Buddhist Meditation

by Samdhong Rinpoche | 29,256 words

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Chapter Iii

We shall now deal with the object for concentration and the methods of concentration. A beginner's mind is so conditioned that he cannot focus it wholly without the aid of an object to concentrate on; he needs a method, or a teacher.

The object to be chosen for concentration in this system of meditation – which is the achievement of shamatha and vipassana – will differ from person to person. Each will have to choose his object for himself, according to his preference, and whatever is most convenient for him. Naturally, all these instructions and guidelines are only for those serious students who want to meditate until the real shamatha is achieved. For casual meditators who only want to follow a course for a couple of weeks or so the decision about a suitable object can be made quickly. But one who wants to achieve full concentration must take great care in the choice of an object, for if a wrong decision is made the entire meditation may go wrong.

Generally, the objects to choose from fall into two groups. The first consists of those objects or points to concentrate on which affect the nature of the inner body, while the objects in the second group affect the outer body. The concentration on breathing and on the movement of the breath, and concentration on the mind itself belong to the inner body group. A person advanced on this path might start, right from the beginning, to meditate on the mind itself. This would be of great benefit to him at a later stage, also, because sooner or later we all have to meditate on the nature of the mind. That meditation will be our highest aim. But, for beginners, this sort of concentration is difficult because to make a picture or image of the mind is wellnigh impossible. It is for this reason that other suggestions have been given with regard to choosing an object for concentration. To concentrate on the movement of the breath is a good alternative for some people. The breath is closely related to the well-being of the body, and if chosen, as an object for concentration it holds the attention of the mind quite easily. But it also has a difficult aspect because it is constantly moving. However, when it moves, let the mind move with it. In other words, synchronize the movement of the mind with the movement of the breath and you will find that the nature of this very movement will steady the mind.

Then there are those who like to focus their attention on the rising and falling of the chest as they breathe in and breathe out. And there are other ways of concentrating on the breath, but we need not now go into them in detail.

The other objects related to the phenomena outside the body may also be divided into two classes, namely the group related to sound and the group related to forms. In the former, the meditator concentrates, for example, on the sound of a particular akshara or syllable such as the sound of A or Aum, and makes a mental picture of that sound. He does not hear the sound, but concentrates on it. In the latter, he makes a mental picture of, for instance, a deity, or perhaps just a bindu or point (for example, a point of light), that is neither too bright nor too dull. It is not necessary that the meditator should have an image of his deity as a point of concentration, but some people like it. Buddhists generally recommend an image of the Buddha for the beginner, for it not only serves as an object for concentration but at the same time it reminds us of the Buddha nature. Actually, any kind of picture can be used as an object for concentration, but once the choice has been made we must persevere with it and not change it until shamatha is achieved however long that may take.

In all cases the object for meditation should be chosen carefully. For example, a person who is very much influenced by his attachments (raga), should choose an ugly object for which he is not likely to develop a passion or attachment; a person who is easily angered should make a mental picture of and concentrate on the pacifying beauties of nature; a person who suffers from constant and rapid movement of thoughts should choose an object which does not involve much thinking. Another method for finding the right object is to go by natural preferences. For example, some people are more attached to bright objects, while others may prefer dark ones. The tendencies and nature of each person should decide his choice.

In any case the object has some psychological relation to and effect on the one who concentrates on it. Therefore instructors never prescribe the object for concentration nor are they rigid about the type of object. There is a story that in ancient times there was a person who could not concentrate on any object however much he tried. So one day his teacher asked him: 'What did you do when you were young?' The man replied that he had been a cowherd and looked after big buffaloes. 'All right,' the teacher said, 'why do you not concentrate on that? Why not concentrate on the head of a big buffalo?' The story goes on to say that the man followed the suggestion of his teacher and happily achieved shamatha.

The object, then, can be, a part of the body, or it may be an object apart from the physical person. Whatever it may'be, its real value lies in its mentally projected picture. For instance, if a person chooses an image of the Buddha as his object it is not the outer image in itself that he will meditate on. He may look at the object beforehand, or when he starts his concentration, but the real object he is going to meditate on is the picture of that image in his mind. The thought or the memory of an image is not an object. But if we can produce a well-defined picture of the outer image in our mind (whether it be an image of the Lord Buddha, or a deity, or a syllable — akshara – or a point of light), that is the real object of meditation. The shastras also mention that only the pratibimba in our chitta – the picture of the object within our mind, not seen by the eyes, or heard by the ears – is to be recognized as the real object.

The choice of an object is so individual that no one, not even an instructor, can give advice. But by practising experimentally on a different object every day we can eliminate those that are not suitable for our purpose and finally choose the one on which we are able to meditate for a fixed period of time.

