Shringaraprakasha, Śṛṅgāraprakāśa, Shringara-prakasha: 3 definitions
Introduction:
Shringaraprakasha means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term Śṛṅgāraprakāśa can be transliterated into English as Srngaraprakasa or Shringaraprakasha, using the IAST transliteration scheme (?).
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: archive.org: Bharatiya vastu-sastra (Poetics)Śṛṅgaraprakāśa (शृङ्गरप्रकाश) (dealing with Poetics) refers to one of the works ascribed to King Bhoja, according to Bisheshwar Nath Reu.—King Bhoja of Dhārā, one of the greatest rulers of India, ruled from 1018 to 1060 A.D. He was great in the art of Government and war, but still greater in the art of peace. He had earned immortal fame as a great patron of poets and men of letters and a mass of legends has grown about his name. He is reported to be the author of more than three dozen works [i.e., Śṛṅgaraprakāśa]. [...] Śrī Viśveśvara Nātha Reu has laboured very hard in his treatise on ‘Rājā Bhoja’ (publsihed by Hindustani Academy) in collecting all the available material on the subject to give an account of the life and works of Bhoja. He has given a list of the following thirty-four books ascribed to Rājā Bhoja of Dhārā [i.e., Śṛṅgaraprakāśa]
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Sanskrit dictionary
Source: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus CatalogorumŚṛṅgāraprakāśa (शृङ्गारप्रकाश) as mentioned in Aufrecht’s Catalogus Catalogorum:—Quoted by Rāyamukuṭa, and Hemādri on Raghuvaṃśa.
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English DictionaryŚṛṅgāraprakāśa (शृङ्गारप्रकाश):—[=śṛṅgāra-prakāśa] [from śṛṅgāra > śṛṅga] m. Name of [work]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
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Search found 11 books and stories containing Shringaraprakasha, Śṛṅgāraprakāśa, Shringara-prakasha, Śṛṅgāra-prakāśa, Srngaraprakasa, Srngara-prakasa; (plurals include: Shringaraprakashas, Śṛṅgāraprakāśas, prakashas, prakāśas, Srngaraprakasas, prakasas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Vastu-shastra (1): Canons of Architecture (by D. N. Shukla)
(i) General Introduction < [Chapter 1 - Introduction]
Mudrarakshasa (literary study) (by Antara Chakravarty)
4. Conclusion < [Chapter 2 - Delineation of Rasa in Mudrārākṣasa]
2. Classification and number of Alaṃkāras < [Chapter 3 - Use of Alaṃkāras in Mudrārākṣasa]
Kuntaka’s evaluation of Sanskrit literature (by Nikitha. M)
Origin and development of Sanskrit poetics < [Introduction]
2. The concept of vakrokti in earlier poeticians < [Chapter 1 - Vakroktijīvita: A Synoptic Survey]
3. Harivijaya in Kuntaka’s treatment < [Chapter 3 - Kuntaka’s estimation of Mahākāvyas of other Poets]
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Bhāratī-vṛtti (eloquent bearing) < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Vasudevavijaya of Vasudeva (Study) (by Sajitha. A)
Kavyamimamsa of Rajasekhara (Study) (by Debabrata Barai)
Part 1.2 - Meaning and changibality of the term Sāhitya < [Chapter 5 - Analyasis and Interpretations of the Kāvyamīmāṃsā]
Part 3.11 - Nature of Vākya (sentence) and their types < [Chapter 5 - Analyasis and Interpretations of the Kāvyamīmāṃsā]