Transitory feeling: 1 definition
Introduction:
Transitory feeling means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)Transitory feelings (of mind) in Indian Dramas, are denoted by the Sanskrit term Sañcāribhāva, according to the Sāhityadarpaṇa.—The state of utsāha is the sthāyībhāva of vīrarasa. It increases energy and excitement to mind and projects the heroic sentiment through the sañcāribhāvas i.e., transitory feelings of mind like: dhṛti i.e., firmness, mati i.e., intellect, garva i.e., pride, smṛti i.e., memory, tarka i.e., speculation and romāñca i.e., horripilation.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
Partial matches: Feeling.
Full-text: Samcaribhava, Smriti, Dhriti, Mati, Romanca, Garva, Tarka, Intellect, Memory, Firmness, Speculation, Sthayibhava, Vyabhicari, Vyabhicarin, Horripilation, Pride.
Relevant text
Search found 5 books and stories containing Transitory feeling; (plurals include: Transitory feelings). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
1.3. Elements of Drama (f): Dramatic Style < [Chapter 3 - Drama and Dance]
The Agni Purana (by N. Gangadharan)
Chapter 341 - Description of the actions and movements of the limbs
Chapter 339 - Description of the sentiments, emotions, hero etc. (rasa)
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Elements of Āṅgika-abhinaya in Nāṭyaśāstra < [Chapter 1 - Nāṭya]
Gati used for the delineation of Bhāva and Rasa < [Chapter 3 - Application of gati in Dṛśya-kāvyas]
These Witty and Humorous Road Signs < [July – September, 2006]
Sri Krishna-Chaitanya (by Nisikanta Sanyal)
Chapter 3 - The Highest Worship of Sri Krishna < [Volume I - Introductory]