When you have made a choice among those objects which you think will fit the purpose, you take that object and experiment again by concentrating on it to see whether you can remember all of it in your mind. If the mind becomes scattered or if it grows sleepy, the object is not suitable. But if you feel that your whole mental force is alert and active when you think of the object and recall it, then it is right for you.

You must now decide on the size and colour of the object. Some people prefer a small object and others a large one. Again, you must experiment and make the necessary adjustments. The usual advice given to a beginner is that the size of the object of his concentration should not be bigger than his own body. If, for example, he wants to concentrate on a tree, he should reduce its size to his own body measurements. On the other hand, it should not be smaller theft can be easily seen by the naked eye.

The next aspect to be taken into consideration is the colour of the object. Black is not considered to be good, but any other colour is suitable. It should be chosen according to one's taste and, again, one should try out several before a definite choice is made.

If one chooses to concentrate on sound, this should be chosen in the same way as regards forms. The final choice in all these things rests always with oneself.

Having decided on the object, the next decision to be made is where it is to be placed and at what height, for this also is important in our efforts to achieve concentration. For some people it is helpful to place the object low – sometimes lower than themselves – while others like it placed high. In general, it is advised to place the object so that one can look at it without raising or lowering one's head.

Now comes the question of how to make a picture of the object. Suppose you would like to make a picture of the Buddha's image. In this case, you should have an image near you and before you go into meditation you should take a good look at it. Then you close your eyes and try to recall what the image looks like. After a while, open your eyes and look again at the image, and then close them and try to recall it once more. Keep on repeating this process until you get a clear picture of the image in your mind. When that has been achieved you should stop looking at the outer object. In the particular system of meditation which 1 am discussing, there should be no object near the meditator once he is able to picture it clearly in his mind.

From this moment, our exercises in concentration Start. We must now consider how to focus our mind and concentrate, and how to open up and direct our full attention to the object. Concentration on an object during meditation is not thought, in the ordinary sense of the word, neither is it perception. It is direct contact, a total focusing of the attention on the object. To achieve an undivided mind is difficult for a beginner because he is not yet able to discriminate between thought and meditative attention. Meditative attention often comes under the cover of thought and so we sometimes need thought in order to start us off. Everything to the point where the object was chosen is a process of thinking, but meditative attention directed to the object means very much more than merely thinking about it.

Let us now go over the process of concentration again, step by step. You look at an outside object and hold the memory of it in your mind. Then try to build the memory into a clear mental picture. Up to this stage you have only used thought. But now comes a change; you leave thought, and the picture rests in the field of the undivided attention of your mind.

Thought is a moving process; it cannot remain focused on one object for long. This is the reason why thought distorts the picture and therefore whatever your thought and mental images may be they are always very different from what really is. Thought only represents your own interpretation of an object, or of whatever it is you see. For example, in thinking of a certain person, your thought never touches him, for the real person is never in the thought process. At present, we cannot do anything about this confusion as we are under the spell of this kind of imaginative mental activity. If we were to shut out all thought so that we did not think at all we would not sufficiently perceive the world around us. Moreover, our whole personality would be shattered and we should be unable to function properly. Without the thinking process all our activities would came to a standstill because our actions are influenced and guided by words and thoughts.

We give names to everything that comes to our knowledge or within our view. This naming or describing of events and experiences is a useful means of classifying and arranging whatever we register with our senses, within the limited framework of our understanding. It is because of this that naming becomes important to us. This means that we actually cannot perceive anything as it is, for a mind which functions within such a limitation is not an open one. Therefore there is no real communication but only a relative connection between what is and the storehouse of memories, words and classifications within our mind. Our whole personality is drowned in this activity of the mind and so we float helplessly in a sea of imagination and illusion.

Buddhists speak about a two-tier system of relative truth and absolute truth. As we have just seen, we live, act and behave in a realm of relativity. It is not absolute truth, or perfect truth, but it is the truth for us. For instance, if somebody hits me on the head with a stick, I cannot say that this is unreal because in fact the bamboo strikes me and I feel the pain. It is a sort of reality and one cannot deny it; it is one tier of truth – a superficial or relative truth. The question is where – in which realm – is this regarded as truth? The answer is, within the realm of our thought process. For our deluded and diluted thinking process, this misery in which we live is truth.

The other tier is the absolute truth beyond which there is nothing. It is the Oneness, the Thatness.

We are now situated between the two tiers. Our whole life is conditioned by this realm of relative truth, whereas in the state of the Absolute, the Ultimate, everything is unconditioned. The transformation from relative truth into Absolute Truth cannot be a planned process. But people are so dependent on time-tables that scheduled processes are regarded as indispensable.

