Great Religious Leaders.[35] (3) Describes the profound and captivating charm of the beloved Yakshi, as emphasized in the expressions of the Yaksha.[36] (4) A characteristic attributed to the shramana by King Shrenika, highlighting his remarkable appearance.[37]