Part 10 - Diwata (Indonesia)

Deva is the Hindu term of the Deity; however, devata (The languages of Batak: debata (Toba), dibata (Karo), naibata (Simalungun); the Filipino languages: Diwata) are smaller and more diva-focused. The term "devata" can also mean deva (pl: devatas, meaning gods). There are male and female doctors. There are several types of devatas: vanadevatas (forest spirits, perhaps descendants of the cults of the first natural spirits), gramadevata (village goddesses), devatas of river crossings, caves and mountains, etc. in Hinduism, called devatas which guard eight, nine and ten key points Lokapala Directions), or more accurately in the old tradition of Java, Dewata Nawa Sangha (Guards new directions). Each human activity has a Divata, its counterpart, or its spiritual side.

Hindu genes in the Kuncan region are often divided into five categories:

1. Grama devatas or village goddesses, for example, Hanuman, Kalika, Amba, Bhairava.

2. Devatas Sthana or local gods, for example, those of some shrines such as Rama in Nasik, Vithobain Pandharpur or Krishna in Dwarka.

3. cola devatas or family gods, like Khanderai.

4. Devata devatas or choose deitie

5. Dasta Wastu or Gruha devatas, a class of gods who preside over the house.^[1]

Some Hindus and Buddhists known celestial beings belong to the devatas group such as Absara or Vidhyadari. The heavenly virgin sent by Indra to seduce the ascetics contemplates svarga and their counterparts of men. Gandharvas. The Heavenly Musicians. Hindu episodes, such as Ramayana and Mahabharata, as well as some Buddhist scriptures, often have consequences. The island of Bali is also known as Pulau Diwata (Indonesian: "Devata Islands or Island of the Gods") because of its Hindu culture and traditions. In Bali, there are many performances dedicated to hyang, guardian spirits associated with devata.^[2]

Diwata

In Philippine legends, Diwata (derived from Sanskrit devata enc encantada in Spanish) is a kind of deity or spirit. The term "Diwata" has come on its own since its foundation in the legends of pre-colonial Filipinos. It has its origins in Hindu and Buddhist devata objects.

When the Spaniards conquered the Philippines, the common meaning of the term from the goddess was reduced to a dry, good or neutral spirit. These liturgical spirits have been called to promote the growth, health and wealth of cultures; however, they have also been considered to be ill or ill-advised if they are not respected.

They are said to live in large trees, such as Acacia and Paletta, and are seen as lifesustaining spirits: they throw blessings or curses at those who have brought benefits or damaged forests to the mountains.

In modern times, the term "diwata" is sometimes used to refer to a general type of object, just like "elf" or "fairy", or very specific types. The term "diwata" is synonymous with "anito" and the word "diwata" is more common in the southern Philippines, while "anito" takes its place in the northern regions.

Specifications

Although there are many different stories about what should be the case, there is a general trend: they are usually human in appearance -beautiful and without any difficulty at all -except for some distinguishing features. This can take the form of a lack of vltar or a smooth, fresh, nail-like skin, without wrinkled parts like elbows and knees. They tend to be more fair than average, as pale skin has been associated with supernatural phenomena even during the pre-colonial period (for example, the belief of "white lady" is prevalent in the Asian regions of the East and South East).

Vesayan epics, such as Henelawood, are described as very beautiful, some with golden skin, others with light, clear complexions.

Concepts

The pre-colonial people of the Philippines believed and worshiped Divas and believed they were deities created by the One True God to help manage His creation. The term "diwata" applies to male and female deities (eg, Diwata Barangaw, who is the male god of rainbow).

The Philippines was revered and sanctified in the pre-colonial Philippines. They are described as superior in beauty, knowledge and fighting skills. They are asked and offers are made to respond to requests and respond to prayers.

In the modern concept, due to the Spanish destruction of much of the pre-colonial Philippine culture, the rank and image of the deity goddess was transformed into a witch or a fairy.

Lambana

The term lambana, which means "everything depends on" in Sanskrit, is an ancient Tagalog word for a drawing or image symbolizing the god of the ancient idolatry of the Tagalog people. A term used in small winged creatures (Orcs) who help and serve serfs and maids maids,

Encanto

He invented male duets as enkanto, thinking of them as a completely different race. She is thought to be spiteful with a very pale complexion with a white complexion that shines under direct sunlight, light hair and fangs. It is located mainly near the sea or any water body. Filipino fishermen usually offer meat and other delicacies by throwing them into the sea after a long day of fishing.

Popular legends say that Diwata live in tree trunks, in the form of spirits. In the Philippines, it is common to see trees with logs longer than 5 or 6 when logging. It is believed that this prevents the release of the soul, because it does not know whether the spirit of "white" or "black." If he is a black spirit, it is believed that he can cause a serious calamity for those who stole his home.

Enkantos has many similarities with humans in terms of age, they seem to have male and female, and can suffer from diseases and die. They are the legends of many Filipinos, because they are often described as muscular and muscular men with blue blue eyes, soft skin and golden hair. They may have unusual properties such as nose-shaped bridge, light skin and absence of filaris. It is also known to be longer than humans. Some say they have paper-shaped ears that shine under direct sunlight or grow sharp teeth when threatened.

Other forms of sexual demuria appear as the lives of Bagobo, separated into two parts: tahamaling female and male mahomanay. The female spirit is supposed to have a red complexion while the male has a clear complexion. Their habitats will usually appear as natural elements, for example large rocks or trees, although they may appear as wonderful tombs for humans.

These creatures prefer large trees such as balete by which they place their possessions.^[3]

Footnotes and references:

[1]:

R.E. Enthoven; A. M. T. Jackson (1915). Folklore Notes, Vol. 2, Konkan. Bombay: British India Press, Mazgaon.

[2]:

Palani, Sivasiva. "New Angles On Angels." Hinduism Today, Sep 1992. Accessed 11 May 2006.

[3]:

William Henry Scott's Barangay: Sixteenth-Century Philippine Culture and Society, 1994 ISBN 9789715501354