Significance of Bhasha
Bhasha holds multiple meanings across various cultural and literary contexts. In Jainism, it refers to language and communication's role in cultural identity. In classical Sanskrit drama, Bhasha is recognized as an ancient playwright credited with transforming the genre, known for works like the Pratimanataka and Urubhanga. His innovative approaches and character development have significantly influenced the evolution of drama in ancient India. Bhasha's contributions extend into the realm of literary techniques and themes, emphasizing virtue and turmoil within Indian epics.
Synonyms: Language, Tongue, Dialect, Speech, Vernacular
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Hindu concept of 'Bhasha'
Bhasha in Hinduism is interpreted as an influential ancient Sanskrit playwright known for pioneering one-act plays and contributing significantly to drama, specifically in character development, storytelling, and the incorporation of elements from the Ramayana.
From: Dasarupaka (critical study)
(1) A notable figure who is believed to have lived in the pre-Mauryan or Mauryan period, prior to Canakya, and is the author of significant literary works.[1] (2) A playwright mentioned in relation to Vatsaraja, known for writing various dramas.[2] (3) The author of the Urubhanga, recognized as a well-established poet.[3] (4) The author known for incorporating various technical dramatic aspects into his plays.[4] (5) An eminent playwright in ancient India recognized for being the first to write one-act plays, contributing significantly to the tradition.[5]
From: Natyashastra (English)
(1) An ancient Indian dramatist often compared to the Natyashastra through his apparent lack of conformity to its rules, leading to debates about the chronological relationship between his works and the Natyashastra.[6]
From: Hanuman Nataka (critical study)
(1) Bhasa is an ancient Sanskrit playwright known for his dramas, including the Pratimanataka, which incorporate elements of the Ramayana.[7]
From: Yajnavalkya-smriti (Vyavaharadhyaya)—Critical study
(1) The term used for a plaint, which is the written complaint by a plaintiff detailing allegations against the defendant.[8]
From: Manusmriti with the Commentary of Medhatithi
(1) A term referring to a state of being for a Brahmana who does not fully spend the wealth he begged for a sacrifice; also identified with the term 'crow'.[9]
From: Kavyamimamsa of Rajasekhara (Study)
(1) A significant figure in Sanskrit literature, part of a group of authors who do not provide biographical details or personal history.[10]
From: Sahitya-kaumudi by Baladeva Vidyabhushana
(1) Language.[11]
From: Bhagavad-gita-rahasya (or Karma-yoga Shastra)
(1) An ancient Indian dramatist known for writings that provide literary evidence for early knowledge of the Gita.[12]
From: Vishnudharmottara Purana (Art and Architecture)
(1) An ancient playwright known for his contributions to Sanskrit drama, particularly in character development and storytelling.[13]
Jain concept of 'Bhasha'
In Jainism, Bhasha signifies language, highlighting its importance in fostering cultural identity and facilitating communication within the community, thereby underscoring the essential role of linguistic expression in maintaining Jain traditions.
From: Trishashti Shalaka Purusha Caritra
(1) Refers to language, emphasizing the role of communication in cultural identity.[14]
The concept of Bhasha in local and regional sources
Bhasha relates to diverse aspects of Indian literature, including an unconventional dramatist who innovated Sanskrit plays, a notable style in Telugu writing, and an ancient playwright whose influential works embody themes of virtue and turmoil.
From: Triveni Journal
(1) An early playwright known for his dramatic works, likely contemporaneous with Kalidasa, whose popularity influenced the latter's dynamics in theatre.[15] (2) Flourishing in ancient India, Bhasa was a playwright whose works often adapted mythological stories, including those from the Ramayana.[16] (3) An ancient Sanskrit playwright credited with creating significant works that reflect key themes of virtue and turmoil in Indian epics.[17] (4) An unconventional dramatist known for making revolutionary changes in Sanskrit dramatic practices and creating plays with tragic sentiment.[18] (5) The style of writing in Telugu, which encompasses various forms and their implications for literature.[19]