Evening: 2 definitions
Introduction:
Evening means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)The Evening is associated with Puṣpahasta: one of the thirteen Combined-hand Gestures (in Indian Dramas) (known as saṃyuktahastas), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—According to the Viṣṇudharmottarapurāṇa, in puṣpapuṭa posture, both hands are joined together by their sides and the fingers of both hands should be in sarpaśīrṣa position. In the Abhinayadarpaṇa, this posture is said to use in waving beams in front of the image of god, as an act of adoration, taking of water, fruit etc, giving offerings, evening and a flower invested with magical power.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shilpashastra (iconography)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (shilpa)The Evening follows specific guidelines of ancient Indian Painting (citra), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—In ancient time Brahmins had to be engaged with their daily rituals during evening time. Taking this as a theme the Viṣṇudharmottarapurāṇa suggests the painters to show the evening time with the picture of the Brahmins who are busy in their rituals of evening and the picture should be adorned with red glow.[9] Bānabhatta projects the picture of the evening time with the colour of glowing red as that time the Sun adopts the color like red sandal.
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
See also (Relevant definitions)
Starts with: Evening primrose, Evening trumpetflower.
Ends with: Pleasant evening.
Full-text (+795): Sandhya, Pradosha, Sayamkala, Rajanimukha, Dinanta, Sayam, Saya, Samdhya, Pradoshakala, Abhisayam, Anusayam, Trikala, Sanjha, Dosha, Pratisayam, Pradoshaka, Ushas, Anusandhyam, Susaya, Atisayam.
Relevant text
Search found 297 books and stories containing Evening; (plurals include: Evenings). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Tiruvaymoli (Thiruvaimozhi): English translation (by S. Satyamurthi Ayyangar)
Introduction to Section 9.9 < [Section 9 - Ninth Tiruvaymoli (Mallikai Kamal)]
Ninth Centum, in retrospect (Decad-wise Summary) < [Book 9 - Ninth Centum]
Pasuram 10.3.5 < [Section 3 - Third Tiruvaymoli (Vey maru tol inai)]
Vernacular architecture of Assam (by Nabajit Deka)
Architecture (e): The Courtyard (Chotal) < [Chapter 3]
Buddhist Communities (d): Tai Aiton Vernacular Architecture < [Chapter 6]
Dimasa Dormitory: Nodrung < [Chapter 8]
Puranic encyclopaedia (by Vettam Mani)
Manusmriti with the Commentary of Medhatithi (by Ganganatha Jha)
Verse 2.224 < [Section XXX - Rules to be observed by the Religious Student]
Verse 2.96 < [Section XVIII - Control of Sensual Desires]
Verse 3.121 < [Section VII - Duties of the Householder]
Srila Gurudeva (The Supreme Treasure) (by Swami Bhaktivedanta Madhava Maharaja)
Śrī Kṣīra-corā Gopīnātha < [Chapter 1.3 - The Preaching of Śrī Narottamānanda Prabhu to Śrīla Gurudeva]
The story of Śrīman Nārāyaṇa Prabhu < [Chapter 2.3 - I Must Do Bhajana]
Śrī Kṛṣṇa is always in Vraja < [Chapter 2.4 - The Uttamā Bhāgavata and Kṛpa-Pātra]
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