Significance of Beautiful girl
The concept of "beautiful girl" is explored across various Indian traditions, including Jainism, Vaishnavism, Purana, Natyashastra, and others. In these contexts, it typically refers to individuals characterized by exceptional physical beauty and grace, often linked to divine or celebrated figures. The descriptions often involve enchanting maidens from legends, such as Radha and the gopis, who capture the attention of deities like Krishna. Overall, the theme emphasizes aesthetics, allure, and the significant emotional impact these beautiful girls have on their surroundings and the narratives in which they exist.
Synonyms: Attractive woman, Lovely lady, Charming female, Pretty girl, Exquisite girl., Lovely girl, Charming girl
In Dutch: Mooi meisje
In Finnish: Kaunis tyttö
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Buddhist concept of 'Beautiful girl'
In Buddhism, "Beautiful girl" signifies the daughter of a fruiterer who captivates a king, symbolizing the allure of worldly attachments and desires, which can distract from spiritual pursuit and enlightenment.
From: Jataka tales [English], Volume 1-6
(1) A reference to the daughter of a fruiterer who captured the king's attention.[1]
Hindu concept of 'Beautiful girl'
In Hinduism, "Beautiful girl" encompasses multiple interpretations, highlighting extraordinary beauty, ideal femininity, spiritual allure, and romantic sentiments, often embodied by figures like gopis, Sukanya, and Radha, showcasing beauty's significance in devotion and relationships.
From: Garga Samhita (English)
(1) Describes the gopikah or gopis as those who possess beauty, particularly in the context of this verse.[2] (2) Girls described as beautiful who contribute to the beauty of the circle.[3] (3) Refers to the gopis who surround and accompany Krishna during divine pastimes, enhancing the joy of the events.[4] (4) A description of gopis, emphasizing their beauty as a prominent feature.[5] (5) Women perceived as physically appealing, representing the ideal of beauty.[6]
From: Chaitanya Mangala
(1) Reference to the captivated girls who are enchanted by His presence.[7] (2) Participants in the celebration who expressed their joy and glorified Lord Gaura through their enthusiastic calls.[8] (3) A description of Vishnupriya, emphasizing her extraordinary beauty.[9] (4) Refers to Vallabhacarya's daughter, emphasizing her physical beauty and the light she brings to her surroundings.[10]
From: Chaitanya Bhagavata
(1) A reference to the mood that the speaker is expressing, indicating a romantic or playful sentiment.[11]
From: Bhajana-Rahasya
(1) A reference to Radha's concern that Krishna might be with another woman.[12]
From: Skanda Purana
(1) Refers to the river Narmada personified as a divine maiden of extraordinary beauty who captivates the Devas and Asuras.[13] (2) A maiden admired for her physical beauty and desirability, whom Manibhadra wishes to marry.[14] (3) Referring to Sukanya, noted for her beauty and the actions she took, leading to key events.[15] (4) A character in the story who is sought by King Parikshit and has conditions regarding water that lead to her disappearance.[16]
From: Devi Bhagavata Purana
(1) A potential bride desired by Vyasa Deva for his son Shuka, reflecting the traditional view of marriage.[17] (2) Refers to one of the twins born from the fish, known for her extraordinary beauty.[18] (3) Refers to the character who attracts king Shantanu, embodying beauty and allure.[19]
From: Mahabharata (English)
(1) Refers to king Nila's daughter, who is noted for her beauty and has a significant role in the story involving Agni.[20] (2) Indicates the presence of appealing women among the arrangements for guests.[21]
From: Bhagavata Purana
(1) The nymph's daughter who was destined to marry the Pracetasas.[22] (2) Young women adorned with bright gold earrings welcoming Prithu with lamps and auspicious items.[23]
From: Harivamsha Purana
(1) Sundari, praised for her physical attractiveness and charm.[24]
From: Gautami Mahatmya
(1) Various types of girls created with good qualities, one of whom was Ahalya, known for her exquisite beauty.[25]
From: Brihaddharma Purana (abridged)
(1) Satarupa, who was born from Brahma’s left half.[26]
From: Sahitya-kaumudi by Baladeva Vidyabhushana
(1) A phrase denoting admiration for a woman's aesthetics, specifically in the context of defeating the splendor of pearls.[27] (2) O beautiful girl; a reference to an admired and attractive female figure, likely the person being addressed.[28] (3) A reference to an attractive female figure in the text.[29] (4) The girls of Vraja who are characterized by their beauty, specifically noted for their enchanting eyes.[30] (5) A reference to girls who are aesthetically appealing, highlighted in the context of the foremost girl.[31]
From: Kathasaritsagara (the Ocean of Story)
(1) The daughter of merchant Shikhara, who Naravahanadatta wishes to marry.[32] (2) The maiden seen by the narrator who resembles his beloved, captivating him in her simplicity and grace.[33]
From: Dasarupaka (critical study)
(1) The young women of the society, whose appearance was compared to nymphs, depicting the beauty of the time.[34] (2) Refers to Mohanika, whose beauty significantly impacts Bali, highlighting the influence of physical appearance on emotions.[35]
From: Manusmriti with the Commentary of Medhatithi
(1) Describes an attractive maiden that might be shown to the bridegroom to fulfill the marriage contract, creating expectations.[36]
Jain concept of 'Beautiful girl'
In Jainism, the term "Beautiful girl" may symbolize dancers whose graceful movements bring happiness and vibrancy, reflecting aesthetic appreciation and the joy they impart within one's surroundings, particularly in a spiritual or communal context.
From: Bhagavati-sutra (Viyaha-pannatti)
(1) Dancers with gracious limbs who filled the mansion with joy.[37]
The concept of Beautiful girl in local and regional sources
The keyphrase "Beautiful girl" encompasses a range of meanings, symbolizing physical attractiveness and charm, representing potential brides, serving as an inspirational muse, and interlinking themes of love, betrayal, and admiration across various narratives.
From: Triveni Journal
(1) A young female characterized by physical attractiveness and charm, often eliciting admiration.[38] (2) A reference to potential brides for Jagannadharao that were turned away by his father.[39] (3) The object of Bhanu Goonda's affection, whose story intertwines with themes of love and betrayal.[40] (4) A young female characterized by physical beauty.[41] (5) A term used by the Sanyasi to commend Nayanar's daughter, indicating her physical allure.[42]
From: Folklore of the Santal Parganas
(1) The central character of the story, whose beauty is so striking that she seems more than human.[43] (2) A description of the bonga girl that captivates Dukhu's heart.[44]
From: Diaspora of Bhuta (Daiva) worshipping cult—India and Indonesia
(1) The result of the incubation of the egg that emerged as Nyai Pohaci Sanghyang Asri, the beautiful princess.[45]