Significance of Beautiful picture
The keyphrase "Beautiful picture" encompasses various interpretations across different texts. In Purana, it describes artwork enhancing palace aesthetics. Natyashastra presents it as a vivid societal portrayal by Vararuci. In Mahayana, it reflects how qualities of a creator can be inferred from their work. Indian history includes images that inspire joy in children, photographs highlighting temple beauty by Ms. Madiha Aijaz, and artworks stimulating aesthetic appreciation. Kavyashastra portrays an enchanting autumn scene as a beautiful picture, showcasing nature's splendor.
In Dutch: Prachtig plaatje; In Finnish: Kaunis kuva; In Spanish: Hermosa imagen
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Buddhist concept of 'Beautiful picture'
In Buddhism, "Beautiful picture" symbolizes how an observer perceives the qualities of a creator based on the beauty and intricacies of their artwork, reflecting broader insights into perception and attribution of qualities in creation.
From: Maha Prajnaparamita Sastra
(1) An example used to illustrate how one might attribute qualities to a creator (artist) based on the observation of their work.[1]
Hindu concept of 'Beautiful picture'
In Hinduism, "Beautiful picture" symbolizes the stunning autumn landscapes, Vararuci's vibrant societal descriptions, and ornate artwork that collectively enhance visual aesthetics and cultural appreciation.
From: Ramayana of Valmiki
(1) Artwork that adorns the walls of the palace, enhancing its aesthetic appeal.[2]
From: Kavyamimamsa of Rajasekhara (Study)
(1) The visually appealing scene created by the clear sky, shining sun, and moon during the autumn season.[3]
From: Dasarupaka (critical study)
(1) A vivid and appealing description of the society provided by Vararuci.[4]
The concept of Beautiful picture in local and regional sources
The keyphrase "Beautiful picture" encapsulates illustrations that evoke joy and innocence, artistic visuals that inspire appreciation, a symbolic book cover of Prophet Zarathustra, and evocative photographs of temples by Ms. Madiha Aijaz.
From: Lord Jhulelal: An Analytical Study
(1) Illustration depicted on the book cover showing Prophet Zarathustra against the backdrop of the sun.[5] (2) Photographs taken by Ms. Madiha Aijaz, showcasing the aesthetic aspects of the temples.[6]
From: Triveni Journal
(1) Illustrations from the book that excite the little girl, symbolizing innocence and joy.[7] (2) Visual artworks intended to evoke joy and aesthetic appreciation, often placed in personal and artistic environments.[8]