Season: 2 definitions
Introduction:
Season means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)The Seasons are associated with Svastikahasta: one of the thirteen Combined-hand Gestures (in Indian Dramas) (known as saṃyuktahastas), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—In Sanskrit the word svastika denotes spiritual things. According to the Viṣṇudharmottarapurāṇa, in svastikahasta, both hands are kept in arālahasta. In this posture, the palm should be upward and lying on twisted sides and kept on the wrists. This kind of hastamudrā is used to show something which is widely spread, seasons, sky, cloud, sea and the earth.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shilpashastra (iconography)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (shilpa)The Seasons refers to classes of natural objects and phenomenon which follows specific guidelines in the tradition of ancient Indian Painting (citra), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—Every season has its own peculiarities and charms. The seasons always encourage the painters to grab different ideas from the nature. The Viṣṇudharmottarapurāṇa also gives some instructions to make the picture of every season beautiful and natural.
The six seasons are:
- The spring season (vasanta);
- The summer season (grīṣma);
- The rainy season (varṣā);
- The autumn season (śarat);
- The [early winter] season (hemanta);
- The winter season (śiśira).
The close relationship between the mode and time is noticed in the Rāgamālā pictures also where seasons, natural activities, feelings, emotions, sentiments etc are fused as Painting. The Rāgamālā pictures depicts the time of day and night and sometimes the changing weather of different seasons which are noticed as appropriate to the respective mode.
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
See also (Relevant definitions)
Ends with: Hot season.
Full-text (+2127): Ritu, Grishma, Hemanta, Varsha, Shishira, Vasanta, Shitakala, Shadritu, Vrishtikala, Sharatkala, Ritugana, Ghanakala, Nidagha, Akala, Pravrish, Ghanatyaya, Rituparyaya, Tapatyaya, Sharad, Graishma.
Relevant text
Search found 338 books and stories containing Season; (plurals include: Seasons). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Chandogya Upanishad (Shankara Bhashya) (by Ganganatha Jha)
Section 2.5 (fifth khaṇḍa) (two texts) < [Chapter 2 - Second Adhyāya]
Section 2.16 (sixteenth khaṇḍa) (two texts) < [Chapter 2 - Second Adhyāya]
Section 2.6 (sixth khaṇḍa) (two texts) < [Chapter 2 - Second Adhyāya]
Kavyamimamsa of Rajasekhara (Study) (by Debabrata Barai)
Part 8.8 - Region of Madhyadeśa (central part) < [Chapter 5 - Analyasis and Interpretations of the Kāvyamīmāṃsā]
Part 8.14 - Characteristics of Grīṣma-kāla (summer season) < [Chapter 5 - Analyasis and Interpretations of the Kāvyamīmāṃsā]
Part 9 - Deśa-vibhāga and Kāla-vibhāga < [Chapter 3 - Contribution of Rājaśekhara to Sanskrit Poetics]
Satapatha-brahmana (by Julius Eggeling)
Kāṇḍa V, adhyāya 5, brāhmaṇa 2 < [Fifth Kāṇḍa]
Kāṇḍa II, adhyāya 1, brāhmaṇa 3 < [Second Kāṇḍa]
Kāṇḍa VIII, adhyāya 7, brāhmaṇa 1 < [Eight Kāṇḍa]
Shrimad Bhagavad-gita (by Narayana Gosvami)
Verse 10.35 < [Chapter 10 - Vibhūti-yoga (appreciating the opulences of the Supreme Lord)]
Verse 3.14 < [Chapter 3 - Karma-yoga (Yoga through the Path of Action)]
Verses 9.16-19 < [Chapter 9 - Rāja-guhya-yoga (Yoga through the most Confidential Knowledge)]
Sushruta Samhita, volume 1: Sutrasthana (by Kaviraj Kunja Lal Bhishagratna)
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
7(c): Natural Objects and Phenomenon in Painting < [Chapter 5 - Painting and Image Making]
5. The Viṣṇudharmottara-purāṇa and the Modern Paintings < [Chapter 6 - Modern Relevance of Different Art Forms and Architecture]
2.2. Hand Postures (b): Saṃyukta-hasta < [Chapter 3 - Drama and Dance]
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