Significance of Ashvatthama
Ashvatthama, as described in Purana and Kavya, is a significant character known for his combat prowess and connection to Duryodhana's forces. He is the son of Drona, portrayed as a formidable warrior who faces Arjuna in battle. Ashvatthama is characterized by divine-like attributes and is depicted as experiencing deep despair after his father's demise, leading him to seek vengeance. His quest for revenge plays a crucial role in the aftermath of the battle, underscoring his significance in the narrative.
Synonyms: Ashwatthama, Dronacharya's son, Warrior, Immortal being
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Hindu concept of 'Ashvatthama'
Ashvatthama, in Hinduism, is the son of Drona, known for his combat prowess, revenge-driven actions post-battle, and his role as a formidable adversary to Arjuna, embodying both might and despair after his father's demise.
From: Mahabharata (English)
(1) The son of Drona, noted for his combat skills and described with attributes likening him to divine beings.[1] (2) The son of Drona, who challenges Arjuna in battle and serves as another key opponent in the narrative.[2] (3) The wicked-souled son of Drona, who experiences despair at his father's words and wanders over the earth in grief.[3] (4) A mighty car-warrior and a key figure in Duryodhana's forces.[4]
From: Markandeya Purana (Study)
(1) A character who killed the warrior sons of Draupadi, raising questions of fate regarding orphans.[5]
From: Garga Samhita (English)
(1) Ashvatthama; Drona's son who will manifest as the form of Lord Shiva on earth.[6]
From: Bhakti-rasamrta-sindhu
(1) A character who is described as merciless and is eager to shoot arrows at Krishna.[7]
From: Bhishma Charitra
(1) Son of Dronacarya who seeks revenge for his father's death and plays a crucial role in the aftermath of the battle.[8]
From: Dasarupaka (critical study)
(1) The character who recites the epilogue in the Urubhanga, emphasizing the need for the king to protect the earth.[9]