Significance of Dhvanyaloka
Dhvanyaloka is a seminal work by Anandavardhana that emphasizes the significance of suggestion (dhvani) in literature and poetic compositions. It explores the interplay of sound and meaning while promoting the Dhvani theory, which reshapes the understanding of poetry by prioritizing emotional resonance (rasa) over traditional poetic structures. The text contributes to the study of Sanskrit poetics and discusses the nuances of artistic expression, addressing both the mechanics of poetry and the role of emotion in creative writing.
In Dutch: Dhvanyaloka; In Finnish: Dhvanyaloka; In Spanish: Dhvanyaloka
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Hindu concept of 'Dhvanyaloka'
Dhvanyaloka, authored by Anandavardhana, is a foundational text in Hindu literary theory that emphasizes the significance of suggestion (dhvani) and sentiment (rasa) in poetry, exploring aesthetic principles and poetic expression's nuances.
From: Kavyamimamsa of Rajasekhara (Study)
(1) A key work on aesthetic theory in Sanskrit literature that explores the interplay of sound and meaning in poetry.[1] (2) A significant work by Anandavardhana that serves as a foundational text for the study of Sanskrit Poetics and the Dhvani Theory.[2] (3) A significant text by Anandavardhan that outlines the principles of suggestive meaning and various aesthetic concepts.[3] (4) A work that promotes the Dhvani theory, while also providing guidance for aspiring poets under the concept of Kavi-shiksha.[4] (5) The Dhvanyaloka by Anandavardhana examines the nature of poetic expression, particularly how improvisation and the manifestation of rasa (sentiment) connect to the principles in poetic conventions.[5]
From: Sahitya-kaumudi by Baladeva Vidyabhushana
(1) A significant literary text citing the concept of appropriateness in relation to rasa disruption.[6] (2) A significant text in Sanskrit literary theory from which references regarding implied senses and ornaments are cited.[7] (3) A text that discusses the purpose of poetry in delivering moral conduct instructions for the benefit of learners.[8] (4) A significant text in literary theory which discusses concepts of dhvani, including commentary on the relationships between different forms of poetic expression.[9] (5) A significant text by Anandavardhana that elaborates on the theory of suggested meanings in poetry.[10]
From: Hanuman Nataka (critical study)
(1) A text that presents a similar version regarding the concepts of Riti and Vritti, contributing to the understanding of poetic structures.[11] (2) A significant text on rhetorical theory by Anandavardhana, which explores the concept of suggestion (dhvani) in literature, referenced in the context of Padalalitya.[12] (3) A text from which verses are found in the Hanumannataka, indicating its intertextual connections with earlier works.[13] (4) A scholarly work that discusses the bright conception or vivid imagination of a kavi related to creating a Kavya.[14] (5) A work by Anandavardhana that contains verses from the Hanumannataka, demonstrating the impact of the latter on the former.[15]
From: Mudrarakshasa (literary study)
(1) A significant work by Anandavardhana that supports the importance of rasa in poetic compositions.[16]
From: Lakulisha-Pashupata (Philosophy and Practice)
(1) A work by Anandvardhana that discusses various examples from Indian literature to elaborate on poetic communication and the nuances of speech.[17]
From: Shishupala-vadha (Study)
(1) An influential text that outlines the importance of sentiment in literature, referenced in the context of analyzing Shishupalavadha.[18]
The concept of Dhvanyaloka in local and regional sources
Dhvanyaloka, authored by Ananda Vardhana, is a seminal treatise in Samskrit literary criticism. It introduces the concept of Dhvani, or 'Suggestion,' highlighting deeper meanings in poetry beyond traditional definitions, shaping literary analysis.
From: Triveni Journal
(1) A famous treatise authored by Ananda Vardhana concerning the concept of Dhvani or 'Suggestion' in literary criticism, emphasizing meanings that exceed standard definitions.[19] (2) A foundational work on literary criticism in Samskrit by Anandavardhana, establishing the theory of suggestion in poetry.[20]