At the present stage our mind is very conditioned. Therefore, when we try to put its individual force – the totality of attention – on our mental picture, it often happens that we either distort the picture by our thoughts, or we distort the mental force by our thinking processes. This is all due to the scattered condition of the mind. It takes time to distinguish between meditative attention and ordinary thought. The latter can be used when thinking seriously of an image that has been placed in front of us. That is a normal thinking process. But putting the attention on the picture of the image projected in the mind is a part of meditation.

What qualities the mind should have has always been considered an important question and it is here that many people make mistakes. Many would be meditators, due to the lack of these qualities, waste their time and, going in the wrong direction with their meditation, achieve nothing. It is for this reason that many ancient acharyas or teachers denied the importance of meditation, because, according to them, the denial of meditation is meditation and its acceptance is a delusion. This is a very subtle point. However, other teachers lay down guidelines for meditation, such as that the mind should be clear, attentive, and focused on one point without distortion or disturbance.

When we try to bring this about, we discover how mischievous the mind is, how scattered it is and how unable it is to give itself in totality. It is so active that it wants to do a hundred different things at the same time; its energy or force is so divided that nothing is seen as it is in reality. Indeed so constantly and rapidly does it move that everything perceived by it is a delusion. We cannot see anything clearly or perceive one single thing that is undistorted. It is like sitting in a fast-moving car or train. We are not able to see anything outside clearly and it seems that the trees and electricity poles are shooting past us. But we know, of course, that this is an illusion; it is not the objects that are shooting by, it is we who are moving so fast.

We fail to perceive the nature of 'Thatness' because of the unstable state of our mind. The mind must first be pacified and in order to do this, we meditate. By meditating on one object, we wean our mind away from constant movement to steadiness. Steadiness of mind is, of course, also a state, but we have to accept that state for the time being. An Acharya explained the matter thus: 'If you have a piece of paper which has always been rolled up in one direction and you want to straighten it out, you will have to roll it in the opposite direction.'

It is dangerous to put the mind into a state of dullness. Some people think that if they immerse themselves in an object and slide into a sort of doze, that is meditation, and because their mind is no longer scattered they think that they have stabilized it. But one does not stabilize one's mind by letting it get absorbed in this manner; on the contrary, it is the wrong approach to meditation because clarity and attentiveness of mind are lost in this practice. Sometimes, by sinking into this sort of drowsiness, after a period, people may achieve a kind of peace-fulness or a pleasurable feeling of physical and mental well-being and relaxation. And if this state is maintained for a longer period, the breathing may even stop for some time and they may even think that they have reached the state of samadhi, but that is not so. If people are in such a doze that the attentiveness, alertness, active participation and clarity of mind are lost, concentration has no meaning or value. Moreover, the positive qualities of mind will be lost and it will become forgetful, inactive and lazy. We must, therefore, take every precaution, right from the beginning, that concentration on the object is accompanied by attentiveness, alertness, clarity, and the active force of a participating mind. When it is left unguarded, the mind behaves like a monkey. It never rests on one point, but constantly moves hither and thither. When the mind is steadied by concentration on one object this activity begins to subside. It is important that the energy of the mind should not be lost or scattered but channelled and directed to one object. During the process of concentration the mind should be watched to see that it does not move in different directions.

It may appear as if the mind is divided anyway, because one part is engaged in making a picture while another part is concentrating on that picture. How, then, is it possible to concentrate with an undivided mind? These apparent contradictions that come up when we discuss meditation are the result of using words to explain metaphysical forces. Each one will have to experiment and find out for himself how to resolve the apparent contradictions. If he is serious, the solution will come by itself.

As stated before, as soon as a mental picture is built up the work of thought is finished. When you withdraw the thought you will find that you are losing the picture because the picture was not held by the entire mind; it was held only by your thought. When, for instance, you have built up a mental picture of the Buddha you should sustain it with the strength of the fully concentrated mind. You should not treat it as imagination, because it is not a thought. As a matter of fact, you will not even see it as a picture or think of the Buddha at all. The word 'Buddha' is not in your head because there is no memory and thus you cannot remember that name. You just keep the picture in your mind. Hold it without thought, recognition or words. Similarly, if you have made a picture of a globe of light in your mind, you should not think, 'This is a round light.' You should have no thoughts, words, or even a memory of the word 'light'. Once you are able to do this – to make and hold a picture in your mind – you will have achieved concentration. And after this has become a fact for you, you will have a great liking and inclination to meditate and you will not ever want to give it up.

When we look at a picture, it is reflected in the eyes; one might say that the picture is seen inwardly through the eyes. The eyes perceive the totality of the picture and not its symbol. Then thought intervenes and identifies the picture as a mountain, painted by a well-known artist, and perhaps urges you to buy it. But the eye itself has no discrimination; it only sees the picture. The sensual mind always distorts outer objects and that is exactly what happens during our attempts to concentrate. We build up a picture through the force of thought. Then we put our whole attention on it without thought, or any other disturbing element. After this has been done we hold the picture through the full concentration of an undivided mind. Everything else is pushed away. This is difficult, and we shall have to try it again and again, but later we may find that all of a sudden, perhaps only for a second or so, we are able to focus properly before the mind is scattered again.

We have examined how to acquire the power of concentration necessary for meditation. Now we shall go a step further and find out how to employ, or call on, our total mind whenever we wish. The average person's mind is weak, but the nature of mind itself is not weak. The Buddha consciousness and the consciousness of the smallest insect are, in essence, not different: mind is mind and its nature is very clear. But the Buddha was able to employ the totality of his mind whenever he wished to do so; in other words, he had full command over his whole mind or consciousness, whereas insects and even ordinary people have not. As a matter of fact, most human beings use only a very insignificant part of their mind; the rest is unused. But the nature of our mind is not weak because it is potentially capable of achieving Buddhahood which is the highest consciousness man can reach on earth. The purpose of meditation is to train the mind by controlling it and thus bringing it under command. So, from the very beginning, our meditation must begin to control the mind by focusing its total attention on one point. When we have achieved perfection here, we can change our object of concentration and branch out with our meditative practices over a wider field.

Breathing should be normal during concentration. To make it so, Buddhist meditators often use the method of breathing in and out, nine times, in the following manner.

  1. Breathe in through the left nostril, keeping the right nostril closed; breathe out through the right nostril, keeping the left nostril closed. Repeat this three times.
  2. Breathe normally through both nostrils three times.
  3. Now breathe in through the right nostril keeping the left nostril closed; breathe out through the left nostril keeping the right nostril closed.

Repeat this also three times. Steps 1, 2 and 3 form one exercise and should be repeated nine times. After step 3, step 2 can be repeated, then steps 1, 2 and 3 again, and so on. You may continue with this exercise until your breathing is normal.

These breathing exercises are also very helpful in clearing a blocked nose due to a cold. Here is another method used by many yogis to clear a blockage in the nose. If the blockage is in the left nostril, put something hard under the right armpit and keep it there for a few minutes until the nose is unblocked. Similarly, if the blockage is in the right nostril, the hard object should be pressed under the left armpit. The back of a chair may be used for this purpose. It is important that the nose is free from blockages, for these obstructions disturb the practice of meditation very much. Breathing through the mouth is not good and is not recommended for meditation. Great care should be taken that your health is good if you want to practise meditation.

 

QUESTIONS AND ANSWERS

Q. What is the role of will-power in meditation? Is it helpful?

A. A certain amount of will-power is necessary for everything one wishes to do, including meditation. But will-power alone cannot do the work for you. You cannot achieve concentration without continuous practice.

Q. Can there be perception of a statue of the Buddha without a movement of thought? – pure perception involving just the eye and the statue?

A. Yes.

Q. But there is no statue – just a picture in the mind.

A. Exactly.

Q. Then, I feel, the analogy is not exact if one says there is only the eye and the picture, because the picture itself is thought. It may not be movement of thought, but it is thought. The picture is created by thought, whereas the statue is not created by thought, except indirectly.

A. We cannot concentrate our whole mind on an outer object and so we create a mental picture. After the creation of this mental picture the movement of thought ceases. Now, in the ordinary process, once the movement of thought ceases the picture also disappears because the picture is thought. However, when we focus on the picture through meditative concentration, with the fullness of our mind, it involves the totality of the mind, and this is not of the nature of thought; it is the clarity of the mind which holds the picture. In other words, when we are able to hold a picture with the totality of our mind, the picture is not thought; it is mind. The mind is not thought at that moment.

Q. But does the mind need a picture?

A. In deep meditation, the mind can concentrate on mind. But most people need a picture in order to help focus the mind. The picture, created by thought, becomes a sort of invitation to the mind to focus, and when the mind focuses intently the thought disappears in the totality of the mind. But the effect of the thought still remains and that is what the mind holds on to in order not to get scattered. You will find at a later stage that that mental picture has become a reality and the concentration of mind has become a perception.

Q. Is the memory stored in the brain or in the mind?

A. I do not know what the scientific answer is to this question: Buddhist literature does not speak about the brain, but only about the organ of the mind. Whatever our experiences may be, they leave an impression on the basic continuity of mind which, in turn, depends on the duration of the organ. So if the organ undergoes change the continuity is lost. Still, some impressions received in it are very deep and they are the impressions which people sometimes remember in their next life.

Q. Do clothes have an influence on your meditation?

A. Yes. Always wear loose, comfortable clothing because tight clothing pressing on the body creates tension.

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